Love isn't always pretty, yet most of us choose to remain constant in its pursuit. These poems unwrap the mythos of romance with the clairvoyance of a writer who knows the best and worst of relationships inside and out. LeBlanc dares to honestly show us how even when the best of intentions fail, we can always find beauty if we stay true to the monsters in ourselves.
My clients at my vet clinic have always called me an animal whisperer. I've never questioned it. Until I started hearing monsters too. A man came in right at closing with a sick dog. The dog told me why he was sick and I was able to treat him. I had no idea his owner would kidnap me. I had no idea his owner had an entire dungeon of monsters he wanted me to treat. I've met a minotaur, a mysterious kraken, a phoenix, and this really massive spider. I can hear them too. If monsters are real and I can talk to them, then what am I?
Beautiful Monsters explores the ways in which "classical" music made its way into late twentieth-century American mainstream culture—in pop songs, movie scores, and print media. Beginning in the 1960s, Michael Long's entertaining and illuminating book surveys a complex cultural field and draws connections between "classical music" (as the phrase is understood in the United States) and selected "monster hits" of popular music. Addressing such wide-ranging subjects as surf music, Yiddish theater, Hollywood film scores, Freddie Mercury, Alfred Hitchcock, psychedelia, rap, disco, and video games, Long proposes a holistic musicology in which disparate musical elements might be brought together in dynamic and humane conversation. Beautiful Monsters brilliantly considers the ways in which critical commonplaces like nostalgia, sentiment, triviality, and excess might be applied with greater nuance to musical media and media reception. It takes into account twentieth-century media's capacity to suggest visual and acoustical depth and the redemptive possibilities that lie beyond the surface elements of filmic narrative or musical style, showing us what a truly global view of late twentieth-century music in its manifold cultural and social contexts might be like.
An alien invasion comes to one man’s doorstep in the form of a story-creature, followed by death and rebirth in a transformed Earth, in this Tor.com Original science fiction tale from Jeff VanderMeer, the New York Times bestselling author of the Southern Reach trilogy. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Just when I think things can't get any crazier... I found out why I can talk to animals and monsters. I met my father and I wasn't quite expecting his answers. But he does command several legions of demons and he's working on getting more to help us overthrow Demeter. We're going to need all the help we can get because I don't have enough of Hephaestus's powder to free every single monster in the pits from being trapped in their monster form by those collars. My monsters, the ones I've gotten to know, can change back to their human form now and they want their revenge on Demeter. They want to save their queen, Persephone. I wasn't expecting to be brought in on this, but I'm involved now. Even Hephaestus has snuck into the Underworld to help us. I guess all the unloved Gods and monsters are going to have to go up against a deranged Goddess with Olympus on her side. I'm not a monster or a God. I'm only half demon. But now that my father knows about me, we may have the help of Hell on our side. I didn't ask for this, but there's just something about these monsters that makes me want to help them. It doesn't hurt that they are all drop dead gorgeous and horrible flirts. I can even overlook that Pavlina and Tryphon like to eat people.
The Art of Monsters, Inc. opens the door into Pixar's colorful archives of concept art and to the endearing story of Monsters, Inc. Since the very first bedtime, children around the world have known that once their parents tuck them into bed and shut off the light, monsters lie waiting behind closet doors, ready to emerge. But what they don't realize is that these monsters scare children because they have to. It's their job. This superb film from Pixar Studios, the people who brought you Toy Story, A Bug's Life, and Toy Story 2, reveals the truth about monsters with the brilliant techniques that have earned them their reputation as a ground-breaking animation studio. This incredible body of artwork was commissioned from the top artists, illustrators, and animators in the industry and from it the ultimate visual approach of the film was defined. From sketches scribbled on napkins and quickly inked marker drawings, to finished oil paintings and fabulous pastel color scripts, this behind-the-scenes artwork reveals the elaborate creative process behind a blockbuster film.
"This is a book full of monsters: small, smelly, yelling, creepy...monsters! So it's a book for hard core monster lovers, but also for beginners in monsterology. With shock effects! Try it yourself! Softies keep out! Conquer your deepest fears! Tremble and shiver with pleasure! Are you scared already? No? Just you wait and see. (Includes a monstrously fun pop-up spread at the end of the book!)"--Amazon.com.
There were no surprises in Gatlin County. We were pretty much the epicenter of the middle of nowhere. At least, that's what I thought. Turns out, I couldn't have been more wrong. There was a curse. There was a girl. And in the end, there was a grave. Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she's struggling to conceal her power and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever. Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town's oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection between them. In a town with no surprises, one secret could change everything.
Trick or treat? With nods to Tim Burton, Edward Gorey, and Neil Gaiman, this humorous picture book about a Victorian boy obsessed with monsters presents a dark and appealing world, created by debut author/illustrator Sam Streed. In the graveyard, between stone monuments for forgotten souls, lurks the Black Shuck. . . . Its one blood-red eye burns with an undying rage. After reading about the slimy Nixie, the angry Black Shuck, and the creepy Lantern Man in his beloved Book of Monsters, Alfred decides to invite the monsters to teatime with his crusty old aunty, who thinks monsters are an improper obsession for a respectable young boy.
Denis Johnson's New York Times bestseller, The Laughing Monsters, is a high-suspense tale of kaleidoscoping loyalties in the post-9/11 world that shows one of our great novelists at the top of his game. Roland Nair calls himself Scandinavian but travels on a U.S. passport. After ten years' absence, he returns to Freetown, Sierra Leone, to reunite with his friend Michael Adriko. They once made a lot of money here during the country's civil war, and, curious to see whether good luck will strike twice in the same place, Nair has allowed himself to be drawn back to a region he considers hopeless. Adriko is an African who styles himself a soldier of fortune and who claims to have served, at various times, the Ghanaian army, the Kuwaiti Emiri Guard, and the American Green Berets. He's probably broke now, but he remains, at thirty-six, as stirred by his own doubtful schemes as he was a decade ago. Although Nair believes some kind of money-making plan lies at the back of it all, Adriko's stated reason for inviting his friend to Freetown is for Nair to meet Adriko's fiancée, a grad student from Colorado named Davidia. Together the three set out to visit Adriko's clan in the Uganda-Congo borderland—but each of these travelers is keeping secrets from the others. Their journey through a land abandoned by the future leads Nair, Adriko, and Davidia to meet themselves not in a new light, but rather in a new darkness.
