An unflinching shapeshifter, Beast at Every Threshold dances between familial hauntings and cultural histories, intimate hungers and broader griefs. Memories become malleable, pop culture provides a backdrop to glittery queer love, and folklore speaks back as a radical tool of survival. With unapologetic precision, Natalie Wee unravels constructs of “otherness” and names language our most familiar weapon, illuminating the intersections of queerness, diaspora, and loss with obsessive, inexhaustible ferocity—and in resurrecting the self rendered a site of violence, makes visible the “Beast at Every Threshold.” Beguiling and deeply imagined, Wee’s poems explore thresholds of marginality, queerness, immigration, nationhood, and reinvention of the self through myth.
Natalie Wee'sOur Bodies & Other Fine Machinesis a roadmap. Of words, yes. Of well crafted images ("your name tucked under my tongue, an unraveling string that pulls & pulls.") But more than just that, this book thrills and pulls you in, showing you a history, a lineage, an invitation into Wee's room, both in its cleanest and messiest moments. This is a stunning work by a powerful writer. The work in this book grabs on to all of the right emotions, and never lets go. - Hanif Willis-Abdurraqib, Author of The Crown Ain't Worth Much Natalie Wee's writing is indicative of a wordsmith-master utilizing all her tools with precision. Wee says the words we think, and then reshapes them, out loud, into beautiful origami-like gifts that hit you like "stray bullets splinter technicolour lovers." The intricacies of her images walk a fine line that hover closely over genius, and the supernatural. From her well thought-out use of white space, enjambments, and form, Our Bodies and Other Fine Machines tells tales of hurt, pain, lust, love and all that lurks between leaving the "unsayable hung in our mouths." - Chelene Knight, Managing Editor of Room Magazine This debut is breathtaking. Wee's writing drops you into her world and you do not want to leave. Her portrait of girlhood from an outsider still feels as intimate and relentlessly soft as any old Polaroid plucked from your mother's scrapbook. The poetry here is raw and refined, bloody and delicate, a whole body of work that turns our elusive moments into fine tuned pieces of machinery... Wee's perspective is genuine, honest, and highly crafted. Our Bodies & Other Fine Machines is a bouquet arranged with every blossom and thorn for us to witness. - Alex Dang , Author of Are You Proud of Me? In Our Bodies & Other Fine Machines, Natalie Wee asks, "What is it like to be made a person / instead of a stranger's dim shadow?" and reveals, "my bones are heavy with the weight of never having been seen at all." It is with just such rigor and grace that Wee demands sight throughout this collection. Illuminating myriad ways queer women of color are silenced, dismissed, and unseen, these pages are alive with determination to be understood. There is an urgency here one cannot escape, expressed entirely in Wee's own careful and knowing language. More than remarkable, this book is necessary. - Jeanann Verlee, Author of Racing Hummingbirds & Said the Manic to the Muse "
An unforgettable collection of novellas from the author of Legends of the Fall explores the line between civilization and the “wild men.” Jim Harrison is an American master. The Beast God Forgot to Invent offers stories of culture and wildness, of men and beasts and where they overlap. A wealthy man retired to the Michigan woods narrates the tale of a younger man decivilized by brain damage. A Michigan Indian wanders Los Angeles, hobnobbing with starlets and screenwriters while he tracks an ersatz Native-American activist who stole his bearskin. An aging alpha canine, the author of three dozen throwaway biographies, eats dinner with the ex-wife of his overheated youth, and must confront the man he used to be. “Harrison’s intricate symbolism and scathing observations of urban foibles, his sly humor and vibrant language remind readers that he is one of our most talented chroniclers of the masculine psyche, intellectual or not.” —Publishers Weekly
James Wade, whose first two novels were praised as “rhapsodic” and “haunting,” delivers his most powerful work to date—a chilling parable about the impossible demands of hate and love, trauma and goodness, vividly set in the landscapes of Texas and Louisiana. Beasts of the Earth tells the story of Harlen LeBlanc, a dependable if quiet employee of the Carter Hills High School’s grounds department whose carefully maintained routine is overthrown by an act of violence. As the town searches for answers, LeBlanc strikes out on his own to exonerate a friend while drawing the eyes of the law to himself and fending off unwelcome voices that call for a sterner form of justice. Twenty years earlier, young Michael Fischer dreads the return of his father from prison. He spends his days stealing from trap lines in the Louisiana bayou to feed his fanatically religious mother and his cherished younger sister, Doreen. When his father eventually returns, an evil arrives in Michael’s life that sends him running from everything he has ever known. He is rescued by a dying poet and his lover, who extract from him a promise: to be a good man, whatever that may require. Beasts of the Earth deftly intertwines these stories, exploring themes of time, fate, and free will, to produce a revelatory conclusion that is both beautiful and heartbreaking.
SOMETHING EVIL THIS WAY COMES 7 VENGEFUL SISTERS 7 FAIRYTALE KINGDOMS 7 DAUGHTERS OF EVILLE Everyone dreams of marrying a prince--except for me. I am nothing more than a pawn in my adoptive mother's diabolical plot against the seven kingdoms. I was the chosen tool, her sharpened blade that would cut the deepest into the heart of the Kingdom of Baist. But like all deadly weapons, my wedding is a two-edged sword that could cost me my soul. For I am Rosalie, one of the adopted daughters of Lady Eville, and it is my duty to enter into a loveless and hate-filled marriage with the narcissistic Crown Prince of Baist. My choices and heart are not my own to give. Yet even in the thick of dire situations, beastly vengeance can give way to beautiful attraction. THIS BOOK CAN BE READ AS A STANDALONE.
In 1856, Paul Du Chaillu ventured into the African jungle in search of a mythic beast, the gorilla. After wild encounters with vicious cannibals, deadly snakes, and tribal kings, Du Chaillu emerged with 20 preserved gorilla skins—two of which were stuffed and brought on tour—and walked smack dab into the biggest scientific debate of the time: Darwin's theory of evolution. Quickly, Du Chaillu's trophies went from objects of wonder to key pieces in an all-out intellectual war. With a wide range of characters, including Abraham Lincoln, Arthur Conan Doyle, P.T Barnum, Thackeray, and of course, Charles Darwin, this is a one of a kind book about a singular moment in history.
When he died in 2004, Jacques Derrida left behind a vast legacy of unpublished material, much of it in the form of written lectures. With The Beast and the Sovereign, Volume 1, the University of Chicago Press inaugurates an ambitious series, edited by Geoffrey Bennington and Peggy Kamuf, translating these important works into English. The Beast and the Sovereign, Volume 1 launches the series with Derrida’s exploration of the persistent association of bestiality or animality with sovereignty. In this seminar from 2001–2002, Derrida continues his deconstruction of the traditional determinations of the human. The beast and the sovereign are connected, he contends, because neither animals nor kings are subject to the law—the sovereign stands above it, while the beast falls outside the law from below. He then traces this association through an astonishing array of texts, including La Fontaine’s fable “The Wolf and the Lamb,” Hobbes’s biblical sea monster in Leviathan, D. H. Lawrence’s poem “Snake,” Machiavelli’s Prince with its elaborate comparison of princes and foxes, a historical account of Louis XIV attending an elephant autopsy, and Rousseau’s evocation of werewolves in The Social Contract. Deleuze, Lacan, and Agamben also come into critical play as Derrida focuses in on questions of force, right, justice, and philosophical interpretations of the limits between man and animal.
Fundamentals of Convolutional Coding, Second Edition, regarded as a bible of convolutional coding brings you a clear and comprehensive discussion of the basic principles of this field Two new chapters on low-density parity-check (LDPC) convolutional codes and iterative coding Viterbi, BCJR, BEAST, list, and sequential decoding of convolutional codes Distance properties of convolutional codes Includes a downloadable solutions manual
