A Table of Green Fields
A Table of Green Fields

Author: Guy Davenport

Publisher: New Directions Publishing

Published: 1993

Total Pages: 172

ISBN-13: 9780811212519

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A Table of Green Fields includes ten stories, variously about the painter Henry Scott Tuke, the mathematician James Joseph Sylvester, Kafka, Thoreau, along with some imaginary Frenchmen and Scandinavians, among others. Calculating the infinite in the finite, tracing geometries of desire, placing the obdurate world in an uncustomary light, each of these stories opens out its own world. Without giving up the plot or character of the traditional short story, Guy Davenport's inventions are complex events in which ideas and cultural history are a kind of music to which the characters dance. Despite the fractal, syncopated collage of his narrative style, Davenport's prose is objective, terse, and transparent. A constant theme in this book is the transmission of the past as an imaginative act; hence the title, Falstaff's dying vision of "a table of green fields," probably a mishearing of his recitation of the Twenty-third Psalm, corrected by editors to "he babbled of green fields," a symbol of all fiction, an art that must be exact about the uncertain.

Home and Beyond
Home and Beyond

Author: Morris Allen Grubbs

Publisher: University Press of Kentucky

Published: 2013-04-06

Total Pages: 460

ISBN-13: 0813143934

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“A bountiful smorgasbord of classic and lesser known stories by accomplished Kentucky writers who provide a feast for readers of modern short fiction.” —Ann Charters, author of The Story and Its Writer With an introduction by Wade Hall Morris Grubbs has sifted through vintage classics, little-known gems, and stunning debuts to assemble this collection of forty stories by popular and critically acclaimed writers. In subtle and profound ways, they challenge and overturn accepted stereotypes about the land their authors call home, whether by birth or by choice. Kentucky writers have produced some of the finest short stories published in the last fifty years, much of which focuses on the tension between the comforts of community and the siren-like lure of the outside world. Arranged chronologically, from Robert Penn Warren’s “Blackberry Winter” to Crystal E. Wilkinson’s “Humming Back Yesterday,” these stories are linked by their juxtaposition of departures and returns, the familiar and the unknown, home and beyond. “The story of the Commonwealth of Kentucky is told and retold by a mixed but balanced chorus of voices that sings like the wind down the ridges and along the creekbeds.” —Appalachian Journal “Readers needn’t be from Kentucky to appreciate these stories . . . Prepare to be wowed by these superior examples of the form.” —The Bloomsbury Review “From Robert Penn Warren to Bobbie Ann Mason, Kentucky hatches writers like other states create tourist traps.” —The Nashville Tennessean “If you love Kentucky authors, this anthology of short stories is a must for your Kentucky collection.” —Bourbon Times

The Guy Davenport Reader
The Guy Davenport Reader

Author: Guy Davenport

Publisher: Catapult

Published: 2013-07-01

Total Pages: 341

ISBN-13: 1619022524

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"The difference between the Parthenon and the World Trade Center, between a French wine glass and a German beer mug, between Bach and John Philip Sousa, between Sophocles and Shakespeare, between a bicycle and a horse, though explicable by historical moment, necessity, and destiny, is before all else a difference of imagination. The imagination is like the drunk man who has lost his watch, and must get drunk again to find it. It is as intimate as speech and custom, and to trace its ways we need to re–educate our eyes."—Guy Davenport Modernism spawned the greatest explosion of art, architecture, literature, painting, music, and dance of any era since the Renaissance. In its long unfolding, from Yeats, Pound and Eliot to Picasso and Matisse, from Diaghilev and Balanchine to Cunningham and Stravinsky and Cage, the work of Modernism has provided the cultural vocabulary of our time. One of the last pure Modernists, Guy Davenport was perhaps the finest stylist and most protean craftsman of his generation. Publishing more than two dozen books of fiction, essays, poetry and translations over a career of more than forty years, he was awarded a MacArthur Fellowship in 1990. In poetry and prose, Davenport drew upon the most archaic and the most modern of influences to create what he called "assemblages"—lush experiments that often defy classification. Woven throughout is a radical and coherent philosophy of desire, design and human happiness. But never before has Davenport's fiction, nonfiction, poetry and translations been collected together in one compendium. Eight years after his death, The Guy Davenport Reader offers the first true introduction to the far–ranging work of this neglected genius.

Guy Davenport
Guy Davenport

Author: Andre Furlani

Publisher: Northwestern University Press

Published: 2007-07-20

Total Pages: 300

ISBN-13: 0810123894

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Guy Davenport (1927–2005), an American writer of fiction, poetry, criticism, and essays, a translator, painter, intellectual, and teacher, brought a breadth and depth of knowledge to his pursuits that few other writers could approach, let alone appraise. In Andre Furlani, this twentieth-century American master has finally found an apt critical reader. In this first sustained critical study of Davenport, Furlani elucidates the depths of Davenport's fiction and its poetic precedents, brings a rare understanding to the author's reworking of twentieth-century literature and intellectual history, and offers unusual insight into his compositional technique. Furlani explores key themes across the spectrum of Davenport's fiction: pastoral utopia; twentieth-century dystopia; sexual ethics; the mythologizing of childhood; the inseparability of the archaic and the modern; and a celebration of the union of sophia, eros, and poesia. Whether Davenport's view of art and the cosmos should be called "postmodern" is a question that Furlani considers closely--offering, finally, a new aesthetic for this American original who, in these pages, at last receives the thorough and meticulous attention he has long merited.

The Woman Reader
The Woman Reader

Author: Belinda Jack

Publisher: Yale University Press

Published: 2012-07-17

Total Pages: 344

ISBN-13: 0300120451

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Explores what and how women of widely differing cultures have read through the ages, from Cro-Magnon caves to the digital readers of today, drawing distinctions between male and female readers and detailing how female literacy has been suppressed in some parts of the world.

Lips Unsealed
Lips Unsealed

Author: Belinda Carlisle

Publisher: Crown

Published: 2011-04-05

Total Pages: 282

ISBN-13: 0307463508

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NEW YORK TIMES BESTSELLER • A spellbinding and shocking look at Belinda Carlisle’s role in forming the Go-Go’s and her rise, fall, and eventual rebirth as a wife, mother, and sober artist “An unflinching look back . . . with heartbreaking honesty and a wry sense of humor.”—USA Today The women of the iconic eighties band the Go-Go’s will always be remembered as they appeared on the back of their debut record: sunny, smiling, each soaking in her own private bubble bath with chocolates and champagne. The photo is a perfect tribute to the fun, irreverent brand of pop music that the Go-Go’s created, but it also conceals the trials and secret demons that the members of the group—in particular, its lead singer, Belinda Carlisle—struggled with on their rise to stardom. Lips Unsealed is Belinda’s story in her own words—from her crazy days on tour with the Go-Go’s to her private problems with abusive relationships, self-esteem, and a thirty-year battle with addiction. Ultimately, it is a love letter to music, the lifelong friendships between the members of the Go-Go’s, the beloved husband and son who led Belinda to sobriety, and a life which, though deeply flawed, was—and is still—fully lived.

Ordinary Mind
Ordinary Mind

Author: Barry Magid

Publisher: Simon and Schuster

Published: 2012-08-20

Total Pages: 226

ISBN-13: 0861717406

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Is meditation an escape from--or a solution to--our psychological problems? Is the use of antidepressants counter to spiritual practice? Does a psychological approach to meditation reduce spirituality to "self-help"? What can Zen and psychoanalysis teach us about the problems of the mind and suffering? Psychiatrist and Zen teacher Barry Magid is uniquely qualified to answer questions like these. Written in an engaging and witty style, Ordinary Mind helps us understand challenging ideas--like Zen Buddhism's concepts of oneness, emptiness, and enlightenment--and how they make sense, not only within psychoanalytic conceptions of mind, but in the realities of our lives and relationships. This new paper edition of Magid's much-praised book contains additional case study vignettes.