Beeton's Complete Orator, Including the Art of Public Speaking and British Orators and Oratory
Author: Samuel Orchart Beeton
Publisher:
Published: 1881
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Samuel Orchart Beeton
Publisher:
Published: 1881
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOKAuthor: Samuel Orchart Beeton
Publisher:
Published: 1885
Total Pages: 52
ISBN-13:
DOWNLOAD EBOOKAuthor: Samuel Orchart Beeton
Publisher:
Published: 188?
Total Pages: 456
ISBN-13:
DOWNLOAD EBOOKAuthor: Grenville Kleiser
Publisher:
Published: 1916
Total Pages: 670
ISBN-13:
DOWNLOAD EBOOKAuthor: Samuel Orchart Beeton
Publisher:
Published: 1628
Total Pages: 354
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1894
Total Pages: 1452
ISBN-13:
DOWNLOAD EBOOKAuthor: Elsie M. Wilbor
Publisher:
Published: 1887
Total Pages: 430
ISBN-13:
DOWNLOAD EBOOKAuthor: Samuel Orchart Beeton
Publisher:
Published: 1870
Total Pages: 1176
ISBN-13:
DOWNLOAD EBOOKAuthor: Annette Kern-Stähler
Publisher: Oxford University Press
Published: 2023-07-06
Total Pages: 540
ISBN-13: 019265747X
DOWNLOAD EBOOKThis is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception. Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including: the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the 'Great Stink' that recurs in the Victorian novel; the taste of an eggplant registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of, the senses.