To Be, Or Not-- to Bop

To Be, Or Not-- to Bop

Author: Dizzy Gillespie

Publisher: U of Minnesota Press

Published: 2009

Total Pages: 634

ISBN-13: 0816665478

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Originally published: New York: Doubleday, 1979.


Bassically Speaking

Bassically Speaking

Author: Edward Berger

Publisher: Scarecrow Press

Published: 1993

Total Pages: 526

ISBN-13: 9780810826915

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"Both as a person and as a musician, he was number one in my book." --Benny Carter Bassist George Duvivier (1920-1985) was one of the most universally respected musicians in jazz. His impeccable musicianship graced the big bands in the 1940s and led to musical associations with virtually every important jazz and popular artist. His prolific recording career spanned all styles of music, from Eubie Blake to Eric Dolphy, Billie Holiday to Barry Manilow. Duvivier was a most astute and articulate observer of the musical scene. A large part of this book is devoted to his own reflections on growing up in Harlem in the 1920s and 1930s, the evolution of the bass, life in the commercial studios, and his memories of close associates--Coleman Hawkins, Jimmie Lunceford, Bud Powell, Lena Horne, and many others. In addition, twenty of Duvivier's colleagues, including Louie Bellson, Ron Carter, Milt Hinton, Ed Shaughnessy, Arthur Taylor, and Joe Wilder, have contributed, covering a variety of musical and social issues, as well as providing a loving portrait of an extraordinary artist. Duvivier's musical style is discussed by David Chevan, who has included transcriptions of several solos. An extensive discography/solography traces Duvivier's incredibly diverse recording career. With dozens of previously unpublished photos.


Classic Jazz

Classic Jazz

Author: Floyd Levin

Publisher: Univ of California Press

Published: 2002-04-30

Total Pages: 362

ISBN-13: 0520234634

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"Floyd Levin's half-century collection of reportage, reviews and recollections are an irreplaceable and totally enjoyable trove of writing about the vibrancy, past and still-present, of traditional American jazz."—Charles Champlin, author of Back There Where the Past Was "I've known Floyd and his wife Lucille for more than fifty years. Floyd's book is a colorful, intimate account of his lifelong love affair with jazz. I'm especially fascinated when he writes about his personal encounters with some of the jazz legends of the Century. This book is essential reading for anyone concerned about jazz - its present, its past, and his evolution."—Milt Hinton "Floyd Levin's dedicated and unselfish life-long work for the cause of jazz has illuminated many a corner that would otherwise have remained in the dark. All who care about the music are in his debt. Classic Jazz, like Floyd himself, is a classic."—Dan Morgenstern, Director, Institute of Jazz Studies, Rutgers University "What a rich, passionate and human book this is! Drawing on fifty years of devotion to classic, New Orleans jazz and the artists who performed it, Floyd Levin brilliantly weaves anecdotal material, primary research, intimate personal observations, and analyses to create an historical goldmine of the music's evolution in New Orleans and on the West Coast. In rendering portraits of legendary musicians in such a beautifully moving, honest way, he offers not just standard history, but a strong sense of the emotional core of the music as well."—Steve Isoardi, co-author of Central Avenue Sounds


Jazz Musicians of the Early Years, to 1945

Jazz Musicians of the Early Years, to 1945

Author: David Dicaire

Publisher: McFarland

Published: 2010-10-22

Total Pages: 330

ISBN-13: 0786485566

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The story of the first roughly half century of jazz is really the story of some of the greatest musicians of all time. Scott Joplin, Glenn Miller, Louis Armstrong, Fats Waller, Duke Ellington, Count Basie, Benny Goodman, Billie Holiday, and Ella Fitzgerald all made tremendous contributions, influencing countless jazz musicians and singers. This work provides biographical sketches of the aforementioned artists and many others who made jazz so popular in the first half of the twentieth century. Biographies cover the pioneers of jazz in New Orleans in the late 1890s and early 1900s; the soloists who fueled the Jazz Age in the 1920s; the musicians and bandleaders of the big band and swing era of the late 1920s and early 1930s; and icons from the height of jazz's popularity on through the end of the war. A discography is provided for each artist.


Dizzy Gillespie: the Bebop Years, 1937-1952

Dizzy Gillespie: the Bebop Years, 1937-1952

Author: Ken Vail

Publisher: Scarecrow Press

Published: 2003

Total Pages: 100

ISBN-13: 9780810848801

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The Jazz Itineraries series, a new format based on Ken Vail's successful Jazz Diaries, charts the careers of famous jazz musicians, listing club and concert appearances with details of recording sessions and movie appearances. Copiously illustrated with contemporary photographs, newspaper extracts, record and performance reviews, ads and posters, the series provides fascinating insight into the lives of the greatest jazz musicians of our times. No.1 in the series, Dizzy Gillespie: The Bebop Years 1937?1952, chronicles Dizzy's life from his early struggles, through the birth of bebop, the demise of his first big band, up to his departure for France in 1952.


Mastering the Potter's Wheel

Mastering the Potter's Wheel

Author: Ben Carter

Publisher: Voyageur Press (MN)

Published: 2016-06

Total Pages: 211

ISBN-13: 0760349754

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"A book of advances wheel techniques and inspiration for potters who have basic skills but would like to learn more about throwing large forms, lids, handles, darting, and more"--


Draw What You See

Draw What You See

Author: Kathleen Benson

Publisher: HarperCollins

Published: 2015-01-06

Total Pages: 32

ISBN-13: 0544106059

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Benny Andrews loved to draw. He drew his nine brothers and sisters, and his parents. He drew the red earth of the fields where they all worked, the hot sun that beat down, and the rows and rows of crops. As Benny hauled buckets of water, he made pictures in his head. And he dreamed of a better life—something beyond the segregation, the backbreaking labor, and the limited opportunities of his world. Benny’s dreams took him far from the rural Georgia of his childhood. He became one of the most important African American painters of the twentieth century, and he opened doors for other artists of color. His story will inspire budding young artists to work hard and follow their dreams.


Masters of Jazz Saxophone

Masters of Jazz Saxophone

Author: Tony Bacon

Publisher: Hal Leonard Corporation

Published: 2000

Total Pages: 236

ISBN-13: 9780879306229

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Book With over 100 color photos and insightful essays written by world-class jazz authorities, this book illustrates the saxophone's role in jazz from its earliest 1920s roots through today. It describes how the sound of jazz has been shaped in the hands of Coleman Hawkins, Lester Young, Charlie Parker, John Coltrane, Branford Marsalis, Sonny Rollins, and many other legendary saxophonists in varying styles. It also includes a comprehensive guide to the finest recordings featuring jazz saxophone.


Someone to Watch Over Me

Someone to Watch Over Me

Author: Frank Buchmann-Moller

Publisher: University of Michigan Press

Published: 2010-02-05

Total Pages: 412

ISBN-13: 9780472025985

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For a half century, Ben Webster, one of the "big three" of swing tenors-along with Coleman Hawkins and Lester Young-was one of the best-known and most popular saxophonists. Early in his career, Webster worked with many of the greatest orchestras of the time, including those led by Willie Bryant, Cab Calloway, Benny Carter, Fletcher Henderson, Andy Kirk, Bennie Moten, and Teddy Wilson. In 1940 Webster became Duke Ellington's first major tenor soloist, and during the next three years he played on many famous recordings, including "Cotton Tail." Someone to Watch Over Me tells, for the first time, the complete story of Ben Webster's brilliant and troubled career. For this comprehensive study of Webster, author Frank Büchmann-Møller interviewed more than fifty people in the United States and Europe, and he includes numerous translated excerpts from European periodicals and newspapers, none previously available in English. In addition, the author studies every known Webster recording and film, including many private recordings from Webster's home collection not available to the public. Exhaustively researched, this is a much needed and long overdue study of the life and music of one of jazz's most important artists.