First published in 1950, Better a Dinner of Herbs is a compellingly dramatic tale of twisted, often violent human relationships. Taking its title from a biblical passage dealing with the power of love and hate within a household, the novel counterbalances its grim narrative with a poetic prose that evokes a reverence for the rhythm of the seasons and the continuity of life. Byron Herbert Reece situates the story in the isolated hills of the agrarian South where he spent most of his life, but it could have occurred in any rural setting at any time. An unmarried girl dies in childbirth. Her brother, swearing revenge on the father of the child, sells the family farm and turns toward the open world with his nephew. In search of a wife and a different livelihood, he chances to encounter his enemy. An intentional act of brutality symbolizes an end to his passion and summons him again away from all that he cherishes. Born at the foot of Blood Mountain in north Georgia and reared in the isolated mountain area near Blairsville, Byron Herbert Reece (1917-1958) was the author of four volumes of poetry and two novels that are tied deeply to the spirit and traditions of Appalachia. Journalist Bill Shipp has called Reece "perhaps the greatest balladeer of the Appalachians." His first volume of poems was published in 1945 to wide critical acclaim, and the publication of his remaining work brought him recognition far beyond north Georgia.
A travelogue based on the author's experiences in,remote Anatolia in the '60s. It includes,remarkable descriptions and photographs of the,cave dwellings and monastries of Cappadocia.
An anthology of 50 classic women writers with an active table of contents to make it easy to quickly find the book you are looking for. Works include: Adam Bede by George Eliot Agnes Grey by Anne Bronte Anne of Green Gables by Lucy Maud Montgomery Anthem by Ayn Rand Awakening and Selected Short Stories by Kate Chopin Black Beauty by Anna Sewell The Circular Staircase by Mary Roberts Rinehart The Clever Woman of the Family by Charlotte Yonge The Colors of Space by Marion Zimmer Bradley The Convert by Elizabeth Robins A Circuit Rider's Wife by Corra Harris Cranford by Elizabeth Cleghorn Gaskell Daddy-Long-Legs by Jean Webster A Dog of Flanders by Louisa de la Rame Each Man Kills by Victoria Glad Emma McChesney & Co by Edna Ferber The Fire Bird by Gene Stratton-Porter Frankenstein by Mary Shelley Heidi by Johanna Spyri The House of Mirth By Edith Wharton Hubert's Wife by Minnie Mary Lee In the Mountains by Elizabeth von Arnim Incidents in the Life of a Slave Girl by Harriet Jacobs The Indiscreet Letter by Eleanor Hallowell Jane Eyre by Charlotte Bronte Lady Audley's Secret by Mary Elizabeth Braddon The Land of Little Rain by Mary Austin Life in the Iron-Mills by Rebecca Harding Davis Love Affairs of an Old Maid by Lilian Bell Man and Maid by Elinor Glyn Miss Philly Firkin, The China-Woman by Mary Russell Mitford My Antonia by Willa Cather The Mysteries of Udolpho by Ann Radcliffe Night and Day by Virginia Woolf Phoebe, Junior by Margaret Oliphant Pollyanna by Eleanor H. Porter Pride and Prejudice by Jane Austen The Princess of Cleves by Madame de Lafayette The Railway Children by E. Nesbit Ramona by Helen Hunt Jackson Rebecca of Sunnybrook Farm by Kate Douglas Wiggin The Scarlet Pimpernel by Baroness Orczy The Secret Adversary by Agatha Christie The Secret Garden by Frances Hodgson Burnett A Simple Story by Mrs. Inchbald The Tale of Peter Rabbit by Beatrix Potter Story of My Life by Helen Keller What Not by Rose Macaulay Wuthering Heights by Emily Bronte Yellow Wallpaper by Charlotte Perkins Gilman
The Historian's Awakening is a full commentary on the text (included) that provides social and cultural history context, discussions of the author and her times as well as valuable insight into historical forces that shaped people's lives. Kate Chopin's classic novel about a modern woman who desires to break free from tradition endures, in part, due to its critical and thought-provoking themes about society. While many editions of Kate Chopin's classic novel are in print, only The Historian's Awakening deals exclusively with the 19th-century social and cultural environment from which the novel emerged. In The Awakening, Kate Chopin portrays a modern woman who seeks autonomy, subjected to intense social and cultural conventions that first draw her out of her lifelong solitude but ultimately leave her feeling even more alone. This newly annotated edition focuses on how 19th-century ideas about class, gender, ethnicity, and modernity affect a courageous woman's life. Challenging prevailing scholarship by situating the novel within a rich historical context, it examines the social and cultural realities of the 1890s and explains how, in the novel, these forces combine with an emerging modernity to liberate and unsettle its female protagonist.
First published in 1899, this beautiful, brief novel so disturbed critics and the public that it was banished for decades afterward. Now widely read and admired, The Awakening has been hailed as an early vision of woman's emancipation. This sensuous book tells of a woman's abandonment of her family, her seduction, and her awakening to desires and passions that threated to consumer her. Originally entitled "A Solitary Soul," this portrait of twenty-eight-year-old Edna Pontellier is a landmark in American fiction, rooted firmly in the romantic tradition of Herman Melville and Emily Dickinson. Here, a woman in search of self-discovery turns away from convention and society, and toward the primal, from convention and society, and toward the primal, irresistibly attracted to nature and the sensesThe Awakening, Kate Chopin's last novel, has been praised by Edmund Wilson as "beautifully written." And Willa Cather described its style as "exquisite," "sensitive," and "iridescent." This edition of The Awakening also includes a selection of short stories by Kate Chopin. "This seems to me a higher order of feminism than repeating the story of woman as victim... Kate Chopin gives her female protagonist the central role, normally reserved for Man, in a meditation on identity and culture, consciousness and art." -- From the introduction by Marilynne Robinson.
The Awakening shocked turn-of-the-century readers with its forthright treatment of sex and suicide. Departing from literary convention, Kate Chopin failed to condemn her heroine's desire for an affair with the son of a Louisiana resort owner, whom she meets on vacation. The power of sensuality, the delusion of ecstatic love, and the solitude that accompanies the trappings of middle- and upper-class life are the themes of this now-classic novel. As Kaye Gibbons points out in her Introduction, Chopin "was writing American realism before most Americans could bear to hear that they were living it." Set in New Orleans and on the Louisiana Gulf coast at the end of the 19th century, the plot centers on Edna Pontellier and her struggle between her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating a mixed reaction from contemporary readers and critics. The novel's blend of realistic narrative, incisive social commentary, and psychological complexity makes The Awakening a precursor of American modernist literature; it prefigures the works of American novelists such as William Faulkner and Ernest Hemingway and echoes the works of contemporaries such as Edith Wharton and Henry James. It can also be considered among the first Southern works in a tradition that would culminate with the modern masterpieces of Faulkner, Flannery O'Connor, Eudora Welty, Katherine Anne Porter, and Tennessee Williams. The novel opens with the Pontellier family—Léonce, a New Orleans businessman of Louisiana Creole heritage; his wife Edna; and their two sons, Etienne and Raoul—vacationing on Grand Isle at a resort on the Gulf of Mexico managed by Madame Lebrun and her two sons, Robert and Victor. Edna spends most of her time with her close friend Adèle Ratignolle, who cheerily and boisterously reminds Edna of her duties as a wife and mother. At Grand Isle, Edna eventually forms a connection with Robert Lebrun, a charming, earnest young man who actively seeks Edna's attention and affections. When they fall in love, Robert senses the doomed nature of such a relationship and flees to Mexico under the guise of pursuing a nameless business venture. The narrative focus moves to Edna's shifting emotions as she reconciles her maternal duties with her desire for social freedom and to be with Robert. When summer vacation ends, the Pontelliers return to New Orleans. Edna gradually reassesses her priorities and takes a more active role in her own happiness. She starts to isolate herself from New Orleans society and to withdraw from some of the duties traditionally associated with motherhood. Léonce eventually talks to a doctor about diagnosing his wife, fearing she is losing her mental faculties. The doctor advises Léonce to let her be and assures him that things will return to normal. When Léonce prepares to travel to New York City on business, he sends the boys to his mother. Left home alone for an extended period gives Edna physical and emotional room to breathe and reflect on various aspects of her life. While her husband is still away, she moves out of their home and into a small bungalow nearby and begins a dalliance with Alcée Arobin, a persistent suitor with a reputation for being free with his affections. Edna is shown as a sexual being for the first time in the novel, but the affair proves awkward and emotionally fraught. Edna also reaches out to Mademoiselle Reisz, a gifted pianist whose playing is renowned but who maintains a generally hermetic existence. Her playing had moved Edna profoundly earlier in the novel, representing what Edna was starting to long for: independence. Mademoiselle Reisz focuses her life on music and herself instead of on society's expectations, acting as a foil to Adèle Ratignolle, who encourages Edna to conform. Reisz is in contact with Robert while he is in Mexico, receiving letters from him regularly. Edna begs her to reveal their contents, which she does, proving to Edna that Robert is thinking about her. Eventually, Robert returns to New Orleans. At first aloof (and finding excuses not to be near Edna), he eventually confesses his passionate love for her. He admits that the business trip to Mexico was an excuse to escape a relationship that would never work. Edna is called away to help Adèle with a difficult childbirth. Adèle pleads with Edna to think of what she would be turning her back on if she did not behave appropriately. When Edna returns home, she finds a note from Robert stating that he has left forever, as he loves her too much to shame her by engaging in a relationship with a married woman. In devastated shock, Edna rushes back to Grand Isle, where she had first met Robert Lebrun... (from Wikipedia)
The Awakening is a novel by Kate Chopin, first published in 1899. Set in New Orleans and on the Louisiana Gulf coast at the end of the 19th century, the plot centers on Edna Pontellier and her struggle between her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating a mixed reaction from contemporary readers and critics. The novel's blend of realistic narrative, incisive social commentary, and psychological complexity makes The Awakening a precursor of American modernist literature; it prefigures the works of American novelists such as William Faulkner and Ernest Hemingway and echoes the works of contemporaries such as Edith Wharton and Henry James. It can also be considered among the first Southern works in a tradition that would culminate with the modern works of Faulkner, Flannery O'Connor, Eudora Welty, Katherine Anne Porter, and Tennessee Williams. SUMMARY : The novel opens with the Pontellier family—Léonce, a New Orleans businessman of Louisiana Creole heritage; his wife Edna; and their two sons, Etienne and Raoul—vacationing on Grand Isle at a resort on the Gulf of Mexico managed by Madame Lebrun and her two sons, Robert and Victor. Edna spends most of her time with her close friend Adèle Ratignolle, who cheerily and boisterously reminds Edna of her duties as a wife and mother. At Grand Isle, Edna eventually forms a connection with Robert Lebrun, a charming, earnest young man who actively seeks Edna's attention and affections. When they fall in love, Robert senses the doomed nature of such a relationship and flees to Mexico under the guise of pursuing a nameless business venture. The narrative focus moves to Edna's shifting emotions as she reconciles her maternal duties with her desire for social freedom and to be with Robert. When summer vacation ends, the Pontelliers return to New Orleans. Edna gradually reassesses her priorities and takes a more active role in her own happiness. She starts to isolate herself from New Orleans society and to withdraw from some of the duties traditionally associated with motherhood. Léonce eventually talks to a doctor about diagnosing his wife, fearing she is losing her mental faculties. The doctor advises Léonce to let her be and assures him that things will return to normal. When Léonce prepares to travel to New York City on business, he sends the boys to his mother. Being left home alone for an extended period gives Edna physical and emotional room to breathe and reflect on various aspects of her life. While her husband is still away, she moves out of their home and into a small bungalow nearby and begins a dalliance with Alcée Arobin, a persistent suitor with a reputation for being free with his affections. Edna is shown as a sexual being for the first time in the novel, but the affair proves awkward and emotionally fraught. Edna also reaches out to Mademoiselle Reisz, a gifted pianist whose playing is renowned but who maintains a generally hermetic existence. Her playing had moved Edna profoundly earlier in the novel, representing what Edna was starting to long for: independence. Mademoiselle Reisz focuses her life on music and herself instead of on society's expectations, acting as a foil to Adèle Ratignolle, who encourages Edna to conform. Reisz is in contact with Robert while he is in Mexico, receiving letters from him regularly. Edna begs Reisz to reveal their contents, which she does, proving to Edna that Robert is thinking about her. Eventually, Robert returns to New Orleans. At first aloof (and finding excuses not to be near Edna), he eventually confesses his passionate love for her. He admits that the business trip to Mexico was an excuse to escape a relationship that would never work. Edna is called away to help Adèle with a difficult childbirth. Adèle pleads with Edna to think about her children and what she would be turning her back on if she did not behave appropriately. When Edna returns home, she finds a note from Robert stating that he has left forever, as he loves her too much to shame her by engaging in a relationship with a married woman. In devastated shock, Edna rushes back to Grand Isle, where she had first met Robert Lebrun. Edna seeks escape in an ultimate manner by committing suicide, drowning herself in the waters of the Gulf of Mexico.
