An only child, fifteen-year-old Angeline Stewart is heartbroken when her beloved parents are killed in a coaching accident and she is given into the care of her uncle. Naive and innocent, Angeline is easy prey for the handsome and ruthless Oswald Golding who is looking for a rich heiress to solve the money troubles his gambling and womanizing has caused. On her wedding night, Angeline enters a nightmare from which there is no awakening. Oswald proves to be more sadistic and violent than she could ever have imagined. On learning she is expecting a child, Angeline makes plans to run away and take her chances fending for herself and her baby. But then tragedy takes over . . .
Sania Craven is a normal thirteen-year-old girl. She does well at school, plays football with her classmates and lives in a happy home with two loving parents. She has no cares, no worries. However, this all changes the day her father dies. To cope with the death of her English husband, Sania's mother takes her on a journey back to India, the land of her birth, to reunite with her family. What Sania doesn't know is that this is no holiday, but possibly her new home for the rest of her life. Sania becomes embroiled in a world of culture clashes, prejudice and forced marriages; a world where sexual abuse and the subordination of women is commonplace and unquestioned. When her mother remarries and Sania too is forced into a marriage, she must learn to live her life in India until she can find a way to get home. But how? Who will hear her cries and wipe her tears? Who will see the tears behind the veil, who will hear her tears of silence? Who can she turn to for help and support? How many sacrifices can she endure for the promise of the freedom that she so desperately desires?
Having staked his claim as a master of epic fantasy with The Ring of Five Dragons, Eric Van Lustbader now returns to his world of Kundala to unearth new riches of wonder and excitement in this second volume of The Pearl saga. With the help of her friends, Riane, the prophesied redeemer known as the Dar Sala-at, saved Kundala from annihilation, preserving natives and V'ornn invaders alike. Together, the companions avenged terrible crimes and secured the Ring of Five Dragons, but their struggles have only just begun. The Ring averted doomsday, yet it did not open the magical Storehouse Door as expected. That sorcerous treasury remains sealed because of the spell cast by Giyan and her sister. A spell to migrate Annon Ashera's male V'ornn psyche into Riane's dying Kundalan female body. By combining them into a single being, it saved them both and fulfilled the prophecy that the Dar Sala-at would be "born at both ends of the cosmos." But the spell also breached the Abyss, releasing daemons who could wreak havoc on Kundala. The daemons were imprisoned there aeons ago by the Goddess Miina. Now the fiends must be vanquished, not only so the quest for the Pearl can continue, but to save Giyan, who has been possessed by the archdaemon Horolaggia. Their only hope is the fabled Veil of A Thousand Tears. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"Jaw-dropping . . . Inspiring . . . A haunting and beautifully composed book . . . It blew my mind." --Lisa Taddeo, #1 New York Times bestselling author of Three Women A fearless exposé of the secrets and lies of women's intimate lives, by the bestselling author of The Perfect Nanny, Adèle, and In the Country of Others "All those in positions of authority--politicians, parents, teachers--maintain the same line: 'Do what you like, but do it in private.' " Leila Slimani was in her native Morocco promoting her novel Adèle, about a woman addicted to sex, when she began meeting women who confided the dark secrets of their sexual lives. In Morocco, adultery, abortion, homosexuality, prostitution, and sex outside of marriage are all punishable by law, and women have only two choices: They can be wives or virgins. Sex and Lies combines vivid, often harrowing testimonies with Slimani's passionate and intelligent commentary to make a galvanizing case for a sexual revolution in the Arab world.
Though the Serbian pack has been brought to heel thanks to the downfall of their Alpha, the war is far from over. Desdemona, a witch of unfathomable power, has escaped the wolves’ wrath, but she will not go quietly into the night. She takes refuge in a place where even the smallest sliver of light does not dare to enter. Though she had to flee, she has not given up on the treasure she wishes to acquire. Her depravity knows no bounds; she's even willing to search for the one who can assist her in opening a Veil that has not been opened in millennia – with good reason: the danger is incalculable. Meanwhile, there are major changes rippling through the Romanian Grey wolves. Decebel has become Alpha to the Serbian pack in an effort to begin to unite the Canis lupis species. Their numbers are dwindling in the wake of the shortage of true mates and lack of offspring. The wolves are beginning to lose faith and darkness seems to be crashing in on them from all sides. But the winds of change are blowing, changes that will alter the future of not only the Canis lupis, but of another ancient race as well. Amidst all of this, Sally is continuing to come to terms with her relationship with the playful, charming, flirty, unbelievably handsome bartender – who happens to be a member of the Romanian pack. If all that weren’t enough, the Fates have decided to pay a little visit to Jen. It’s time to collect. She cheated the Fates of a life, her life. Now they want what they are due. The problem? It’s more than Jen is willing to pay. Yes, the war is indeed far from over. Bargains will be struck, declarations will be made, sacrifices will be given, love will be tested, and trust will be questioned as evil makes its stand against them all.
Concerned with physical experience, pain, and disability, Veil and Burn illuminates an intense desire to feel through the Other, embrace it, become it, and in the transformation, to understand the suffering body. In poems about animals, artifacts, and monsters, Lambeth displays a fascination for all bodies while exploring their pain, common fate, alienation, and abilities. Hovering between poem and prose fragment, between the self and fellow creatures, Laurie Clements Lambeth celebrates physical sensation, imbuing it with lyric shape, however broken, however imprisoned the shape may be.
A dark, queer YA fantasy that's perfect for fans of the Three Dark Crowns series. After Emanuela Ragno kills the one person in Occhia who can create water, she must find a way to save her city from dying of thirst. Emanuela Ragno always gets what she wants. With her daring mind and socialite schemes, she refuses to be the demure young lady everyone wants her to be. In her most ambitious move yet, she's about to marry Alessandro Morandi, her childhood best friend and the heir to the wealthiest house in Occhia. Emanuela doesn't care that she and her groom are both gay, because she doesn't want a love match. She wants power, and through Ale, she'll have it all. But Emanuela has a secret that could shatter her plans. In the city of Occhia, the only source of water is the watercrea, a mysterious being who uses magic to make water from blood. When their first bruise-like omen appears on their skin, all Occhians must surrender themselves to the watercrea to be drained of life. Everyone throughout history has given themselves up for the greater good. Everyone except Emanuela. She's kept the tiny omen on her hip out of sight for years. When the watercrea exposes Emanuela during her wedding ceremony and takes her to be sacrificed, Emanuela fights back ... and kills her. Now Occhia has no one to make their water and no idea how to get more. In a race against time, Emanuela and Ale must travel through the mysterious, blood-red veil that surrounds their city to uncover the secrets of the watercrea's magic and find a way to save their people -- no matter what it takes.
In this 2006 text, Daniel M. Gurtner examines the meaning of the rending of the veil at the death of Jesus in Matthew 27:51a by considering the functions of the veil in the Old Testament and its symbolism in Second Temple and Rabbinic Judaism. Gurtner incorporates these elements into a compositional exegesis of the rending text in Matthew. He concludes that the rending of the veil is an apocalyptic assertion like the opening of heaven revealing, in part, end-time images drawn from Ezekiel 37. Moreover, when the veil is torn Matthew depicts the cessation of its function, articulating the atoning role of Christ's death which gives access to God not simply in the sense of entering the Holy of Holies (as in Hebrews), but in trademark Matthean Emmanuel Christology: 'God with us'. This underscores the significance of Jesus' atoning death in the first gospel.
