Bernini and the Bell Towers

Bernini and the Bell Towers

Author: Sarah McPhee

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 332

ISBN-13: 9780300089820

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In 1638, Gianlorenzo Bernini began the ambitious architectural project of designing and constructing massive twin bell towers atop St. Peter's basilica. But the project failed spectacularly. This volume tells the story of the bell towers, presenting both visual and documentary evidence.


St. Peter's in the Vatican

St. Peter's in the Vatican

Author: William Tronzo

Publisher: Cambridge University Press

Published: 2005-08-29

Total Pages: 344

ISBN-13: 9780521640961

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This volume presents an overview of St. Peter's history from the late antique period to the twentieth century.


"When All of Rome was Under Construction"

Author: Dorothy Metzger Habel

Publisher: Penn State Press

Published: 2013

Total Pages: 250

ISBN-13: 0271055731

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"Analyzes the politics and economics of architecture and the building process in seventeenth-century Rome. Explores topics ranging from the financing of construction to the availability of materials and personnel"--Provided by publisher.


Res

Res

Author: Francesco Pellizzi

Publisher: Harvard University Press

Published: 2014-03-10

Total Pages: 361

ISBN-13: 0873658655

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RES 63/64 includes "Source and trace" by Christopher S. Wood; "Timelessness, fluidity, and Apollo's libation" by Milette Gaifman; "A liquid history: Blood and animation in late medieval art" by Beate Fricke; "Guercino's 'wet' drawing" by Nicola Suthor; "The readymade metabolized: Fluxus in life" by David Joselit; and other papers.


The Encyclopedia of Christianity

The Encyclopedia of Christianity

Author: Erwin Fahlbusch

Publisher: Wm. B. Eerdmans Publishing

Published: 1999

Total Pages: 994

ISBN-13: 9789004145955

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Containing more than 300 articles, covering the alphabetical entries P-Sh, this book also includes articles on significant topics ranging from Paul, political theology and the Qur'an, to religious liberty, salvation history and scholasticism.


The Artist and the Eternal City

The Artist and the Eternal City

Author: Loyd Grossman

Publisher: Simon and Schuster

Published: 2021-08-03

Total Pages: 256

ISBN-13: 1643137417

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This brilliant vignette of seventeenth-century Rome, its Baroque architecture, and its relationship to the Catholic Church brings to life the friendship between a genius and his patron with an ease of writing that is rare in art history. By 1650, the spiritual and political power of the Catholic Church was shattered. Thanks to the twin blows of the Protestant Reformation and the Thirty Years War, Rome—celebrated both as the Eternal City and Caput Mundi (the head of the world)—had lost its preeminent place in Europe. Then a new Pope, Alexander VII, fired with religious zeal, political guile, and a mania for creating new architecture, determined to restore the prestige of his church by making Rome the key destination for Europe's intellectual, political, and cultural elite. To help him do so, he enlisted the talents of Gianlorenzo Bernini, already celebrated as the most important living artist—no mean feat in the age of Rubens, Rembrandt, and Velazquez.


Bernini at Saint Peter's - The Pilgrimage

Bernini at Saint Peter's - The Pilgrimage

Author: Irving Lavin

Publisher: Pindar Press

Published: 2012-12-31

Total Pages: 385

ISBN-13: 1915837081

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Bernini at Saint Peter's may be a unique case in history: a single artist in change of a grandiose monument in a continuous state of creativity under constantly changing patrons and a variety of projects, for nearly six decades. This book argues that a continuous thread of thought may be discerned underlying and connecting the vicissitudes of this spectacular display. From first to last, Gianlorenzo Bernini conceived of Saint Peter's as a pilgrimage church, a kind of pilgrimage of human life, his own and of the believers who visited the basilica to worship and give testimony. Irving Lavin is professor emeritus in the School of Historical Studies at the Institute for Advanced Study in Princeton. He is one of the most distinguished and honoured art historians in the United States. Professor Lavin is best known for his series of fundamental publications on the Baroque artist Gianlorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious early life, his architecture and portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the theatre, his attitude towards death and the role of the artist in the creation of a modem sense of social responsibility.


The Ethics of Ornament in Early Modern Naples

The Ethics of Ornament in Early Modern Naples

Author: J.Nicholas Napoli

Publisher: Routledge

Published: 2017-07-05

Total Pages: 430

ISBN-13: 1351544780

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The Carthusian monks at San Martino began a series of decorative campaigns in the 1580s that continued until 1757, transforming the church of their monastery, the Certosa di San Martino, into a jewel of marble revetment, painting, and sculpture. The aesthetics of the church generate a jarring moral conflict: few religious orders honored the ideals of poverty and simplicity so ardently yet decorated so sumptuously. In this study, Nick Napoli explores the terms of this conflict and of how it sought resolution amidst the social and economic realities and the political and religious culture of early modern Naples. Napoli mines the documentary record of the decorative campaigns at San Martino, revealing the rich testimony it provides relating to both the monks? and the artists? expectations of how practice and payment should transpire. From these documents, the author delivers insight into the ethical and economic foundations of artistic practice in early modern Naples. The first English-language study of a key monument in Naples and the first to situate the complex within the cultural history of the city, The Ethics of Ornament in Early Modern Naples sheds new light on the Neapolitan baroque, industries of art in the age before capitalism, and the relation of art, architecture, and ornament.