'The Best British Short Stories 2011' invites you to judge a book by its cover - or more accurately, by its title. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to print in one volume
This anthology is in many was a ‘best of the best’, containing gems from thirty-four of Britain's outstanding contemporary writers. It is a book to dip into, to read from cover to cover, to lend to friends and read again. It includes stories of love and crime, stories touched with comedy and the supernatural, stories set in London, Los Angeles, Bucharest and Tokyo. Above all, as you will discover, it satisfies Samuel Butler's anarchic pleasure principle: 'I should like to like Schumann's music better than I do; I daresay I could make myself like it better if I tried; but I do not like having to try to make myself like things; I like things that make me like them at once and no trying at all ...'
The nation's favourite annual guide to the short story, now in its seventh year.Best British Short Stories invites you to judge a book by its cover - or more accurately, by its title. This critically acclaimed series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.Featuring stories by Jay Barnett, Peter Bradshaw, Rosalind Brown, Krishan Coupland, Claire Dean, Niven Govinden, Françoise Harvey, Andrew Michael Hurley, Daisy Johnson, James Kelman, Giselle Leeb, Courttia Newland, Vesna Main, Eliot North, Irenosen Okojie, Laura Pocock, David Rose, Deirdre Shanahan, Sophie Wellstood and Lara Williams.
Best British Short Stories invites you to judge a book by its cover - or more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere.
The nationâe(tm)s favourite annual guide to the short story, now in its sixth year.Best British Short Stories invites you to judge a book by its cover âe" or more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editorâe(tm)s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.This new anthology includes stories by: Claire-Louise Bennett, Neil Campbell, Crista Ermiya, Stuart Evers, Trevor Fevin, David Gaffney, Janice Galloway, Jessie Greengrass, Kate Hendry, Thomas McMullan, Graham Mort, Ian Parkinson, Tony Peake, Alex Preston, Leone Ross, John Saul, Colette Sensier, Robert Sheppard, DJ Taylor, Greg Thorpe and Mark Valentine.
TELEGRAPH, INDEPENDENT, FINANCIAL TIMES AND OBSERVER BOOKS OF THE YEAR 2015 Hilarious, exuberant, subtle, tender, brutal, spectacular, and above all unexpected: these two extraordinary volumes contain the limitless possibilities of the British short story. This is the first anthology capacious enough to celebrate the full diversity and energy of its writers, subjects and tones. The most famous authors are here, and many others, including some magnificent stories never republished since their first appearance in magazines and periodicals. The Penguin Book of the British Short Story has a permanent authority, and will be reached for year in and year out. This volume takes the story from its origins with Defoe, Swift and Fielding to the 'golden age' of the fin de siècle and Edwardian period. Edited and with an introduction by Philip Hensher, the award-winning novelist, critic and journalist.
'Sometimes - not often - a book comes along that feels like Christmas. Philip Hensher's timely, but timeless, selection of the best short stories from the past 20 years is that kind of book. His introduction is as enriching as anything that has been published this year' Sunday Times A spectacular treasury of the best British short stories published in the last twenty years We are living in a particularly rich period for British short stories. Despite the relative lack of places in which they can be published, the challenge the medium represents has attracted a host of remarkable, subversive, entertaining and innovative writers. Philip Hensher, following the success of his definitive Penguin Book of British Short Stories, has scoured a vast trove of material and chosen thirty great stories for this new volume of works written between 1997 and the present day. Includes short stories by A.L. Kennedy, Tessa Hadley, Kazuo Ishiguro, Jackie Kay, Graham Swift, Jane Gardam, Ali Smith, Neil Gaiman, Martin Amis, China Miéville, Peter Hobbs, Thomas Morris, David Rose, David Szalay, Irvine Welsh, Lucy Caldwell, Rose Tremain, Helen Oyeyemi, Leone Ross, Helen Simpson, Zadie Smith, Will Self, Gerard Woodward, James Kelman, Lucy Wood, Hilary Mantel, Eley Williams, Sarah Hall, Mark Haddon and Helen Dunmore.
'The Best British Short Stories' invites you to judge a book by its cover - or more accurately, by its title. This series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere.
Immerse yourself in the literary delights of 1922 with "The Best British Short Stories Of 1922," curated by Stacy Aumonier and others. Explore a treasure trove of storytelling brilliance, where each tale offers a glimpse into the rich tapestry of British life and culture. As you delve into these captivating stories, you'll encounter a diverse array of characters and settings, each woven with skill and precision. But amidst the narrative richness, a question arises: What defines the essence of a truly remarkable short story, and why do some tales linger in our minds long after we've turned the final page? Experience the artistry of Aumonier and his contemporaries as they masterfully capture the essence of life in early 20th-century Britain. Each story is a testament to the enduring power of storytelling, capable of transporting readers to distant lands and bygone eras. But beyond the literary craftsmanship lies a deeper truth: In the tumultuous aftermath of World War I, these stories serve as windows into the hopes, fears, and aspirations of a generation grappling with profound social and cultural change. Prepare to be enchanted by the literary gems contained within "The Best British Short Stories Of 1922." Aumonier and his fellow authors invite you on a journey of discovery, where each story offers a unique perspective on the human condition. Indulge in the richness of British literature as you explore themes of love, loss, identity, and redemption. Through these timeless tales, you'll gain a deeper appreciation for the power of storytelling to illuminate the complexities of the human experience. Are you ready to lose yourself in the captivating world of 1922 Britain? Secure your copy of "The Best British Short Stories Of 1922" today and embark on a literary adventure that will transport you to another time and place. Don't miss your chance to experience the magic of these classic stories. Order now and discover why the tales of 1922 continue to captivate readers around the world. ```