Fabulating Beauty

Fabulating Beauty

Author: Andreas Gaile

Publisher: Rodopi

Published: 2005

Total Pages: 475

ISBN-13: 9042019565

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Peter Carey is one of Australia's finest creative writers, much admired by both literary critics and a worldwide reading public. While academia has been quick to see his fictions as exemplars of postcolonial and postmodern writing strategies, his general readership has been captivated by his deadpan sense of humour, his quirky characters, the outlandish settings and the grotesqueries of his intricate plots. After three decades of prolific writing and multiple award-winning, Carey stands out in the world of Australian letters as designated heir to Patrick White. Fabulating Beauty pays tribute to Carey's literary achievement. It brings together the voices of many of the most renowned Carey critics in twenty essays (sixteen commissioned especially for this volume), an interview with the author, as well as the most extensive bibliography of Carey criticism to date. The studies represent a wide range of current perspectives on the writer's fictions. Contributors focus on issues as diverse as the writer's biography; his use of architectural metaphors; his interrogation of narrative structures such as myths and cultural master-plots; intertextual strategies; concepts of sacredness and references to the Christian tradition; and his strategies of rewriting history. Amidst predictions of the imminent death of 'postist' theory, the essays all attest to the ongoing relevance of the critical parameters framed by postmodernism and postcolonialism.


Movie Greats

Movie Greats

Author: Philip Gillett

Publisher: Berg

Published: 2008-09-01

Total Pages: 238

ISBN-13: 1847886159

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Why are some films regarded as classics, worthy of entry into the canon of film history? Which sorts of films make the cut and why? Movie Greats questions how cinema is ranked and, in doing so, uncovers a history of critical conflict, with different aesthetic positions battling for dominance. The films examined range across the history of cinema: The Battleship Potemkin, The 39 Steps, Modern Times, Citizen Kane, It's a Wonderful Life, Black Narcissus, The Night of the Hunter, Lawrence of Arabia, 8*, 2001: A Space Odyssey, The Godfather, Raging Bull, The Piano and Kill Bill: Vol. 1. Each chapter opens with a brief summary of the film's plot and goes on to discuss the historical context, the key individuals who made the film, and initial and subsequent popular and critical responses. Students studying the history of film, canon formation or film aesthetics will find this book relevant, provocative and absorbing.


The Skin Between Us: A Memoir of Race, Beauty, and Belonging

The Skin Between Us: A Memoir of Race, Beauty, and Belonging

Author: Kym Ragusa

Publisher: W. W. Norton & Company

Published: 2006-05-17

Total Pages: 184

ISBN-13: 0393609553

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Finalist for the Hurston-Wright Legacy Award for Nonfiction A memoir of astonishing delicacy and strength about race and physical beauty. Kym Ragusa’s stunningly beautiful, brilliant African American mother turned heads as she strolled the streets of West Harlem. Ragusa’s white, working-class, Sicilian American father, who grew up only a few streets away in Italian East Harlem, had never seen anything like her. At home, their families despaired at the match, while in the streets the couple faced taunting threats from a city still racially divided. From their volatile, short-lived pairing came a sensitive child with a filmmaker’s observant eye and the intangible gifts of an exceptional writer. Both Italian American and African American, she struggled to find a place for herself as she grew, and, in this book, she brings to life the two families and the warring, but ultimately similar, communities that defined her. Through the stories and memories of her maternal ancestors, Ragusa explores her black family’s history, from her great-great-great-great-grandmother, who escaped from slavery in the South, to her grandmother, a journalist for the society columns of black newspapers, to her glamorous mother, who became a fashion model in Europe. Entwined with these are the stories of Ragusa’s paternal ancestors: her iron-willed great-grandmother, who came to New York from a small village in the mountains of Calabria; her grandmother, the first to be born in America, who struggled to fit in both in her Italian community and later in the American suburbs; and, finally, Ragusa’s father, a Vietnam veteran. At the center of the memoir are her two powerful grandmothers, who gave her the love and stability to grow into her own skin. Eventually, their shared care for their granddaughter forced them to overcome their prejudices. East and West Harlem, the Bronx and suburban New Jersey, rent parties and religious feste, baked yams and baked ziti—all come vividly to life in Ragusa’s sensuous memories and lyrical prose, as she evokes the joy, the pain, and the inexhaustible richness of a racially and culturally mixed heritage.


Reading Rock and Roll

Reading Rock and Roll

Author: Kevin J. H. Dettmar

Publisher: Columbia University Press

Published: 1999

Total Pages: 364

ISBN-13: 9780231113991

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This collection of original essays develops new, intertextual approaches to thinking about rock music.


War crimes and politics of terror in Chechnya 1994-2004

War crimes and politics of terror in Chechnya 1994-2004

Author: Laurence Binet

Publisher: Médecins Sans Frontières

Published: 2016-06-02

Total Pages: 372

ISBN-13:

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The ‘War crimes and politics of terror in Chechnya 1994-2004’ case study describes the constraints, questions and dilemmas experienced by MSF while speaking out during the two Russian-Chechen wars and the following years of ‘normalization’. Was speaking out the right thing to do with regard to Russia, a power with a veto at the UN Security Council and a tradition of propaganda control of the public arena? Was it realistic to rely on raising the awareness of other UN member states via their public’s opinion? In a context of terror, when dealing with a regime in denial of the reality of a conflict, was it useful and was it up to MSF to call for having this situation qualified as ‘war’? Should MSF take into account the possibility of a casual link between instances of its public speaking out and the security incidents involving its staff? When one of its staff members was taken hostage, should MSF speak out in the media to create visibility that affords him/her some protection, or conversely remain as discrete as possible so as to avoid a rise in his/her ‘market value?’ Should MSF publically point out responsibilities, negligence, or even complicity of the government on which soil the kidnapping had occurred, thereby taking active steps to secure the hostage’s release or should it refrain from such a discourse so as to avoid the opposite effect? Should MSF continue to publically denounce the violence inflicted on people in the region, at the risk of radicalising those parties to the conflict responsible for the kidnapping, and place the hostage’s life in danger?