Nineteen Years Ago, Anees Jung Embarked On A Journey That Resulted In The Best-Selling Book Unveiling India, A Poignant And Revealing Look At The Women Of India. In This Sequel, She Returns To Investigate What, If Anything, Has Altered For Their Daughters. Have The Dramatic Changes In The Social Scene In The Wake Of Liberalization, Cable Tv And A General Opening Up Of Society Made Any Fundamental Difference To Their Lives? Do They Possess The Resilience Of Their Mothers, Or Is This A Generation Hovering Uncertainly Between Two Worlds Unwilling To Be Fettered By Tradition And Yet Lacking The Courage To Break Free? As Before, She Finds Stories Of Suffering And Fortitude, Despair And Hope: A Young Rajput Woman In Kutch Defies The Veil, And Her Husband S Command, To Take Up A Job; Ameena In Hyderabad, Rescued From An Ageing Arab Sheikh In 1992 When Barely Twelve, Is Finally Married Off To Another Man More Than Twice Her Age; Young Mothers In Punjab Are Forced To Kill Their Unborn Daughters; A Young Prostitute In Mumbai Fights Drug Addiction And Hate, Determined To Live With Dignity. Journeying Across Forgotten Landscapes, Both Human And Geographic, Anees Jung Paints Yet Another Unforgettable And, At Times, Harrowing Portrait Of Women In India At The Dawn Of The New Millennium.
The women in this book are not extraordinary or famous, and yet their stories and testimonies, narrated here by one of India's best-known women journalists, provide a passionate, often deeply touching, revelation of what it means to be a woman in India today. The women tell of marriage and widowhood, unfair work practices, sexual servitude, the problems of bearing and rearing children in poverty, religion, discrimination, other forms of exploitation ... Yet they also talk of fulfilling relationships, the joys of marriage and children, the exhilaration of breaking free from the bonds of tradition, ritual, caste, religion ... Interwoven with all this is the story of one woman's journey--of how Anees Jung, the author, brought up in purdah, succeeded in shaking off the restricting influences of her traditional upbringing to become a highly successful, independent career woman, still a comparatively rare phenomenon in India. As such, the book is essential reading for anyone wishing to understand the women of India-the silent majority that is now beginning to make itself heard.
Striking full-color photography complements a study of the use of theourtyard in indoor and outdoor design, capturing a diverse array of exampleshat range from ancient Rome and medieval Europe to modern-day San Diego,racing the history of the design style, and explaining how a courtyard canet the mood and tone of any structure.
Courtyards are among the most versatile elements of architecture. They are non built-up but designed open spaces surrounded by a single structure, several elements, or even different buildings. In very different sizes and shapes, very private or publicly accessible, they assume central roles in every conceivable building task, capable of defining the character of the entire architectural composition. Masterpieces: Courtyard Architecture + Design shows a wide scope of creative ideas for handling this exciting but very much underrated aspect of architecture. What makes this task particular interesting is the interplay of architecture, landscape planning and interior design. The selection includes the projects of some of the most important firms as well as impressive works by upcoming stars.
In the tradition of Iron and Silk and Touch the Dragon, Jamie Zeppa’s memoir of her years in Bhutan is the story of a young woman’s self-discovery in a foreign land. It is also the exciting début of a new voice in travel writing. When she left for the Himalayan kingdom of Bhutan in 1988, Zeppa was committing herself to two years of teaching and a daunting new experience. A week on a Caribbean beach had been her only previous trip outside Canada; Bhutan was on the other side of the world, one of the most isolated countries in the world known as the last Shangri-La, where little had changed in centuries and visits by foreigners were restricted. Clinging to her bags full of chocolate, hair conditioner and Immodium, she began the biggest challenge of her life, with no idea she would fall in love with the country and with a Bhutanese man, end up spending nine years in Bhutan, and begin a literary career with her account of this transformative journey. At her first posting in a remote village of eastern Bhutan, she is plunged into an overwhelmingly different culture with squalid Third World conditions and an impossible language. Her house has rats and fleas and she refuses to eat the local food, fearing the rampant deadly infections her overly protective grandfather warned her about. Gradually, however, her fear vanishes. She adjusts, begins to laugh, and is captivated by the pristine mountain scenery and the kind students in her grade 2 class. She also begins to discover for herself the spiritual serenity of Buddhism. A transfer to the government college of Sherubtse, where the housing conditions are comparatively luxurious and the students closer to her own age, gives her a deeper awareness of Bhutan’s challenges: the lack of personal privacy, the pressure to conform, and the political tensions. However, her connection to Bhutan intensifies when she falls in love with a student, Tshewang, and finds herself pregnant. After a brief sojourn in Canada to give birth to her son, Pema Dorji, she marries Tshewang and makes Bhutan her home for another four years. Zeppa’s personal essay about her culture shock on arriving in Bhutan won the 1996 CBC/Saturday Night literary competition and appeared in the magazine. She flew home to accept the prize, where people encouraged her to pursue her writing. Her letters from Bhutan also featured on CBC’s Morningside. The book that grew out of this has been published in Canada and the United States to ecstatic reviews, followed by British, German, Dutch, Italian and Spanish editions. Although cultural differences finally separated Jamie and Tshewang in 1997 while she was writing the book and she returned to Canada, she will always feel at home in Bhutan. Zeppa shares her compelling insights into this land and culture, but Beyond the Sky and the Earth is more than a travel book. With rich, spellbinding prose and bright humour, it describes a personal journey in which Zeppa acquires a deeper understanding of what it means to leave one’s home behind, and undergoes a spiritual transformation.
The courtyard house is one of the most enduring architectural forms, transcending regional, historical and cultural boundaries. Its balance of simple appropriate construction, environmental control and social and familial structures continues to engage architects and architectural historians. That the courtyard house is still relevant today is indicated through its ability to accommodate continual transformation without losing any of its formal integrity and cultural roots. This book presents a series of viewpoints on courtyard houses from different periods and in different regions around the world; from the Harem courtyards of the Topkapi Palace and the low-cost housing settlements of Protectorate Casablanca, to contemporary design strategies for courtyard houses in the arid Gulf region. Together, the essays illuminate issues of particular relevance in architectural, art historical, and conservation discourses today.
- This lavishly illustrated volume contains more than 30 case studies of recent Japanese residential courtyard designs - Provides a glimpse into the importance of the courtyard as a space in Japan - An inspirational guide to recent design and perfect for residential and landscape designers - Includes technical drawings that provide additional detail into the rigorous planning and design - Provides an important overview of acclaimed Japanese designers Residences occupy a pivotal position in Japanese architecture. As an extension of the residential space, the Japanese courtyard design is unique. This beautifully illustrated book is a collection of stunning residential courtyard designs, providing an inspiring insight into the importance of a courtyard in Japanese culture. Containing more than 30 cases studies and including technical drawings, the book reveals the creativity and beauty of Japanese courtyard design and shines a light on the acclaimed designers who produce these visually stunning works. Meticulously planned and rigorously designed, the courtyards in this book will serve to inspire both residential and landscape designers. By taking the Japanese courtyard as a concept into their own designs, designers will be able to create more personal and comfortable residential spaces.
Set in southern India in the mid 1990s. Four strangers are on quests related to India's neem tree. Meenakshi runs a village-based women's project. Pandora is an eco scientist looking for a story. Jade wants natural products for a New York store. Andy hopes to find a cure for HiV/AIDS. The neem has been used since ancient times for household, medicinal and agricultural purposes and now is the centre of the clash between tradition and modernisation. When first published in India in 2003 Neem Dreams was widely acclaimed for the accuracy of observation and the pitch perfect depiction of the various characters.
For more than three thousand years, Chinese life – from the city and the imperial palace, to the temple, the market and the family home – was configured around the courtyard. So too were the accomplishments of China's artistic, philosophical and institutional classes. Confucius' Courtyard tells the story of how the courtyard – that most singular and persistent architectural form – holds the key to understanding, even today, much of Chinese society and culture. Part architectural history, and part introduction to the cultural and philosophical history of China, the book explores the Chinese view of the world, and reveals the extent to which this is inextricably intertwined with the ancient concept of the courtyard, a place and a way of life which, it appears, has been almost entirely overlooked in China since the middle of the 20th century, and in the West for centuries. Along the way, it provides an accessible introduction to the Confucian idea of zhongyong ('the Middle Way'), the Chinese moral universe and the virtuous good life in the absence of an awesome God, and shows how these can only be fully understood through the humble courtyard – a space which is grounded in the earth, yet open to the heavens. Erudite, elegant and illustrated throughout by the author's own architectural drawings and sketches, Confucius' Courtyard weaves together architecture, philosophy and cultural history to explore what lies at the very heart of Chinese civilization.
Distinguished by the same charm and playful prose that helped make The Mystery Guest such a cult favorite with readers and reviewers, Report on Myself is the memoir that won Grégoire Bouillier the French Prix de Flore and universal acclaim. Here, Bouillier tells the whole crazy story of his life, from his conception in wartime Algeria to his gritty Parisian boyhood at the mercy of his working-class bohemian parents. With trademark pithy vignettes, he illuminates his life through the stories of his four loves, beginning at age nine with the bourgeois Marie-Blanche, younger sister of his best friend, and ending with the relationship that nearly destroyed him, the aftermath of which he chronicled to such great effect in The Mystery Guest. Shot through with indelible images, bad puns, and Bouillier's gift for drawing meaning from the seemingly innocuous coincidences of daily life, Report on Myself turns on a literary revelation (in this case, The Odyssey) that helps Grégoire decode the patterns laid out by his life, while teaching us a thing or two about love and literature along the way.
