Insouciant, hyperkinetic and utterly unapologetic supercoloured images of gay Berliners in fabulously staged settings. Easter eggs, confectionery doughnuts and a dildo share equal space in a staged production of model Rocco; while Johannes cuddles alongside a photograph of Greta Garbo and a mirrored disco ball, wearing a pair of striped suspenders. Josh is found in high heels, peering into the work of retro physique photographer Champion - while model Ivo surrenders himself in a black sleep mask, a jockstrap and orange rubber gloves.
Winner of Randy Shilts Award In the half century before the Nazis rose to power, Berlin became the undisputed gay capital of the world. Activists and medical professionals made it a city of firsts—the first gay journal, the first homosexual rights organization, the first Institute for Sexual Science, the first sex reassignment surgeries—exploring and educating themselves and the rest of the world about new ways of understanding the human condition. In this fascinating examination of how the uninhibited urban culture of Berlin helped create our categories of sexual orientation and gender identity, Robert Beachy guides readers through the past events and developments that continue to shape and influence our thinking about sex and gender to this day.
Whisnant argues that the period after Nazism was more important for the history of homosexuality in Germany than is generally recognized. Gay scenes resurfaced; a more masculine view of homosexuality also became prominent. Above all, a public debate about homosexuality emerged, constituting a critical debate within the Sexual Revolution.
Chapter authors are internationally recognized scholars who analyze key developments of the attitudes and policies of leftist thinkers, parties, and regimes toward homosexuality in Western Europe, the Soviet Union, and the United States.
Since 1981 our gay guide "Berlin von hinten" has enjoyed immense popularity in the gay scene. Since the beginning our guide has more and more international readers. Berlin is becoming more international and attracts young people from around the world. To adapt to this trend, we have come up with a new title. The new name is the Spartacus Berlin Gay Guide. In this guide we list the reasons why a visit to Berlin is so important. Sex, events, culture, sights, shopping - this abundance in Germany is only possible in the capital city. There is also a list of address from businesses and locations that are worth a visit. There are also local maps which help the reader find his way round this metropolis. Useful information for overnight accommodation, tourist information, the public S + U network maps, gay press, physicians etc is found at the back of this guide.
An intoxicating, provocative novel of appetite, identity, and self-construction, Darryl Pinckney's Black Deutschland tells the story of an outsider, trapped between a painful past and a tenebrous future, in Europe's brightest and darkest city. Jed—young, gay, black, out of rehab and out of prospects in his hometown of Chicago—flees to the city of his fantasies, a museum of modernism and decadence: Berlin. The paradise that tyranny created, the subsidized city isolated behind the Berlin Wall, is where he's chosen to become the figure that he so admires, the black American expatriate. Newly sober and nostalgic for the Weimar days of Isherwood and Auden, Jed arrives to chase boys and to escape from what it means to be a black male in America. But history, both personal and political, can't be avoided with time or distance. Whether it's the judgment of the cousin he grew up with and her husband's bourgeois German family, the lure of white wine in a down-and-out bar, a gang of racists looking for a brawl, or the ravaged visage of Rock Hudson flashing behind the face of every white boy he desperately longs for, the past never stays past even in faraway Berlin. In the age of Reagan and AIDS in a city on the verge of tearing down its walls, he clambers toward some semblance of adulthood amid the outcasts and expats, intellectuals and artists, queers and misfits. And, on occasion, the city keeps its Isherwood promises and the boy he kisses, incredibly, kisses him back.
Through an astonishing series of interviews, Gay Men's Style will take you on a dizzying journey through shops, bars, clubs, gyms, workplaces and global city streets. Based on the lived experience of gay men of all ages from the UK, USA, Europe, Australia and Japan, Shaun Cole calls for a more nuanced understanding of gay male dress and style. Gay male identities in the 21st century are increasingly intersectional, fluid and flexible, from hyper-masculinity and muscularity seen in clubs and on the pages of gay magazines to self-knowing drag culture and androgynous gender play in the fashion industry. Gay Men's Style explores these multiple identities and the ways in which gay men self-identify and present themselves to the world through dress. This analysis is set alongside seismic shifts in technology, global communication and gay rights to redress and readdress the subject of gay men's style in a time of social and sexual upheaval.
This book explores navigations of contemporary masculinities amongst young, advantaged men living in Australia and Germany. Taking an intersectional approach, the book argues that more open, egalitarian forms of masculinity, such as caring masculinities, are fostered by marginalised groups. Elliott investigates ways in which privileged men can move towards this openness alongside ongoing expressions of more traditional or regressive masculinity. Drawing on interviews, the book explores these navigations and the ways in which they are bound up with themes such as work, mobility, relationships, the privileges and pressures of masculinities, and the contradictions and difficulties of masculinities under neoliberalism. What is revealed is the need for change at individual, collective and structural levels, with care and openness amongst men as a means of achieving this change. Young Men Navigating Contemporary Masculinities will be of interest to students and scholars in fields such as sociology, gender studies, critical studies on men and masculinities, and cultural studies.
For sociologist Henning Bech, the image of the male homosexual has become emblematic of the modern urban condition, in which freedom and mobility contend with transience and superficiality, in which possibility, energy, and engagement vie with uncertainty and restlessness. In this powerful and frankly provocative critique, Bech skillfully examines the distinctive relationship between urban modernism and the gay experience, exploring in compelling fashion its growing ramifications for the cultural mainstream. Gay society has persevered, even flourished, in this highly charged urban environment, aestheticizing and sexualizing the spaces, both public and private, where men meet. With profound insight and honesty, Bech details this world, candidly reflecting on sex, friendship, love, and life as manifest in the homosexual form of existence. He convincingly demonstrates that, in the face of modern alienation, successful coping strategies developed by gay men are gradually being adopted by mainstream heterosexual society. These adaptations are often masked by what Bech calls an "absent homosexuality, " in which sublimated themes of homosexuality and masculine love surface, only to be disavowed in expressions of social anxiety. This "absent homosexuality" acts as a kind of cultural filter, allowing key traits of gay life to be absorbed by the mainstream, while shielding heterosexual males from their own homophobic anxieties. Ultimately, Bech foresees, a postmodern convergence of hetero- and homosexual forms of exisce emergent from this urban landscape and, with it, a new masculine synthesis. Certain to ignite immediate controversy, When Men Meet offers both a penetrating scholarly analysis of the modern homosexual condition and an unflinching cultural vision of the masculine in transition.
Framed by the life, murder, and sensational trial over an enterprising seamstress, Love at Last Sight tells a history of dating in Berlin, where the romantic technologies and opportunities of the turn-of-the-century city--such as missed connections and newspaper personal ads--offered men and women on the margins the best shot at finding love but exposed them to tremendous risk.
