The unforgettable conclusion to the New York Times bestselling Something Dark and Holy trilogy! The girl, the monster, the prince, the queen. They broke the world. And some things can never be undone. In Emily A. Duncan’s Blessed Monsters, they must unite once more to fight the dark chaos they've unleashed - but is it already too late? "Duncan brings this atmospheric trilogy to a stunning close, with a final volume that delivers on the mood, monstrosities, and character relationships that have made this series a joy." - BuzzFeed This edition uses deckle edges; the uneven paper edge is intentional.
It is 1993. South Africa is on the brink of total transformation and in Walmer Estate, a busy suburb on the slopes of Devil’s Peak, fourteen-year-old Alia Dawood is about to undergo a transformation of her own. She watches with fascination and fear as the national drama unfolds, longing to be a part of what she knows to be history in the making. As her revolutionary aspirations strengthen in the months before the elections, her intense, radical Uncle Waleed reappears, forcing her parents and sister Nasreen to confront his subversive and dangerous past. Nadia David’s first novel moves across generations and communities, through the suburbs to the city centre, from the lush gardens of private schools to the dingy bars of Observatory, from landmark mosques and churches to the manic procession of the Cape Carnival, through evictions, rebellions, political assassinations and first loves. The book places one family’s story at the heart of a country’s rebirth and interrogates issues of faith, race, belonging and freedom. An Imperfect Blessing is a vibrant, funny and moving debut
'An original, and in some areas unexpected, way of shedding light on this critical subject.' Edward Stourton, journalist and presenter of BBC Radio 4's The World at One Why is the Russian Church supporting Putin in his war against Ukraine? Why does the Patriarch of Moscow believe that history is on Russia's side? And what are the implications for Christianity and Christian culture in the West? These are among the vital questions addressed in Holy Russia? Holy War? Written by Katherine Kelaidis, an internationally respected historian who is also an Orthodox believer, this timely book examines the way history and religion are being used to justify Putin's 'special military operation' in Ukraine. Kelaidis shows how Russia's understanding of its past continues to shape and direct the way it sees its future. This, she argues, is not only a problem for Ukraine, but also a problem for all who value freedom, democracy, tolerance, and the defence of human rights. Reading Holy Russia? Holy War? will enhance your knowledge of why the defence of Ukraine is also the defence of Western freedom and values. It will also help you to see how differing views of the past can radically affect what happens in the present, how religion can so easily become corrupted at the service of militant nationalism, and how we must guard against it, wherever it appears. Contents PART ONE: Shadows of the past PART TWO: Who is Patriarch Kirill and why is he dangerous? PART THREE: This is not just a problem for Ukraine PART FOUR: The war will end but the causes and consequences will remain, so what can be done? CONCLUSION: Two modern Russian saints
A collection of 28 stories, written or first published in the 1980s, which focuses on the perspectives of non-English speaking Australians. Authors represented include Ania Walwicz, Lily Brett, James McQueen, Tim Winton and Beverley Farmer. The editor is the Director of the Centre for Culture and Language Studies at Charles Sturt University, and his previous anthologies include TThe Strength of Tradition'.
The stunning sequel to instant New York Times bestseller, Wicked Saints Nadya doesn’t trust her magic anymore. Serefin is fighting off a voice in his head that doesn’t belong to him. Malachiasz is at war with who--and what--he’s become. As their group is continually torn apart, the girl, the prince, and the monster find their fates irrevocably intertwined. Their paths are being orchestrated by someone...or something. The voices that Serefin hears in the darkness, the ones that Nadya believes are her gods, the ones that Malachiasz is desperate to meet—those voices want a stake in the world, and they refuse to stay quiet any longer. In their dramatic follow-up to Wicked Saints, the first book in their Something Dark and Holy trilogy, Emily A. Duncan paints a Gothic, icy world where shadows whisper, and no one is who they seem, with a shocking ending that will leave you breathless. This edition uses deckle edges; the uneven paper edge is intentional.
From Ryan La Sala, author of the tantalizingly twisted The Honeys and riotously imaginative Reverie, comes a chilling new contemporary fable about art, aesthetic obsession, and the gaze that peers back at us from behind our reflections. No one survived the party at the penthouse. Except Athan. Athanasios “Athan” Bakirtzis has made it far in life relying on his charm and good looks, even securing an invitation to a mysterious penthouse soiree for New York City’s artsy elite. But when he sneaks off to the bathroom, he hears a slam, followed by a scream. Athan peers outside, only to be pushed back in by a boy his age. The boy gravely tells him not to open the door, then closes Athan in. Outside the door, the party descends into chaos. Through hours of howls, laughter, and sobs, Athan stays hidden. When he finally emerges, he discovers a massacre where the corpses appear to have arranged themselves into a disturbingly elegant sculpture—and Athan’s mysterious savior is nowhere to be found. Athan—the only known survivor—is now the primary suspect. In a race to prove his innocence, Athan is swept up in a supernatural mystery, one of secret occult societies and deadly eldritch horrors with rather distinctive taste. Something evil is waking up in the walls of New York City, and it’s compelling victims toward violence, chaos, and self-destruction. Bound to him by a mysterious hereditary power, Athan has felt this evil hiding behind his reflection his entire life, watching him. Waiting. Now, it’s taking over.
