In the late 19th century, early pioneers of the new field of sexology examined and classified sexual behaviors, identities, and relations, data long restricted from public access. Extracts (dating from the 1880s to the 1940s), compiled in one volume for the first time, form an invaluable record for all those interested in how we have come to think about sex and sexuality over the last 100 years.
30 dripping wet encounters -- filled with hardcore threesomes, taboo romps and all the naughty details you could hope for! This is an adult collection that gets right to the point in each story... No sappy romances or long, drawn-out plot points. Only consider looking inside this bundle if you are after the hot stuff!
**Shortlisted for the 2021 Ned Kelly Award for True Crime** Shocking real-life stories of murderous women who used rat poison to rid themselves of husbands and other inconvenient family members. For readers of compelling history and true crime, from critically acclaimed, award-winning author Tanya Bretherton. After World War II, Sydney experienced a crime wave that was chillingly calculated. Discontent mixed with despair, greed with callous disregard. Women who had lost their wartime freedoms headed back into the kitchen with sinister intent and the household poison thallium, normally used to kill rats, was repurposed to kill husbands and other inconvenient family members. Yvonne Fletcher disposed of two husbands. Caroline Grills cheerfully poisoned her stepmother, a family friend, her brother and his wife. Unlike arsenic or cyanide, thallium is colourless, odourless and tasteless; victims were misdiagnosed as insane malingerers or ill due to other reasons. And once one death was attributed to natural causes, it was all too easy for an aggrieved woman to kill again. This is the story of a series of murders that struck at the very heart of domestic life. It's the tale of women who looked for deadly solutions to what they saw as impossible situations. The Husband Poisoner documents the reasons behind the choices these women made - and their terrible outcomes.
The debut of a hot new voice in lesbian erotica. In a world where so many stifle their emotions, what woman doesn't yearn for a little old-fashioned honesty -- even if it means revealing one's own secret desires? Danielle Engle's heroines do just that -- and a great deal more -- in their quest for sexual fulfillment.
In many ways what is identified today as “cultural globalization” in Eastern Europe has its roots in the Cold War phenomena of samizdat (“do-it-yourself” underground publishing) and tamizdat (publishing abroad). This volume offers a new understanding of how information flowed between East and West during the Cold War, as well as the much broader circulation of cultural products instigated and sustained by these practices. By expanding the definitions of samizdat and tamizdat from explicitly political print publications to include other forms and genres, this volume investigates the wider cultural sphere of alternative and semi-official texts, broadcast media, reproductions of visual art and music, and, in the post-1989 period, new media. The underground circulation of uncensored texts in the Cold War era serves as a useful foundation for comparison when looking at current examples of censorship, independent media, and the use of new media in countries like China, Iran, and the former Yugoslavia.
Luciano Pavarotti’s longtime manager and friend tells all. All. The King and I is the story of the thirty-six-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, “the greatest career in classical music.” During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public. How he and Pavarotti changed the landscape of opera is one of the most significant and entertaining stories in the history of classical music, and Herbert Breslin relates the tale in a brash, candid, witty fashion that is often bitingly frank and profane. He also provides a portrait of his friend and client—“a beautiful, simple, lovely guy who turned into a very determined, aggressive, and somewhat unhappy superstar”—that is by turns affectionate and satirical and full of hilarious details and tales out of school, with Pavarotti emerging as something like the ultimate Italian male. The book is also enlivened by the voices of other players in the soap opera drama that was Pavarotti’s career, and they are no less uncensored than Herbert Breslin. The last word, in fact, comes from none other than Luciano Pavarotti himself! The King and I is the ultimate backstage book about the greatest opera star of the past century—and it’s a delight to read as well.
This compilation of the bold and articulate insights of the only Chicano husband and wife team of newspaper columnists is a chronicle of the Chicano/Latino experience in the 1990s. The authors write a weekly column, Latino Spectrum, distributed by Chronicle Features in San Francisco, giving their own views on issues of the day. Their vision is considered radical and many times their column is edited or cut. Whether exposing governmental abuses of the census or congressional bills designed to take away the rights of immigrants, Gonzales and Rodriguez never pull any punches. This book contains 52 columns as the authors intended them to be read.
