The best of the best This essential book takes a decade of Best Australian Stories and selects the most outstanding short fiction by the country's finest writers. These stories range widely in style and subject matter: there is drama and comedy, subtlety and extravagance, tales of suspense, love, fantasy, grief and revenge. Together they showcas...
49 stories ranging over 120 years. Stories reflect life in Australia from the early days of hardship to the recognition of a multicultural society and the new agendas for women's, gay and lesbian, and Aboriginal writing.
In The Best Australian Stories, acclaimed writer Maxine Beneba Clarke brings together our country’s leading literary talents. Herself an award-winning short-story writer, Beneba Clarke selects exceptional stories that resonate with experience and truth, and celebrate the art of storytelling. Previous contributors include Kate Grenville, Tony Birch, David Malouf, Kirsten Tranter, Anna Krien, Georgia Blain, Peter Goldsworthy, Fiona McFarlane, Elizabeth Harrower, Ryan O’Neill and Romy Ash. Maxine Beneba Clarke is an Australian writer of Afro-Caribbean descent. In 2015 her short fiction collection Foreign Soil won the ABIA for Best Literary Fiction and the Indie Award for Best Debut Fiction, and was shortlisted for the Stella Prize. Her critically acclaimed memoir, The Hate Race (2016), was shortlisted for the Victorian Premier's Literary Award, the Indie Award for Non-Fiction and the Stella Prize. She is also the author of a picture book, The Patchwork Bike (2016), several poetry collections, and is a contributor to the Saturday Paper.
This anthology brings together Australia's most striking literary talents and provides a platform for those unpublished gems. This year Stella Prize-winning author Charlotte Wood takes the helm, putting together yet another enchanting collection.
'The tall trees nearby called them up and red-tailed black cockatoos carried messages to them that they told no one else about.' Pushing Back is John Kinsella's most haunting and timely fiction to date. It is populated with eccentric, compelling characters, drifters, unlikely friendships, the silences of dissolving relationships, haunted dwellings and lonely highways, the ghosts of cleared bushland and the threats of right-wing nationalists and senseless destruction. A couple make love in an abandoned asbestos house, a desperate carpet cleaner beholden to the gig economy begs a financially distressed client not to cancel his booking, an addict cannot bear to see his partner without the watch he once gave her, a mother casts her shearer son's ashes on the property on which he worked, fascists pile into a little red car with the intent of terrorising tourists on the Nullarbor, a man more at home with machinery than people rescues a drowning kitten. Yet throughout this assured distillation of contemporary Australian life, empathy rises like the red- tailed black cockatoos that appear and reappear, nature coalescing with the human spirit, the animals, the trees, the land, the people pushing back. These stories are at once disturbing, tender and hopeful. 'One of the nation's most significant living writers.' — Tony Hughes-d'Aeth, Australian Book Review
It is 1997 in San Francisco and Simon and Sarah have been sent on a quest to see America: they must stand at least once in every 25-foot square of the country. Decades later, in an Australian city that has fallen on hard times, Caddy is camped by the Maribyrnong River, living on small change from odd jobs, ersatz vodka and memories. She's sick of being hot, dirty, broke and alone. Caddy's future changes shape when her friend, Ray, stumbles across some well-worn maps, including one of San Francisco, and their lives connect with those of teenagers Simon and Sarah in ways that are unexpected and profound. A meditation on happiness – where and in what place and with who we can find our centre, a perceptive vision of where our world is headed, and a testament to the power of memory and imagination, this is the best of novels: both highly original and eminently readable.
"This ... novel evokes the hardships and the glories of Sydney's past and tells the little-known story of those made homeless to make way for the famous bridge"--Back cover.
