Bernadette Corporation
Bernadette Corporation

Author: Bernadette Corporation

Publisher: Walther Konig Verlag

Published: 2011

Total Pages: 0

ISBN-13: 9783865608703

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The idea of the book is to present these two elements – poem and fashion shoot – in a single package, as one complex object. This combination of original literature and commissioned fashion photography undermines the traditional autonomy of literary and visual genres. The book itself is a conceptual gesture: the display of a mediation, or the presentation of a redistribution. Bernadette Corporation was formed in a Manhattan nightclub in 1994, and began organizing DIY social events that evolved into unauthorized art carnivals in SoHo parking lots. From 1995 to 1997, the group worked under the guise of an underground fashion label. In 1999 it self-published a magazine, Made in USA, and began producing videos.

Reena Spaulings
Reena Spaulings

Author: Bernadette Corporation

Publisher: Semiotext(e)

Published: 2004

Total Pages: 224

ISBN-13:

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"Reena Spaulings is a collectively-authored novel set in present-day New York."--Bernadette Corporation website.

Eine Pinot Grigio, Bitte
Eine Pinot Grigio, Bitte

Author: Bernadette Corporation

Publisher:

Published: 2007

Total Pages: 0

ISBN-13: 9781933128177

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"For this book Bernadette Corporation uses screenplay formatting software and the screenplay form with no intention to produce a film or communicate anything.... the hack is used as a starting point for a literature, with hack tools in a hack medium. EINE PINOT GRIGIO, BITTE to remind you of the necessity to understand that all creativity is equal." Bernadette Corporation A novel-in-disguise, Eine Pinot Grigio, Bitte is a dark foray into capitalism gone awry. Set against a backdrop of decadent zombies, the screenplay follows John Delp and Aude as they shoot a movie in the cities of Paris, Berlin, and Mexico City. With its wild and messy sense for the absurd, Eine Pinot Grigio, Bitte unravels that conventional Hollywood repertoire of screenwriting all to better recycle both fiction and the real. Eine Pinot Grigio, Bitte is followed by "Pedestrian Memoranda," a series of notes on Bernadette Corporation's temporary underground film studio, operated from 2005-2007 in Paris, Berlin, and Mexico City. Bernadette Corporation has previously worked under the guise of an eponymous underground fashion label, published a fashion magazine called Made in USA, produced video-films, including the 2003 documentary Get Rid of Yourself, collectively authored the novel Reena Spaulings (Semiotext[e] 2004), as well as exhibited at the 2006 Whitney Biennial, the Witte de With museum, and the Centre Pompidou. Co-published by Art in General, New York

Collected by Thea Westreich Wagner and Ethan Wagner
Collected by Thea Westreich Wagner and Ethan Wagner

Author: Christine Macel

Publisher: Yale University Press

Published: 2015-01-01

Total Pages: 353

ISBN-13: 0300214820

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Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.

Corporate Mentality
Corporate Mentality

Author: Aleksandra Mir

Publisher: Sternberg Press

Published: 2003

Total Pages: 260

ISBN-13:

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Tiré du site Internet de l'auteur: "Corporate Mentality documents the emergence of recent practices within a cultural sphere occupied by both business and art. Based on an archive (1995-2001) maintained by Aleksandra Mir, it presents a diverse spectrum of artists who take on business as site, as material, and as subject of their work. Calling for a reassessment of the function of art in late-capitalist society, Corporate Mentality focuses on the complex and ambiguous ways artistic production inhabits corporate processes, abandoning the autonomy of the artwork, in order to elaborate resistant approaches to a world increasingly determined by commercial strategies and market concerns."

A Bernadette Mayer Reader
A Bernadette Mayer Reader

Author: Bernadette Mayer

Publisher: New Directions Publishing

Published: 1992

Total Pages: 164

ISBN-13: 9780811212038

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"She writes as if Everything were still possible in the work of a lifetime at the coincidence of all the turvy moments. Better that she's read without a thought to stop. Best so this world is found changed." --Clark Coolidge

Rich Texts
Rich Texts

Author: John Kelsey

Publisher: MIT Press

Published: 2011-04-01

Total Pages: 0

ISBN-13: 1934105236

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Compiled for the first time here, the critic, artist, gallerist, dealer, translator John Kelsey's selected essays gamesomely convey some of the most poignant challenges in the art world and in the many social roles it creates. “When the critic chooses to become a smuggler, a hack, a cook, or an artist,” Kelsey said at a 2007 conference at the Städelschule in Frankfurt am Main, “it's maybe because criticism as such remains tied to an outmoded social relation.” It is precisely this relation that Kelsey intends to not only critique but also to surpass. In this way, Kelsey's “Rich Texts” play the double role of explaining the art world and actively participating in it; they close the distance between the work of art and how we talk about it. Originally published in Artforum—where Kelsey is a contributing editor—Texte zur Kunst, Parkett, and various artists' catalogues, the essays compiled in Rich Texts have all been written over the last decade, and therefore embody a timeliness that strikes at the core of the contemporary art world and the crises that have come to define it. Institut für Kunstkritik Series

Shedding the Corporate Bitch
Shedding the Corporate Bitch

Author: Bernadette Boas

Publisher: Morgan James Pub

Published: 2011-08

Total Pages: 250

ISBN-13: 9781600379406

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"Shedding the Corporate Bitch" provides an honest and hard look at the pros and cons of manning-up in the workplace, and provides tips and lessons of how women can avoid those same mistakes to realize the riches in life they desire.

Lucy Lippard: 4,492,040
Lucy Lippard: 4,492,040

Author: Lucy R. Lippard

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9781927354001

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"4,492,040 is a facsimile reprint of a series of catalogs produced by curator Lucy R. Lippard. Drawn from material originally published between 1969 and 1974, 4,492,040 includes reprints of all four of the catalogs from Lippard's hugely important "numbers shows"--A series of exhibitions named for the populations of the cities they were held in: 557,087 (Seattle [Art Museum]), 955,000 (Vancouver [Art Gallery]), c.7,500 ([California Institute of the Arts], Valencia, California), and 2,972,453 ([Centro de Arte y Comunicación], Buenos Aires). As with the originals, 4,492,040 is made up of a collection of loose notecards containing statements, documentation, and conceptual works by each artist, to be rearranged, filed, or discarded at will. This new edition is supplemented by a new afterword by Lippard."--Publisher's web site.

Richard Prince
Richard Prince

Author: Richard Prince

Publisher: Prestel Publishing

Published: 2020

Total Pages: 0

ISBN-13: 9783791359687

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A visually stunning compilation of Richard Prince's 40-year-long project of examining the cowboy as an American symbol. In the mid-1970s, Richard Prince was an aspiring painter working in Time Inc.'s tear sheet department clipping texts for magazine writers. After he removed the articles, he was left with advertisements: glossy pictures of commodities, models, and other objects of desire. He began to re-photograph the advertisements, cropping and enlarging them, and selling the artworks as his own. Prince paid particular attention to the motif of the cowboy, often depicted in advertisements for Marlboro cigarettes. He had an explosive effect on the art world, provoking lawsuits and setting auction records for contemporary photography. More recently, he has revisited copies of TIME from the 1980s and 90s using contemporary technology to produce a new series of work, extending his preoccupation with the cowboy in the era of Instagram to demonstrate that the stakes around originality, appropriation, and truth in advertising are as high as ever. This book showcases how Prince has mined the mythological American West within the artwork he produced during the last four decades. Each chapter contains a brief introduction, followed by artwork by Prince, and concludes with a section of related ephemera, relics, and fragments that aid in contextualizing Prince's work. Once again challenging the conventional limits of photography, Prince is reigniting the debate he sparked forty years ago through the lens of cowboys and the West.