Beatrice Hastings – A Literary Life
Beatrice Hastings – A Literary Life

Author: Stephen Gray

Publisher: Penguin Random House South Africa

Published: 2012-10-01

Total Pages: 741

ISBN-13: 0143529242

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Born in London in 1879 and raised in the Cape of Good Hope, Beatrice Hastings was one of those talented marginal figures who are major witnesses to their times, but whose testimony has been sadly neglected. After an early marriage and almost immediate widowhood, she had a false start as a showgirl in New York before taking London by storm as the literary editor of, and leading contributor to, the progressive The New Age. With HG Wells, Bernard Shaw, GK Chesterton and Arnold Bennett she kept up well publicised differences of opinion. She also launched the careers of Ezra Pound and Katherine Mansfield. During the First World War she became the journal's Paris correspondent, gaining acclaim for her unique weekly insider reports. In her French years she lived with Amedeo Modigliani, who painted several famous portraits of her, setting a style in looks for the modern woman. Her friends included Pablo Picasso, Guillaume Apollinaire and Max Jacob, and with Jean Cocteau she shared the love of Raymond Radiguet, the boy genius less than half her age. She claimed that, by the age of forty, she had had forty male lovers, among them The New Age editor AR Orage and leading modernist Wyndham Lewis. Forthright and controversial Hastings made many enemies, but throughout her life she wrote prolifically and eloquently, leaving a fascinating record of the world she lived in. She died by her own hand in 1943. In this absorbing biography Stephen Gray traces her entire career, separating the legend of Beatrice Hastings - the notoriously free woman portrayed in several works - from the bare facts.

Katherine Mansfield and Elizabeth von Arnim
Katherine Mansfield and Elizabeth von Arnim

Author: Kimber Gerri Kimber

Publisher: Edinburgh University Press

Published: 2019-08-28

Total Pages: 317

ISBN-13: 1474454461

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Explores the literary connection between Katherine Mansfield and Elizabeth von ArnimElizabeth von Arnim is best remembered as the author of Elizabeth and Her German Garden (1898) and The Enchanted April (1922), as well as being the elder cousin of Katherine Mansfield. Recently, new research into the complex relationship between these writers has extended our understanding of the familial, personal and literary connections between these unlikely friends. We know that they were an influential presence on one another and reviewed each other's work.By bringing the work of Mansfield and von Arnim together - including on matters of artistry, on mourning, on gardens, on female resistance - this book establishes shared preoccupations in ways that refine and extend our knowledge of writing in the period. It also deepens our understanding of the historical and literary contexts within which both of these extraordinary authors worked.

Beatrice Hastings
Beatrice Hastings

Author: Benjamin G. Johnson

Publisher: Pleiades Press

Published: 2016

Total Pages: 0

ISBN-13: 9780964145481

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Poetry. Edited by Benjamin Johnson and Erika Jo Brown. A principal member of the 'dark' avant-garde--the many artists marginalized even from the margins, often because of their social and political extremes--Beatrice Hastings wielded over a dozen noms de guerre (among them, Beatrice Hastings) and all with searing wit and considerable stylistic precision. And she had opinions--strong ones--on everything from motherhood (no) to war (no) to Futurism (maybe) to outrageous hats (definitely). A woman at the head of her time with a passionate commitment to progressive culture, she lived as vigorously and vehemently as possible. Her tone and turns of phrase take us back to the early years of radical European experimentalism with a truly uncommon vivacity.--Cole Swensen Beatrice Hastings offers readers of this collection extraordinary insights into the possibilities and constraints of modernist writing. With her passion for both playful and furious repartee between her many alter egos and print pseudonyms, she embodies the richness and urgency of early twentieth century print culture. Yet her own voice has been little heard; her self-multiplying strategies have effaced her from modernist culture and history. This terrific collection finally redresses this neglect, and offers fresh perspectives on what it was like to write at the interstices of feminism, modernism, and literature. Hastings's writings range across gender, maternity, eugenics, parody, poetry, and war. She engages with--and satirizes--major aspects of early twentieth century culture and social experience. The accompanying contextual essays set Hastings in dialogue with a stellar early twentieth century cast, including Virginia Woolf, Ezra Pound, the Women's Social and Political Union, and Katherine Mansfield. She emerges as a maverick figure whose brilliance and venom are sensitively explored in this collection.--Lucy Delap

Women, Periodicals and Print Culture in Britain, 1890s-1920s
Women, Periodicals and Print Culture in Britain, 1890s-1920s

Author: Binckes Faith Binckes

Publisher: Edinburgh University Press

Published: 2019-04-10

Total Pages: 760

ISBN-13: 1474450660

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New perspectives on women's contributions to periodical culture in the era of modernismThis collection highlights the contributions of women writers, editors and critics to periodical culture in the late nineteenth and early twentieth centuries. It explores women's role in shaping conversations about modernism and modernity across varied aesthetic and ideological registers, and foregrounds how such participation was shaped by a wide range of periodical genres. The essays focus on well-known publications and introduce those as yet obscure and understudied - including middlebrow and popular magazines, movement-based, radical papers, avant-garde titles and classic Little Magazines. Examining neglected figures and shining new light on familiar ones, the collection enriches our understanding of the role women played in the print culture of this transformative period.Key FeaturesHelps recover neglected women writers and cast new light on canonical onesHighlights the geographical diversity of modern British print cultureEmphasises the interdisciplinary nature of modernism, including essays on modernist dance, music, cinema, drama and architecture Includes a section on social movement periodicals

Katherine Mansfield’s French Lives
Katherine Mansfield’s French Lives

Author:

Publisher: BRILL

Published: 2016-02-02

Total Pages: 277

ISBN-13: 9004284133

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Katherine Mansfield’s French Lives explores how both the literary, cultural, editorial and biographical influence of French arts and philosophy, and life as an émigré in France shaped Mansfield’s evolution as a key modernist writer, while setting her within the geographies and cultural dynamics of Anglo-French modernism. Mansfield’s many stays in France were decisive in intellectual, personal and psychological terms: discovering ‘Murry’s Paris’ and the Left Bank; escaping to the War Zone to join Francis Carco; living as a civilian in wartime during the bombardments of Paris; travelling and finding lodgings as a single woman in war-ravaged towns; the experience of bereavement and debilitating ill-health abroad; and the joys and pitfalls for an outsider of a foreign land and idiom.

Aphoristic Modernity
Aphoristic Modernity

Author:

Publisher: BRILL

Published: 2019-10-01

Total Pages: 293

ISBN-13: 9004400060

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The collected essays of Aphoristic Modernity: 1880 to the Present showcase aphoristic and epigrammatic writing as both a reflection of, and influence upon, the fragmented culture of modernity from the late nineteenth- to the twenty-first century.

In Montparnasse
In Montparnasse

Author: Sue Roe

Publisher: Penguin

Published: 2020-08-18

Total Pages: 338

ISBN-13: 1101981199

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"Describes with plenty of colour how surrealism, from Rene Magritte's bowler hats to Salvador Dali's watches, was born and developed." - The Times (UK) As she did for the Modernists In Montmartre, noted art historian and biographer Sue Roe now tells the story of the Surrealists in Montparnasse. In Montparnasse begins on the eve of the First World War and ends with the 1936 unveiling of Dalí’s Lobster Telephone. As those extraordinary years unfolded, the Surrealists found ever more innovative ways of exploring the interior life, and asking new questions about how to define art. In Montparnasse recounts how this artistic revolution came to be amidst the salons and cafés of that vibrant neighborhood. Sue Roe is both an incisive art critic of these pieces and a beguiling biographer with a fingertip feel for this compelling world. Beginning with Duchamp, Roe then takes us through the rise of the Dada movement, the birth of Surrealist photography with Man Ray, the creation of key works by Ernst, Cocteau, and others, through the arrival of Dalí. On canvas and in their readymades and other works these artists juxtaposed objects never before seen together to make the viewer marvel at the ordinary—and at the workings of the subconscious. We see both how this art came to be and how the artists of Montparnasse lived. Roe puts us with Gertrude Stein in her box seat at the opening of The Rite of Spring; with Duchamp as he installs his famous urinal; at a Cocteau theatrical with Picasso and Coco Chanel; with Breton at a session with Freud; and with Man Ray as he romances Kiki de Montparnasse. Stein said it best when she noted that the Surrealists still saw in the common ways of the 19th century, but they complicated things with the bold new vision of the 20th. Their words mark an enormously important watershed in the history of art—and they forever changed the way we all see the world.