There’s a hush in the quiet Black dark secrets of Princeton’s Place. It’s a secret that goes beyond the shackles of space time hidden beyond the spectacles of the librarians here tending to the night desk of the Firestone Library at Princeton University. YOU are headed in the space beyond the librarian’s Black spectacles, a Black space of knowledge and understanding filled with the surprise outside the void suspicious called, Black. The librarian’s eyes mirror those of a mole buried in the moss of brown dirt. She lies in the smell of fresh rain water and curated soil called, words. It is magical space and only opens one’s eyes through the magnification beyond marginalized vocabulary called, books. It’s a magnification of another adventure. But YOU have to get your hands on the black specs first.
This book argues that the primacy of the market in celebrity obsessed culture reveals a new variety of African American celebrities to be unreliable indicators of Black America.
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.
From 13th century Franciscan monks to Beyoncé in Black is King, Making a Spectacle charts the fascinating ascension of eyeglasses—from an unsightly but useful tool to fashion's must-have accessory. The power of glasses to convey a range of vivid messages about their wearers have made them into a billion-dollar business that appeals to cool kids and rock stars, and those who want to be like them, but the fashionable history of eyeglasses is fraught with anxiety and drama. At the beginning of the 20th century, the assessment in Vogue and Harper's Bazaar was that spectacles were "invariably disfiguring." Invisibility was the best option, and glasses were only to be put on once the lights at the opera went dark. While variations of that glasses-shaming sentiment appeared at regular intervals over the next 100 years or so, eyeglasses continued to evolve into an endless array of shapes, colors, purposes, and personalities. Once sunglasses took off in the 1930s, the magazine editorial made glasses a conspicuous part of the fashion narrative. Eyeglasses went to the ski slopes, the stables, the beach, the Havana hotel. Plastic innovations made a candy-colored rainbow of cat-eyes and "starlet" styles possible. Suddenly, everyone had the opportunity to look like Jackie O on vacation in Capri. Making a Spectacle traces contemporary high fashion frames back to their origins: the military aviator, the glam cat eye, the nerdly Oxford, the high-tech shield, the fanciful butterfly, the lowly rimless, and other styles all make an appearance. Featuring interviews with influential designers, makers, and purveyors of glasses including Adam Selman, Kerin Rose Gold, and l.a. Eyeworks, Making a Spectacle also takes a look at today's most cutting edge eyewear, showing the reader the latest and most innovative ways to see and be seen.
Everything you could ever want in a Golden Age of Detective Fiction novel. — Booklist Also known by its US title The Problem of the Green Capsule, this classic novel is widely regarded as one of John Dickson Carr's masterpieces and remains among the greatest impossible crime mysteries of all time. A sinister case of deadly poisoned chocolates from Sodbury Cross's high street shop haunts the group of friends and relatives assembled at Bellegarde, among the orchards of 'peach-fancier' Marcus Chesney. To prove a point about how the sweets could have been poisoned under the nose of the shopkeeper, Chesney stages an elaborate memory game to test whether any of his guests can see beyond their 'black spectacles'; that is, to see the truth without assumptions as witnesses. During the test – which is also being filmed – Chesney is murdered by his accomplice, dressed head to toe in an 'invisible man' disguise. The keen wits of Dr, Gideon Fell are called for to crack this brazen and bizarre murder committed in full view of an audience.
Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racialized ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction – typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design.
A new case brings a private eye and mafia wife face to face with the biggest mystery in her life - and her greatest fear. A drive-by shooting leaves Jacqueline Spadros with little remaining support for the life she's built apart from her estranged husband Tony. As evidence grows that the Hart Family is behind the attacks, which up to now have been laid on the doorstep of the notorious Red Dog Gang, Tony brings formal charges against the Harts before the Commission. Jacqui wants to stop the Red Dog Gang and learn the truth about Charles Hart's obsession with her. But the truth is stranger than she ever imagined. And what she learns changes everything. This is chapter 7 in a 13-part serial novel. Please begin with The Jacq of Spades and read the books in order.
The feisty Mrs. Powell has died and left Delbert with a pair of big shoes to fill. Mr. Powell, anxious to become rich on the property he inherited from his dead wife, cannot wait to leave the horrid and backward village of Cerro - and so takes no notice of the prosaic Delbert, the only employee of the Cerro Hardware Store. In his mourning for Mrs. Powell's friendship, Delbert comes to his own realizations concerning the forces that threaten to ruin Cerro, and decides to wage a secret war against what will eventually destroy all he knows and loves. Delbert's initial act of vandalism wreaks havoc in the town, deeply dividing the sentiments of newcomers who are vested in profit, and those whose hearts are rooted to the mountain. From Harley Marlin, to Earl Pratt, to Lairdy Bardman the singing hermit, to the prissy Edmond Powell - the characters of Cerro wrestle with events and realizations about what they love and why, in a place that for some can be called nothing other than magical.
Trouble spirals out of control for a psychic and her personal assistant when they take up with a spirit guide and his drowned therapist after moving to a suburban wasteland.
