Renaissance Art in France

Renaissance Art in France

Author: Henri Zerner

Publisher: Rizzoli Publications

Published: 2004-01-03

Total Pages: 0

ISBN-13: 2080111442

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Harvard professor Zerner focuses on one of the most dynamic and flamboyant periods in art history, the Renaissance in France. Renaissance Art in France explains how the school of Fontainebleau, in its exaggerated elegance and complex fantasies, combined French forms of medieval origin with the Italianate decorative style. It quickly came to represent a high point in the development of Mannerism and laid the groundwork for the invention of French Classicism. The volume showcases artists who excelled in the fine arts such as court portraitist François Clouet and sculptor Jean Goujon, as well as those working in decorative arts that also flourished during this period: tapestry, stained-glass windows, printmaking, and metalwork. With beautiful illustrations and an accessible text, it is all summed up here in one compact volume.


Classical Myths in Italian Renaissance Painting

Classical Myths in Italian Renaissance Painting

Author: Luba Freedman

Publisher: Cambridge University Press

Published: 2011-06-30

Total Pages: 321

ISBN-13: 1107001196

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"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.


Classical Art

Classical Art

Author: Caroline Vout

Publisher: Princeton University Press

Published: 2018-05-29

Total Pages: 375

ISBN-13: 1400890276

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How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.


The Reception of Antiquity in Renaissance Humanism

The Reception of Antiquity in Renaissance Humanism

Author: Manfred Landfester

Publisher:

Published: 2015

Total Pages:

ISBN-13:

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"For the thinkers, artists and scholars of the Renaissance, antiquity was a major source of inspiration; it provided renewed modes of scholarship, led to corrections of received doctrine and proved a wellspring of new achievements in almost every area of human life. The 130 articles in this volume cover not only well known figures of the Renaissance such as Copernicus, Dürer, and Erasmus but also overall themes such as architecture, agriculture, economics, philosophy and philology as well as many others."--Provided by publisher.


Romanesque Renaissance

Romanesque Renaissance

Author: Konrad Adriaan Ottenheym

Publisher: BRILL

Published: 2021-01-11

Total Pages: 456

ISBN-13: 9004446621

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In the renaissance also architecture from c. 800–1200 was regarded as a useful source of inspiration for contemporary building, sometimes by misinterpreting these medieval architecture as roman structures, sometimes because that era was also regarded as a glorious ‘ancient’ past.


Classical Traditions in Renaissance Philosophy

Classical Traditions in Renaissance Philosophy

Author: Jill Kraye

Publisher: Taylor & Francis

Published: 2024-10-28

Total Pages: 377

ISBN-13: 1040245366

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The impact of classical thought on Renaissance philosophy is the subject of this volume. In the first part Dr Kraye deals with the interpretations of ancient philosophy put forward by various thinkers of the Italian Renaissance, including the humanist Angelo Poliziano and the Platonist Marsilio Ficino; in the second, she examines the central role of Aristotle's Nicomachean Ethics within Renaissance moral philosophy and considers the influence of other classical treatises on ethics, especially the Meditations of Marcus Aurelius. The final section explores controversies concerning the authenticity of works in the Aristotelian canon, together with the early printing history of Aristotle. All the articles aim to locate philosophical questions within the historical and cultural context of the Renaissance, and particular attention is paid to the importance of philological scholarship within philosophical debates. The collection includes an essay on Philipp Melanchthon's ethical commentaries and textbooks which has previously appeared only in German translation.


Classical Culture and Witchcraft in Medieval and Renaissance Italy

Classical Culture and Witchcraft in Medieval and Renaissance Italy

Author: Marina Montesano

Publisher: Springer

Published: 2018-07-11

Total Pages: 282

ISBN-13: 3319920782

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This book explores the relationships between ancient witchcraft and its modern incarnation, and by doing so fills an important gap in the historiography. It is often noted that stories of witchcraft circulated in Greek and Latin classical texts, and that treatises dealing with witch-beliefs referenced them. Still, the role of humanistic culture and classical revival in the developing of the witch-hunts has not yet been fully researched. Marina Montesano examines Greek and Latin literature, revealing how particular features of ancient striges were carried into the Late Middle Ages, through the Renaissance and into the fifteenth century, when early Italian trials recall the myth of the strix common in ancient Latin sources and in popular memory. The final chapter also serves as a conclusion, to show how in Renaissance Italy and beyond, classical accounts of witchcraft ceased to be just stories, as they had formerly been, and were instead used to attest to the reality of witches’ powers.


Renaissance

Renaissance

Author: Andrew Graham-Dixon

Publisher: Univ of California Press

Published: 1999

Total Pages: 344

ISBN-13: 9780520223752

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A history of Renaissance art, placing the time in its historical and political context and arguing that the Renaissance grew out of the achievements of the medieval period.


Chaos & Classicism

Chaos & Classicism

Author: Kenneth E. Silver

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9780892074051

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This catalogue examines the interwar period in its key artistic manifestations. It encompasses painting, photography, film, sculpture, architecture, fashion and decorative arts. The book examines classicism between the wars in Europe.