The Best of Beetle Bailey

The Best of Beetle Bailey

Author: Mort Walker

Publisher: Backinprint.Com

Published: 2005-06-10

Total Pages: 242

ISBN-13: 9780595348480

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Interspersed with editorial comments throughout and an essay by Walker on his life and career.


Miss Buxley

Miss Buxley

Author: Mort Walker

Publisher: Comicana Books

Published: 1982

Total Pages: 100

ISBN-13: 9780940420014

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Many "Beetle Bailey" readers objected to the portrayal of Miss Buxley, so several newspapers took polls. Included is a selection of strips featuring Miss Buxley, along with comments pro and con, culled from letters, articles and interview03s, plus an afterward by the author.


Cultural Diversity and the U.S. Media

Cultural Diversity and the U.S. Media

Author: Yahya R. Kamalipour

Publisher: SUNY Press

Published: 1998-01-01

Total Pages: 334

ISBN-13: 9780791439296

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This book provides rich and detailed accounts of how the media filters racial/ethnic identity through economic or sensationalized perspectives in newspapers, films, television, and radio. By exploring media descriptions of various racial/ethnic groups, Cultural Diversity and the U.S. Media provides opportunities to discover, debate, and discuss issues surrounding race/ethnicity and the role of the media in American society.


Comics through Time [4 volumes]

Comics through Time [4 volumes]

Author: M. Keith Booker

Publisher: Bloomsbury Publishing USA

Published: 2014-10-28

Total Pages: 2803

ISBN-13:

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Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.


Cartoonists, Works, and Characters in the United States through 2005

Cartoonists, Works, and Characters in the United States through 2005

Author: John Lent

Publisher: Bloomsbury Publishing USA

Published: 2006-04-30

Total Pages: 569

ISBN-13: 0313083924

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This penultimate work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American cartoonists and their work. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute the largest printed bibliography of comic art in the world, and serve as the beacon guiding the burgeoning fields of animation, comics, and cartooning. They are the definitive works on comic art research, and are exhaustive in their inclusiveness, covering all types of publications (academic, trade, popular, fan, etc.) from all over the world. Also included in these books are citations to systematically-researched academic exercises, as well as more ephemeral sources such as fanzines, press articles, and fugitive materials (conference papers, unpublished documents, etc.), attesting to Lent's belief that all pieces of information are vital in a new field of study such as comic art.