Sean sat on a rock and started to cry. “Don’t be afraid little boy, I’m here to help you find your way home.” Sean looked up and saw a big hairy smiling collie dog in front of him. “How did you know I was lost?” “When little boys or girls cry they are always lost,” said the dog. “My name is Ben.” Join Ben and Sean for their first Rainbowland adventure.
Little Ben's Life is a fun and entertaining book that is suitable for all readers. It is written in rollicking rhyme which is sure to capture your attention. In the early years Ben overcomes boredom and life's challenges by using his vivid imagination as a way of escape. While in the later years Ben shares his incredible experience of growing up and living in the Great Pacific Northwest.
Enter the exciting fantasy world of White Warlord where only the reader's instincts can defeat the Black Baron. Trapped in the castle of his fearsome foe, Black Baron, White Warlord must use all of his cunning to survive his adversary's deadly traps and mind-boggling riddles.
This is a bold and original reinterpretation of almost all of Shakespeare's major plays, in the light of the Marxist, feminist and semiotic ideas of our own time. Through a set of tenaciously detailed readings, the book illuminates a number of persistent problems or conflicts in Shakespearean drama - in particular a contradiction between words and things, body and language, which is also explored in terms of law, sexuality and Nature. Language and desire, Terry Eagleton argues, are seen by Shakespeare as a kind of 'surplus' over and above the body, stable and social roles and a fixed human nature. But the attitude of the plays to such a 'surplus' is profoundly ambivalent; if they admire it as the very source of human creativity, they also fear its anarchic, trangressive force. Underlying such ambiguities, the book convincingly shows, is a deeper ideological struggle, between feudalist traditionalism on the one hand, and the emergence of new forms of bourgeois individualism on the other. This book revels how, in the light of our own contemporary theories of language, sexuality and society, we can understand the issues present in Shakespeare's drama which previously have remained obscure.
