Bhakti Sandarbha is the fifth Sandarbha of Jīva Gosvāmī. The first Sandarbha deals with pramāna, the Bhāgavatam. The second, third and fourth Sandarbhas deal with sambandha: defining the Lord in his aspects as Paramātmā, Bhagavān and Kṛṣṇa. The present Sandarbha deals with the abhideya (method), the sādhana of bhakti. This is the means to realize Kṛṣṇa. The same topic is covered in the second chapter of the Eastern Section of Bhakti-rasāmṛta-sindhu of Rūpa Gosvāmī, but is expanded greatly. It discusses the spiritual nature of this process, the qualification of bhakti, the various actions of bhakti, vaidhi and rāgānuga types, mixed and pure forms of bhakti and various types of devotees.
The Sandarbhas are one of Jīva Gosvāmī's major works. Sandarbha literally means "stringing together." Baladeva explains, "The wise say a Sandarbha is that which possesses various matters of importance which should be known. Bhāgavatam verses are gathered together (sandṛbhyate)."In this case, it is a literary composition consisting of a series of prose sections mixed with verse mainly from Bhāgavatam. It is in six parts which explain Gauḍiya epistemology, theology and philosophy. Tattva Sandarbha deals with the epistemology, while Bhagavat, Paramātmā and Kṛṣṇa Sandarbhas deal with object of worship (sambandha). Bhakti Sandarbha deals with the process or abhidheya, bhakti, and Prīti Sandarbha deals with the goal or prayojana, prema.Tattva Sandarbha first explains the various pramāṇas or methods of proof and concludes that śabda or scripture is the strongest. Using scriptural proofs, finally Bhāgavatam is concluded to be the best among all scriptures. The second part of Tattva Sandarbha explains prameya--what is proved by Bhāgavatam: Kṛṣṇa as the object of worship, bhakti as the method and prema as the goal. These topics are expanded in the other Sandarbhas.
The historical shift from Vedic traditions to post-Vedic bhakti (devotional) traditions is accompanied by a shift from abstract, translocal notions of divinity to particularized, localized notions of divinity and a corresponding shift from aniconic to iconic traditions and from temporary sacrificial arenas to established temple sites. In Bhakti and Embodiment Barbara Holdrege argues that the various transformations that characterize this historical shift are a direct consequence of newly emerging discourses of the body in bhakti traditions in which constructions of divine embodiment proliferate, celebrating the notion that a deity, while remaining translocal, can appear in manifold corporeal forms in different times and different localities on different planes of existence. Holdrege suggests that an exploration of the connections between bhakti and embodiment is critical not only to illuminating the distinctive transformations that characterize the emergence of bhakti traditions but also to understanding the myriad forms that bhakti has historically assumed up to the present time. This study is concerned more specifically with the multileveled models of embodiment and systems of bodily practices through which divine bodies and devotional bodies are fashioned in Krsna bhakti traditions and focuses in particular on two case studies: the Bhagavata Purana, the consummate textual monument to Vaisnava bhakti, which expresses a distinctive form of passionate and ecstatic bhakti that is distinguished by its embodied nature; and the Gaudiya Vaisnava tradition, an important bhakti tradition inspired by the Bengali leader Caitanya in the sixteenth century, which articulates a robust discourse of embodiment pertaining to the divine bodies of Krsna and the devotional bodies of Krsna bhaktas that is grounded in the canonical authority of the Bhagavata Purana.
Bhagavat Sandarbha is the second Sandarbha. After showing in Tattva Sandarbha that the principal proof among all scriptures is Bhāgavatam, Jīva Gosvāmī also indicated that the subject presented in Bhāgavatam is Bhagavān. This Sandarbha commences to describe Bhagavān, distinguishing him from Brahman and Paramātmā. Since Brahman is merely an incomplete realization of Bhagavān, a separate Sandarbha is not need to describe it. Paramātmā, however, having special functions related to creation of the material world and manifestation of the jīva, is described in the next Sandarbha.
Examines how embodiment is conceived and experienced in South Asian religions. Refiguring the Body provides a sustained interrogation of categories and models of the body grounded in the distinctive idioms of South Asian religions, particularly Hindu and Buddhist traditions. The contributors engage prevailing theories of the body in the Western academy that derive from philosophy, social theory, and feminist and gender studies. At the same time, they recognize the limitations of applying Western theoretical models as the default epistemological framework for understanding notions of embodiment that derive from non-Western cultures. Divided into three sections, this collection of essays explores material bodies, embodied selves, and perfected forms of embodiment; divine bodies and devotional bodies; and gendered logics defining male and female bodies. The contributors seek to establish theory parity in scholarly investigations and to re-figure body theories by taking seriously the contributions of South Asian discourses to theorizing the body.
Eleven Lessons in the Ancient Science of Bhakti-yoga Across five centuries and half the globe comes this compact guidebook of essential spiritual teachings. How to choose a guru, how to practice yoga, even where to live — you'll find it all in this invaluable work originally written in Sanskrit by Srila Rupa Gosvami, the greatest spiritual genius of medieval India. Now translated and illuminated by Rupa Gosvami's modern successor, His Divine Grace A. C. Bhaktivedanta Swami Prabhupada, the Nectar of Instruction is the key to enlightenment for all seekers on the path of spiritual perfection.
In course of his studies in Sanskrit literature and research relating to various aspects of it, the author of the present work often felt the need of a vade mecum containing brief accounts of authors and works, information about the principal characters of Sanskrit plays, poems and prose works, the meaning of certain technical terms in common use, the common geographical names and the notable myths and legends. A Companion to Sanskrit Literature, the first work of its kind, covers a period of nearly 3500 years from the Vedic age down to the modern times. It seeks to acquaint the reader, within a brief compass, with the contents of outstanding works and authors in Sanskrit literature, followed by up-to-date bibliographies. Brief accounts of the important character in well-known poems, dramas and prose works have also been given. Important geographical names, with their modern identification as far as practicable, have also been laid down. Common technical terms, used in the different branches of Sanskrit literature, have been briefly explained, Prominent figures in myths and legends have been dealt with. In a number of appendices, various kinds of useful information about Sanskrit literature including sciences, sports and pastimes, etc. in ancient and medieval India have been set forth. It is an indispensable vade mecum for the general readers, the specialists and researchers. It is like a capsule taking the reader through the vast firmament of Sanskrit literature up to remote ages. -- Amazon.com.
How do religious groups reinvent themselves in order to attract new audiences? How do they rebrand their messages and recast their rituals in order to make their followers more diverse? In Branding Bhakti, Nicole Karapanagiotis considers the new branding of the Hare Krishna Movement, or the International Society for Krishna Consciousness (ISKCON). Known primarily for their orange robes, shaved heads, ecstatic dancing on the streets, and exuberant Hindu-style temple worship, many contemporary ISKCON groups are radically reinventing their public presentation and their style of worship in order to attract a global audience to their movement. Karapanagiotis explores their innovative and complex approaches in both the United States and India by following three new ISKCON brands aimed at gathering new followers. Each is led by a world-renowned ISKCON guru and his global disciples, and each is promoted through a mix of digital and social media and the construction of an innovative "worship-scape." These new spaces trade ISKCON's traditional temples for corporate work-life balance programs, posh yoga studios, urban spiritual lounges, edgy mantra clubs/lofts, and rural meditative retreat facilities. Branding Bhakti not only investigates the methods the ISKCON movement uses to position itself for growth but also highlights devotees' painful and complicated struggles as they work to transform their shrinking, sectarian movement into one with global religious appeal.
