This spectacular volume reveals for the first time an exceptional private collection of the most beautiful royal Indian jewels from the Mughal Empire to the British Raj to today. Written by renowned jewelry experts and featuring magnificent original photography by Laziz Hamani, Beyond Extravagance explores the centuries-long tradition of fine jewelry and art objects in India, to contemporary interpretations that continue to evolve today.
Meat: A Benign Extravagance is a groundbreaking exploration of the difficult environmental, ethical and health issues surrounding the human consumption of animals. Garnering huge praise in the UK, this is a book that answers the question: should we be farming animals, or not? Not a simple answer, but one that takes all views on meat eating into account. It lays out in detail the reasons why we must indeed decrease the amount of meat we eat, both for the planet and for ourselves, and yet explores how different forms of agriculture--including livestock--shape our landscape and culture. At the heart of this book, Simon Fairlie argues that society needs to re-orient itself back to the land, both physically and spiritually, and explains why an agriculture that can most readily achieve this is one that includes a measure of livestock farming. It is a well-researched look at agricultural and environmental theory from a fabulous writer and a farmer, and is sure to take off where other books on vegetarianism and veganism have fallen short in their global scope.
William Tobias Merrick, an energetic young man from the provinces, travels to the big city in a time of great optimism and ferment, hoping to make his mark on a frenzied, money-crazed society obsessed with the promise of new technologies. The city in question is London in the 1690s; but it is also New York in the 1990s. The new technologies are diving bells, pneumatic winches, and "sucking-worm" drainage engines; but they are also wireless telecommunication devices, patented biotechnology processes, and revolutionary electronic Internet routers. Only the sense of unlimited possibility remains the same throughout. Unfolding simultaneously in two distant--but remarkably similar--periods of history, Extravagance is a comic, pictaresque novel of financial mania, the story of a world gripped by a terminal case of irrational exuberance. Navigating the perils of both eras is a single cast of characters: Will himself, a young man on the make, eager to do whatever it takes to make his fortune; Will's uncle (and sponsor) Gilbert Hawking, a shrewd businessman with one foot in the Old Economy and one in the New; Benjamin Fletcher, the developer of a pioneering new technology destined to set the world on fire; and Theodore Witherspoon, the cheerfully unscrupulous wizard of the financial markets who promises to make them all wealthy beyond their dreams. Meanwhile, Will's aspirations are complicated by his pursuit of Ben Fletcher's sister, Eliza, the gorgeous and disconcertingly aggressive woman who is as desirable as she is elusive. Can Will succeed in his efforts to win both Eliza and the fortune that her brother's new technology seems likely to bring him? And can he make it all happen before the general euphoria of the age reaches its inevitable climax? Extravagance is a uniquely conceived work of high comic entertainment -- an ultra-smart time machine of a novel that proves that both love and greed are timeless.
"Born in Zurich and educated in Paris, jewelry designer Suzanne Syz moved to New York City in the 1980s where she encountered legendary artists Andy Warhol, Jean-Michel Basquiat, Julian Schnabel, Francesco Clemente, and Jeff Koons. Her relationships with these creative spirits greatly influenced her impressive contemporary art collection, and acted as a catalyst for her unique jewelry designs. Frustrated that she couldn't find the jewelry she wanted, Syz began crafting her own pieces in the mid-1990s. Today, the Geneva-based designer boasts a client list including the likes of Elizabeth Taylor, Princess Glora von Thurn und Taxis, the Archduchess Francesca von Habsburg-Thyssen, and Michelle Yeoh. Inspired by nature, childhood fairy tales, art, and her extensive travels, her one-of-a-kind creations are infused with an unparalleled sense of whimsy, joy, and magic"--Publisher's web site.
A buoyant account of the nightly tug-of-war between a sleepy father and his son, and the richly imaginative "sleepy stories" they create Each story told in Sleepy Stories drifts deeper into a beguiling dream world, telling of an elastic gentleman who stretches his body across town to effortlessly slip into bed, or of another sleepy young man who curls inside an upside-down umbrella to take a snooze. In Diego Bianki's magical universe, the waking world is made small (a French press and a red top hat shrink before our eyes), while the dream world Levrero and his son Nicolás build together (a land of sly frogs, giant apes, and smiling squids) waltzes across the page. On the last of Bianki's whimsical illustrations, Nicolás holds the book over his father's nodding head and says, "Another." This is a book to giggle with and curl up with, to take on every sleepy adventure.
“Full of schadenfreude and speculation—and solid, timely history too.” —Kirkus Reviews “This is a portrait of capitalism as white-knuckle risk taking, yielding fruitful discoveries for the fathers, but only sterile speculation for the sons—a story that resonates with today's economic upheaval.” —Publishers Weekly “What's not to enjoy about a book full of monstrous egos, unimaginable sums of money, and the punishment of greed and shortsightedness?” —The Economist Phenomenal reviews and sales greeted the hardcover publication of The Big Rich, New York Times bestselling author Bryan Burrough's spellbinding chronicle of Texas oil. Weaving together the multigenerational sagas of the industry's four wealthiest families, Burrough brings to life the men known in their day as the Big Four: Roy Cullen, H. L. Hunt, Clint Murchison, and Sid Richardson, all swaggering Texas oil tycoons who owned sprawling ranches and mingled with presidents and Hollywood stars. Seamlessly charting their collective rise and fall, The Big Rich is a hugely entertaining account that only a writer with Burrough's abilities-and Texas upbringing-could have written.
Merrick's season of outrageous scandal has taken a challenging turn. Caught in a--far less than usually--compromising situation with Lady Alixe Burke, this so-called gentleman is tasked by her father with making his daughter marriageable Lady Alixe, more happy in the library than the ballroom, is most definitely left-on-the-shelf material. He'll never walk away from a wager, but Merrick's expertise extends way beyond society etiquette. Never before entrusted with a woman's modesty, Merrick sets about teaching her everything he knows...
A recent explosion of publishing activity by a wide range of talented writers has placed Asian American literature in the limelight. As the field of Asian American literary studies gains increasing recognition, however, questions of misreading and appropriation inevitably arise. How is the growing body of Asian American works to be read? What holds them together to constitute a tradition? What distinguishes this tradition from the "mainstream" canon and other "minority" literatures? In the first comprehensive book on Asian American literature since Elaine Kim's ground-breaking 1982 volume, Sau-ling Wong addresses these issues and explores their implications for the multiculturalist agenda. Wong does so by establishing the "intertextuality" of Asian American literature through the study of four motifs--food and eating, the Doppelg,nger figure, mobility, and play--in their multiple sociohistorical contexts. Occurring across ethnic subgroup, gender, class, generational, and historical boundaries, these motifs resonate with each other in distinctly Asian American patterns that universalistic theories cannot uncover. Two rhetorical figures from Maxine Hong Kingston's The Woman Warrior, "Necessity" and "Extravagance," further unify this original, wide-ranging investigation. Authors studied include Carlos Bulosan, Frank Chin, Ashley Sheun Dunn, David Henry Hwang, Lonny Kaneko, Maxine Hong Kingston, Joy Kogawa, David Wong Louie, Darrell Lum, Wing Tek Lum, Toshio Mori, Bharati Mukherjee, Fae Myenne Ng, Bienvenido Santos, Monica Sone, Amy Tan, Yoshiko Uchida, Shawn Wong, Hisaye Yamamoto, and Wakako Yamauchi.
Winner of the 1990 Foundations of Political Theory Section of the American Political Science Association "First Book Award" Now available in paperback with a new preface by the author, this award-winning book breaks new ground by challenging traditional concepts of community in political theory. William Corlett brings the diverse (and sometimes contradictory) work of Foucault and Derrida to bear on the thought of Pocock, Burke, Lincoln, and McIntyre, among others, to move beyond the conventional dichotomy of "individual vs. community," arguing instead that community is best advanced within a politics of difference.
Based equally in the archives of firms such as Louis Vuitton, Boucheron, Chaumet and Hermès, and in palace and private collections, this book explores the role of maharajas in an age of high spending and fashion. It brings together original designs with surviving objects, exploring for the first time the creative dialogue between Indian princes and the skilled tradesmen who produced wonders for their delectation. Married to the objects themselves are the absorbing and often humourous accounts of how maharajas indulged their tastes with unparalleled extravagance and aplomb.
