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Author: Geoffrey V. Davis
Publisher: Routledge
Published: 2020-11-25
Total Pages: 264
ISBN-13: 1000150135
DOWNLOAD EBOOKThis book provides the reader with a comprehensive view of Matsemela Manaka's plays, namely, Egoli, Pula, Children of Asazi, Toro, and Goree and discusses three of his essays: 'Theatre of the dispossessed', 'The Babalaz people', and 'Theatre as a physical word'.
Author: Matsemela Manaka
Publisher: Taylor & Francis
Published: 1997
Total Pages: 264
ISBN-13: 9789057021602
DOWNLOAD EBOOKFirst Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Matsemela Manaka
Publisher: Routledge
Published: 2013-11-26
Total Pages: 264
ISBN-13: 1134406657
DOWNLOAD EBOOKFirst Published in 2004. This volume presents a representative selection from the work of one of the most innovative of the younger generation of South African dramatists, Matsemela Manaka, who productions have been acclaimed not inly in is home country but also tour in Europe and America. Includes are the Egoli, Pula and Children of Asazi, Toro and Goree. Each play has been edited with the particular needs of readers outside South Africa in mind; unfamiliar references have been annotated and African-language passages in the texts provides with English translation. To facilitate a comprehensive view of Manaka's work a number of his essays on the practice of 'theatre for social reconstruction' have been reprinted along with a long introduction by Geoffrey V. Davies.
Author: Goeffrey V. Davis
Publisher: Harwood Academic Publishers
Published: 1997-09-01
Total Pages: 160
ISBN-13: 9783718655960
DOWNLOAD EBOOKAuthor: Geoffrey V. Davis
Publisher: Harwood Academic Publishers
Published: 1997-11-01
Total Pages: 160
ISBN-13: 9783718656028
DOWNLOAD EBOOKAuthor: Anthony Howell
Publisher: Psychology Press
Published: 2001
Total Pages: 156
ISBN-13: 9789057551239
DOWNLOAD EBOOKIn this account, Anthony Howell, a frequent visitor to Serbia, describes the intellectual life which continued to flourish in Belgrade (at least until his last visit in the Spring of 1997), lectures by Victor Burgin and by the British Ambassador, exhibitions, theatre festivals and events by Serb artists, his own performances and how they were received, his excursions to historical sites and his intimate relationship with a young woman in Belgrade which revitalised his existence after the death of his mother. The journal is thus a contemporary 'sentimental journey' and concerned with describing the self as well as the environment. An afterword charts the author's reaction to the Kosovo conflict of 1999.
Author: Nick Kaye
Publisher: Routledge
Published: 2013-11-05
Total Pages: 301
ISBN-13: 1134370466
DOWNLOAD EBOOKArt Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished, of the works under discussion. Ranging from the austerity of Cage's 4'33" through the inter-species communication of Schneeman's Cat Scanand the experimental theatre work of Schechner, Foreman, and Kirby, to the recent performances of Abramovic, Forced Entertainment and the Wooster Group, Art Into Theatre offers a fascinating collection of perspectives on the destabilizing of conventional ideas of the art "object" and the theatrical "text". Nick Kaye's introductory essay to the volume offers a useful context for the reader and each interview is preceded by an informative biographical sketch.
Author: Geraldine Cousin
Publisher: Taylor & Francis
Published: 2024-10-02
Total Pages: 162
ISBN-13: 1040150551
DOWNLOAD EBOOKFirst Published in 2000, Recording Women documents the work of three leading feminist theatre companies, Sphinx Theatre Company, Scarlett Theatre and Foresight Theatre, through a combination of interviews with theatre practitioners and detailed descriptions of productions in performance. Each of the six productions is innovative in content and style. Scarlett Theatre’s Paper Walls and Foresight Theatre’s Boadicea: The Red-Bellied Queen employ a skillful mixture of text, music, physical performance, humour and seriousness to explore, respectively, domestic abuse and rape (of women and community). Scarlett Theatre’s The Sisters and Sphinx’s Voyage in the Dark adapt existing texts. The sisters is a ritualized re-enactment of Chekhov’s Three Sisters in which only the female characters from the play appear. Voyage in the Dark uses film-noir-like theatrical effects and the insistent rhythms of the tango to evoke the rootlessness and sense of alienation that characterizes Jean Rhys’s novel. Slap (Foursight Theatre) and Goliath (Sphinx) are both one woman shows. Slap, performed by Naomi Cooke, explores images of motherhood, including lesbian motherhood and the concept of virgin birth. Goliath, performed by Nicola McAuliffe, is a dramatization, by Bryony Lavery, of Beatrix Campbell’s powerful study of the 1991 riots in Cardiff, Oxford and Tyneside. This is a must read for scholars and researchers of theatre studies.
Author: Ian Watson
Publisher: Routledge
Published: 2013-11-05
Total Pages: 258
ISBN-13: 1134432135
DOWNLOAD EBOOKPerformer Training is an examination of how actors are trained in different cultures. Beginning with studies of mainstream training in countries such as Poland, Australia, Germany, and the United States, subsequent studies survey: · Some of Asia's traditional training methods and recent experiments in performer training · Eugenio Barba's training methods · Jerzy Grotowski's most recent investigations · The Japanese American NOHO companies attempts at integrating Kyogen into the works of Samuel Beckett · Descriptions of the training methods developed by Tadashi Suzuki and Anne Bogart at their Saratoga International Theatre Institute · Recent efforts to re-examine the role and scope of training, like Britain's International Workshop Festival and the European League of Institutes of Arts masterclasses · The reformulation of the use of emotions in performer training known as Alba Emoting.
Author: Anne Fuchs
Publisher: BRILL
Published: 2021-11-22
Total Pages: 282
ISBN-13: 9004485244
DOWNLOAD EBOOKThe relationship between Johannesburg’s Market Theatre and the economic and political forces of South Africa's apartheid regime was both complex and somewhat ambiguous. The theatre's two founders, Mannie Manim and Barney Simon, however, from idealistic beginnings managed to steer their experimental enterprise around pitfalls ranging from censorship, boycotts and recuperation by big business to the difficulties encountered in finding black authors, let alone black audiences. If the place occupied by the Market institution in apartheid society is emphasized throughout the present study, its contribution to the aesthetic of resistance is also underlined through detailed criticism of the plays and authors dominating the theatre. Pieter-Dirk Uys, Barney Simon's workshop plays and, among others, Black Consciousness plays are subjected to various methods of theatre performance analysis. The reckoning that had to come in the early 1990s revealed itself as globally positive; the reasons for this may be found in the updated concluding part of Playing the Market, which is composed of more general essays (including one on the vibrant Junction Avenue Theatre Company) on how the theatre scene in contemporary South Africa started to change. A postscript reveals more specific aspects of the Market situation in the late 1990s when its hegemony in the New South Africa was already being questioned.
