Chicago pastor Laura Truax counsels men and women in the art of coming undone. While no one wishes for the moment when life's fabric comes unraveled, there is hope when it happens. Here are hard-won lessons in letting go of the life you've made and letting God weave you into a story of his design.
Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.
In Fetish, Henry Krips draws together Freudian and Marxian insights to provide accounts of fetishism and the gaze that afford new ways of understanding the relation of the individual to the social, of pleasure to desire. He uses discrete cultural artifacts as windows through which to view local instances of the mediation of pleasure and desire, demonstrating that users of cultural objects adapt them to suit their own strategic ends. Ranging widely over texts and cultures, he discusses Hopi initiation rites, Holbein's painting The Ambassadors, Robert Boyle's early scientific manual New Experiments Physico-Chemical, Toni Morrison's Beloved, the popular television series Mystery Science Theatre 3000, and David Cronenberg's film Crash. Jacques Lacan's theory of the gaze and Louis Althusser's theory of ideology frame Krips's perspectives on fetishism and the discourse of perversion, which he considers in light of postcolonial theory, the history of science, screen theory, and, of course, psychoanalysis. What results is a work remarkable for its clear exposition and its sophisticated synthesis of major theorists, its provocative argument that pleasure comes not from attaining desire but rather from moving around its object-cause.
Masquerade, both literal and metaphorical, is now a central concept on many disciplines. This timely volume explores and revisits the role of disguise in constructing, expressing and representing marginalised identities, and in undermining easy distinctions between 'true' identity and artifice. The book is interdisciplinary in approach, spanning a diverse range of cultures and narrative voices. It provides provocative and nuanced ways of thinking about masquerade as a tool for construction, and a tool for critique. The essays interrogate such themes as: *mask and carnival *fetish fashion *stigma of illegitimacy *femininity as masquerade *lesbian masks *cross-dressing in Jewish folk theatre *the mask in seventeenth and eighteenth century London and nineteenth century France *the voice as mask.
Thus Spoke Zarathustra is Nietzsche's most problematic text. There appears to be no thematic connection between its four Parts and numerous sections. To make it even worse, the book contains a number of thematic contradictions. The standard approach has been a method of selective reading, that is, most critics select a few brilliant passages for edification and ignore the rest. This approach has turned Nietzsche's text into a collection of disjointed fragments. Going against this prevalent approach, T.K. Seung presents the first unified reading of the whole book. He reads it as the record of Zarathustra's epic journey to find spiritual values in the secular world. The alleged thematic contradictions of the text are shown to indicate the turns and twists that are dictated by the hero's epic battle against his formidable opponent. His heroic struggle is eventually resolved by the power of a pantheistic nature-religion. Thus Nietzsche's ostensibly atheistic work turns out to be a highly religious text. The author uncovers this epic plot by reading Nietzsche's text as a baffling series of riddles and puzzles. Hence his reading is not only edifying but also breathtaking. In this unprecedented enterprise, the author takes a complex interdisciplinary approach, engaging the five disciplines of philosophy, psychology, religious studies, literary analysis, and cultural history.
Broken but Usable: God Uses Imperfect People recounts the spiritual journey of Apostle Milton Adams, founding pastor of Broken Chain Ministries in Milwaukee, Wisconsin. He draws upon his own experiences, including his years growing up in Mississippi and his years ministering in Wisconsin, and brings them into conversation with key passages from the Bible. The mix of personal story, sacred Scripture, and pastoral insight makes Broken but Usable an eloquent and effective proclamation of the gospels assurance that God, like a potter who refashions a vessel until it is just right, works over the clay of individual lives until He reshapes flawed people to meet His plans for their lives. Broken but Usable: God Uses Imperfect People illustrates Gods persistence and patience in working with people in the midst of their trials and failures. If you have known such times in your life, then Broken but Usable will leave you with feelings of assurance, encouragement, and hope. You will close the cover on the last page, recognizing that while your life may not be turning out as you had planned, you still are clay in the hands of God, who is molding you into a vessel that suits His purposes.
My poetry is my spiritual journey into life, love, and pain. You will walk with me through the poetry as I tell my story. IaEUR(tm)ve lived an interesting life, and it reveals romance, heartbreak, tragedy, and the struggles and difficulties life bring. Also, it tells the story of how I found god and recovery from a seemingly hopeless state of mind and body that I allowed drugs and alcohol to place me in. this is my life written in poetry.