DigiCat Publishing presents to you this special edition of "The Life, Studies, and Works of Benjamin West, Esq" (Composed from Materials Furnished by Himself) by John Galt. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
"This is by far the largest painting in the National Galleries of Scotland collection and admirably represents West's heroic and monumental style. It illustrates a legend in which the first chieftain of the Clan Mackenzie saves the life of the Scottish King. Colin Fitzgerald is shown about to spear a fierce stag who had turned on the Scottish King, Alexander III, during a hunting expedition. West includes other huntsmen, horses and dogs whose dynamic poses and striking gestures enhance the dramatic moment. Francis Humberston Mackenzie became chieftain of the Mackenzie Clan in 1783 and commissioned the painting to commemorate, rather conspicuously, his illustrious ancestor. The painting has recently been conserved in public in the National Gallery." --Book Jacket.
The pictorial turn in the humanities and social sciences has foregrounded the political power of images and the extent to which historical, political, social, and cultural processes and practices are shaped visually. Political iconographies are taken to interpret norms of actions, support ideological formations, and enhance moral concepts. Visual rhetorics are understood as active players in the construction and contestation of the political realm and public space. The twenty-one articles by scholars from Europe and the United States explore the political function and cultural impact of images from the perspectives of Art History, American Studies, Visual Culture Studies, History, and Political Science. The contributions in particular address the complex interplay between agent and addressee in the public space as well as issues of national identity, discourses of inclusion and exclusion, and the designation of political spaces within transnational contexts. The publication is part of the interdisciplinary research initiative “Perceiving and Understanding: Functions, Perception Processes, Forms of Visualizations, Cultural Strategies of Pictures and Texts” at the University of Regensburg.
Winner of the Saltire Society Scottish History Book of the Year 2019 Presiding over an age of relative peace and prosperity, Alexander III represented the zenith of Scottish medieval kingship. The events which followed his early and unexpected death plunged Scotland into turmoil, and into a period of warfare and internal decline which almost brought about the demise of the Scottish state. This study fills a serious gap in the historiography of medieval Scotland. For many decades, even centuries, Scotland's medieval kingship has been regarded as a close likeness of the English monarchy, having been 'modernised' in that image by the twelfth- and thirteenth-century kings, who had close relationships with their southern counterparts. Recent research has cast doubt on that view, and this examination of Alexander III's reign is based on a view of Scottish kingship which depends on much firmer continuity with its earlier, celtic past. It challenges accepted truth, revealing that the nature of state and government, and the relationships between ruler and subject, were quite different from the previous 'received view'. On the cusp of a dynastic catastrophe which led to economic and political disaster, Alexander III's reign captures a snapshot of Scotland at the end of a period of sustained peace and development: a view of the medieval state as it really was.
