Peter Greenaway has an international reputation as one of the most innovative, stylish and intelligent of contemporary film-makers. His eight feature films, from The Draughtsman's Contract to The Pillow Book, have variously, and sometimes simultaneously, prompted controversy, infamy, acclaim and delight. However, Greenaway is an artist whose work also includes painting; collage; experimental TV; the novel/opera Rosa; and numerous exhibitions/installations, including The Stairs, a continuing series of ten projects in ten cities exploring the basic components of cinema. Being Naked Playing Dead explores the complete oeuvre, but centres firmly on Greenaway's insistence that his is 'a cinema of ideas not plots'. Each film is discussed within a thematic analysis of the full range of Greenaway's output and the wider contexts within which it is conceived. In conclusion there are two extended interviews, making this book essential reading for all Greenaway enthusiasts.
A perfect marriage unravels on their honeymoon in this shocking thriller from the bestselling author and creator of the hit Netflix drama Fool Me Once. Laura Ayars' perfect world is shattered at a time which should have been the happiest of her life. On her honeymoon, her husband goes for a swim - and never returns. But what has happened to David - can he really be dead? Whilst struggling to cope with her almost overwhelming grief, Laura is plagued by questions and doubts. Was it an accident? Or suicide? As events begin to unfold, Laura starts to question David's mysterious disappearance. She begins to uncover a conspiracy which reaches deep into the past, and is now slowly beginning to destroy everyone involved. Someone will do anything to keep Laura away from the awful truth - and she has no idea who she can trust . . .
"Josh Stallings is the kind of writer who shouldn't have to publish for himself, but here he is slugging it out the hard way. Just like one of the hardasses in his own books. The man knows what to do with paper and ink. Read the damn thing." -Charlie Huston "Someone once said of Raymond Chandler that he wrote 'as if pain hurt and life mattered.' That's true of Josh Stallings, too. Hop on, kick the starter, and let him lead you on a long, painful, but entertaining ride through Moses McGuire's world. One hint: wear your helmet and your leathers. It might get messy." -Tad Williams BEAUTIFUL, NAKED AND DEAD is hard-boiled crime novel. Moses McGuire a suicidal strip club bouncer is out to avenge the death of one of his girls. From his East L.A. home, through the legal brothels of Nevada and finally to a battle with the mob in the mountains above Palo Alto, it is a sex soaked, rage driven, road trip from hell.
The worlds of celebrity and sports are brilliantly dissected and turned upside down in the debut thriller from the bestselling author and creator of the hit Netflix drama The Stranger. Theirs was a marriage made in tabloid heaven, but no sooner had supermodel Laura Ayars and Celtics star David Baskin said “I do” than tragedy struck. While honeymooning on Australia’s Great Barrier Reef, David went out for a swim—and never returned. Now widowed and grieving, Laura has a thousand questions and no answers. Her search for the truth will draw her into a web of lies and deception that stretches back thirty years—while on the court at Boston Garden, a rookie phenom makes his spectacular debut...
Peter Greenaway is one of the most distinctive and provocative personalities to emerge in European cinema in the last two decades. This extensively illustrated critical study examines Greenaway's vision from a number of perspectives.
A sociological study of public restrooms So much happens in the public toilet that we never talk about. Finding the right door, waiting in line, and using the facilities are often undertaken with trepidation. Don’t touch anything. Try not to smell. Avoid eye contact. And for men, don’t look down or let your eyes stray. Even washing one’s hands are tied to anxieties of disgust and humiliation. And yet other things also happen in these spaces: babies are changed, conversations are had, make-up is applied, and notes are scrawled for posterity. Beyond these private issues, there are also real public concerns: problems of public access, ecological waste, and—in many parts of the world—sanitation crises. At public events, why are women constantly waiting in long lines but not men? Where do the homeless go when cities decide to close public sites? Should bathrooms become standardized to accommodate the disabled? Is it possible to create a unisex bathroom for transgendered people? In Toilet, noted sociologist Harvey Molotch and Laura Norén bring together twelve essays by urbanists, historians and cultural analysts (among others) to shed light on the public restroom. These noted scholars offer an assessment of our historical and contemporary practices, showing us the intricate mechanisms through which even the physical design of restrooms—the configurations of stalls, the number of urinals, the placement of sinks, and the continuing segregation of women’s and men’s bathrooms—reflect and sustain our cultural attitudes towards gender, class, and disability. Based on a broad range of conceptual, political, and down-to-earth viewpoints, the original essays in this volume show how the bathroom—as a practical matter—reveals competing visions of pollution, danger and distinction. Although what happens in the toilet usually stays in the toilet, this brilliant, revelatory, and often funny book aims to bring it all out into the open, proving that profound and meaningful history can be made even in the can. Contributors: Ruth Barcan, Irus Braverman, Mary Ann Case, Olga Gershenson, Clara Greed, Zena Kamash,Terry Kogan, Harvey Molotch, Laura Norén, Barbara Penner, Brian Reynolds, and David Serlin.
Today's #1 New York Times bestselling thriller writers agree: Ryan Brown's compulsively readable first novel is unbeatable-a darkly humorous, rich and pungent zombie shocker that melds our national obsession with football and the newest wave of fascination with the undead. For the first time in Killington High School history, the Jackrabbits football team is one win away from the district championship where it will face its most vicious rival, the Elmwood Heights Badgers. On the way to the game, the Jackrabbits's bus plunges into a river, killing every player except for bad-boy quarterback Cole Logan who is certain the crash was no accident-given that Cole himself was severely injured in a brutal attack by three ski-masked men earlier that day. Bent on payback, Cole turns to a mysterious fan skilled in black magic to resurrect his teammates. But unless the undead Jackrabbits defeat their murderous rival on the field, the team is destined for hell. In a desperate race against time, with only his coach's clever daughter, Savannah Hickman, to assist him, Cole must lead his zombie team to victory . . . in a final showdown where the stakes aren't just life or death-but damnation or salvation. Boundlessly imaginative and thrillingly satisfying, Play Dead gives small-town Texas an electrifying jolt of the supernatural, and is unquestioningly The Zombie Novel of the Year!
Summer 2008 sees former Royal Marine John Pierce lured from running convoys in Iraq to a lucrative contract in the steamy jungles of French West Africa. He soon discovers this new theatre is even more dangerous than the war zone he left behind.
Sound and Music in Film and Visual Media: A Critical Overview is a comprehensive work defining and encapsulating concepts, issues and applications in and around the use of sound in film and the cinema, media/broadcast and new media. Over thirty definitive full-length essays, which are linked by highlighted text and reference material, bring together original research by many of the world's top scholars in this emerging field. Complete with an extensive bibliography, Sound and Music in Film and Visual Media provides the most comprehensive and wide-ranging consideration of this subject yet produced.
Literature and film studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on numerous film versions, from Percy Stow's 1908 adaptation to Peter Greenaway's Prospero's Books, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are numerous excerpts from the literary text, screenplays and shooting scripts, with suggestions for comparison. The book also features quotations from authors, screenwriters, directors, critics and others linked with the chosen film and text.
