Richard Linklater’s celebrated Before trilogy chronicles the love of Jesse (Ethan Hawke) and Céline (Julie Delpy) who first meet up in Before Sunrise, later reconnect in Before Sunset and finally experience a fall-out in Before Midnight. Not only do these films present storylines and dilemmas that invite philosophical discussion, but philosophical discussion itself is at the very heart of the trilogy. This book, containing specially commissioned chapters by a roster of international contributors, explores the many philosophical themes that feature so vividly in the interactions between Céline and Jesse, including: the nature of love, romanticism and marriage the passage and experience of time the meaning of life the art of conversation the narrative self gender death Including an interview with Julie Delpy in which she discusses her involvement in the films and the importance of studying philosophy, Before Sunrise. Before Sunset. Before Midnight: A Philosophical Exploration is essential reading for anyone interested in philosophy, aesthetics, gender studies, and film studies.
From bestselling author Ann Rule comes the true story of Bradly Morris Cunningham, the handsome and successful entrereneur who married five different women and destroyed each of them. The author of eight New York Times bestsellers, Ann Rule first won nationwide acclaim with The Stranger Beside Me, about serial killer Ted Bundy. Her Crime Files volumes, based on fascinating case histories, have assured her reputation as our premier chronicler of crime. Now the former Seattle policewoman brings us the horrific account of a charismatic man adored by beautiful and brilliant women who always gave him what he wanted...sex, money, and even their very lives. When attorney Cheryl Keeton's brutally bludgeoned body was found in her van in the fast lane of an Oregon freeway, her husband, Brad Cunningham, was the likely suspect. But there was no solid evidence linking him to the crime. He married again, for the fifth time, and his stunning new wife, a physician named Sara, adopted his three sons. They all settled down to family life on a luxurious estate. But gradually, their marriage became a nightmare... In this gripping account of Cheryl's murder, Ann Rule takes us from Brad's troubled boyhood to one of the most bizarre trials in legal history, uncovering multiple marriages, financial manipulations, infidelities, and monstrous acts of harassment and revenge along the way. Dead By Sunset is Ann Rule at her riveting best.
"In this first volume of a trilogy by the celebrated Israeli poet, novelist, and musician Shimon Adaf, meet Elish Ben Zaken: a lapsed rock critic, sometime philosopher, and wholly unlikely private investigator"--
Discusses the spinning of the Earth, the progress of day into night, and the reasons for the spectacular colors and shadows that accompany sunrise and sunset.
The history, way of life, beliefs, and customs of the Kwaaymii (the Laguna Band of Mission Indians) as remembered by Tom Lucas, the last Kwaaymii. A revised edition of Cline's 1979 The Kwaaymii: Reflections on a Lost Culture, which describes life for the Kwaaymii, also known as Mountain Kumeyaay (now known as the Laguna Band of Mission Indians). The book describes food gathering and preparation, hunting, social and political customs, tools, houses, and everyday life. Cline also describes the beliefs of the Kwaaymii and the myths and legends which help perpetuate those beliefs. Maps, illustrations and several appendices add to the information about the culture. The book is based almost entirely on the contribution of one informant, Tom Lucas, the "last" of the Kwaaymii. Tom Lucas, born February 20th, 1903 was the last full-blooded Kwaaymii. The Kwaaymii of the Laguna Mountains was a sub-tribe of a larger group of Indians who at one time inhabited the southernmost section of California. The 1860 smallpox outbreak and the 1918 influenza epidemic had taken a heavy toll of the Kwaaymii people, and Tom was the only way they had of continuing the Kwaaymii heritage, so the tribe told him all they could pass on about their people¿s customs and beliefs. Tom Lucas died in 1989.Lora L. Cline interviewed Tom Lucas about the history, way of life, beliefs, and customs of the Kwaaymii in order to write The Kwaaymii: Reflections on a Lost Culture in 1979. That book was revised and expanded and published as Just Before Sunset by J and L Enterprises in 1984; this book, and illustrated it with his daughter SuSaan¿s drawings and Lora¿s illustrations and maps plus historic photos from the Lucas family collection. A long-time resident of California, Cline now lives in Arizona.
You can always start again, and stories can always be retold to make new meanings. In Once Before Sunset, Will Belicor wanders through small-town New Hampshire, Princeton, and Amsterdam like a medieval knight errant, reworking old narrative traditions to re-assess his aristocratic New England upbringing and his increasing desire for other men. As medieval knights sought religious ecstasy through encounters with hermits, locked-up lovers, and foreign lands, Will turns to exiled intellectuals, feverish crushes, and the city of Amsterdam to establish his own moral guidelines.
Werner Herzog came to fame in the 1970s as the European new wave explored new cinematic ideas. With films like Signs of Life (1968); Aguirre, the Wrath of God (1972); The Enigma of Kaspar Hauser (1974); and Fitzcarraldo (1982), Herzog became the subject of public debate, particularly due to his larger than life characters, often played by the wild Klaus Kinski. After the success of his documentary Grizzly Man (2005), Herzog became a leading force in a new form of hybrid documentary, and his tough attitude toward life and film made him a director’s director for a new generation of aspiring filmmakers. Kristoffer Hegnsvad’s award-winning book guides the reader through films depicting gangster priests, bear whisperers, shoe eating, revolutionary filmmakers . . . and a penguin. It is full of rare insights from Herzog’s otherwise secretive Rogue Film School, and features interviews with Herzog.
"Much more than a page-turner. It’s the first essential work of cultural history of the new decade." —Charles Kaiser, The Guardian One of The Washington Post's 50 best nonfiction books of 2021 | A Publishers Weekly best book of 2021 The Pulitzer Prize–winning journalist and New York Times–bestselling author of the behind-the-scenes explorations of the classic American Westerns High Noon and The Searchers now reveals the history of the controversial 1969 Oscar-winning film that signaled a dramatic shift in American popular culture. Director John Schlesinger’s Darling was nominated for five Academy Awards, and introduced the world to the transcendently talented Julie Christie. Suddenly the toast of Hollywood, Schlesinger used his newfound clout to film an expensive, Panavision adaptation of Far from the Madding Crowd. Expectations were huge, making the movie’s complete critical and commercial failure even more devastating, and Schlesinger suddenly found himself persona non grata in the Hollywood circles he had hoped to conquer. Given his recent travails, Schlesinger’s next project seemed doubly daring, bordering on foolish. James Leo Herlihy’s novel Midnight Cowboy, about a Texas hustler trying to survive on the mean streets of 1960’s New York, was dark and transgressive. Perhaps something about the book’s unsparing portrait of cultural alienation resonated with him. His decision to film it began one of the unlikelier convergences in cinematic history, centered around a city that seemed, at first glance, as unwelcoming as Herlihy’s novel itself. Glenn Frankel’s Shooting Midnight Cowboy tells the story of a modern classic that, by all accounts, should never have become one in the first place. The film’s boundary-pushing subject matter—homosexuality, prostitution, sexual assault—earned it an X rating when it first appeared in cinemas in 1969. For Midnight Cowboy, Schlesinger—who had never made a film in the United States—enlisted Jerome Hellman, a producer coming off his own recent flop and smarting from a failed marriage, and Waldo Salt, a formerly blacklisted screenwriter with a tortured past. The decision to shoot on location in New York, at a time when the city was approaching its gritty nadir, backfired when a sanitation strike filled Manhattan with garbage fires and fears of dysentery. Much more than a history of Schlesinger’s film, Shooting Midnight Cowboy is an arresting glimpse into the world from which it emerged: a troubled city that nurtured the talents and ambitions of the pioneering Polish cinematographer Adam Holender and legendary casting director Marion Dougherty, who discovered both Dustin Hoffman and Jon Voight and supported them for the roles of “Ratso” Rizzo and Joe Buck—leading to one of the most intensely moving joint performances ever to appear on screen. We follow Herlihy himself as he moves from the experimental confines of Black Mountain College to the theatres of Broadway, influenced by close relationships with Tennessee Williams and Anaïs Nin, and yet unable to find lasting literary success. By turns madcap and serious, and enriched by interviews with Hoffman, Voight, and others, Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic is not only the definitive account of the film that unleashed a new wave of innovation in American cinema, but also the story of a country—and an industry—beginning to break free from decades of cultural and sexual repression.
Deft, spare, and full of artful tension, The Sunset Limited is a beautifully crafted play from the legendary Cormac McCarthy, author of No Country for Old Men and Blood Meridian. 'The Sunset Limited grips from the very first page' – Financial Times A startling encounter on a New York subway platform leads two strangers to a run-down tenement where a life or death decision must be made. In that small apartment the two men, known as 'Black' and 'White', begin a conversatino that leads each back through his own history. White is a professor whose seemingly enviable existence of relative ease has left him nonetheless in despair. Black, an ex-con in recovery for drug addiction, is the more hopeful of the men. He is, however, desperate to convince White of the power of faith – while White is desperate to deny it. Between them, they hope to discover the meaning of life itself. Praise for Cormac McCarthy: ‘McCarthy worked close to some religious impulse, his books were terrifying and absolute’ – Anne Enright, author of The Green Road and The Wren, The Wren 'His prose takes on an almost biblical quality, hallucinatory in its effect and evangelical in its power' – Stephen King, author of The Shining and the Dark Tower series '[I]n presenting the darker human impulses in his rich prose, [McCarthy] showed readers the necessity of facing up to existence' – Annie Proulx, author of Brokeback Mountain
