The sights and sounds of the Yoruba cosmos are made manifest through the pervasive use of beads. This spectacular book represents a collaboration between art historian Henry John Drewal and Yoruba priest John Mason. From the forests of Africa a thousand years ago to the bustling cities of New York, Havana, and Salvador, today, Yoruba religion has used beads to convey the artistic spirit and deep connection to the other world that its practitioners feel. This illustrated volume traces the history of the beads, their use, and Yoruba aesthetics and artistry. .
The sights and sounds of the Yoruba cosmos are made manifest through the pervasive use of beads. This spectacular book represents a collaboration between art historian Henry John Drewal and Yoruba priest John Mason. From the forests of Africa a thousand years ago to the bustling cities of New York, Havana, and Salvador, today, Yoruba religion has used beads to convey the artistic spirit and deep connection to the other world that its practitioners feel. This illustrated volume traces the history of the beads, their use, and Yoruba aesthetics and artistry. .
A BEAD AND A PRAYER introduces Protestants to prayer as a way to connect with God. Readers will explore the history and art of using beads in prayer, discover ways to pray with beads, and learn how beads can help them deepen their faith, understand Christian beliefs, and listen to God. Instructions for making prayer beads are included. Great for Christians with no experience in using beads for prayer, Sunday school classes, womens groups, prayer groups. Youth and children will also enjoy making prayer beads, led by someone using this book as a guide.
NEW YORK TIMES BESTSELLER • “The plot provided by the universe was filled with starvation, war and rape. I would not—could not—live in that tale.” Clemantine Wamariya was six years old when her mother and father began to speak in whispers, when neighbors began to disappear, and when she heard the loud, ugly sounds her brother said were thunder. In 1994, she and her fifteen-year-old sister, Claire, fled the Rwandan massacre and spent the next six years migrating through seven African countries, searching for safety—perpetually hungry, imprisoned and abused, enduring and escaping refugee camps, finding unexpected kindness, witnessing inhuman cruelty. They did not know whether their parents were dead or alive. When Clemantine was twelve, she and her sister were granted refugee status in the United States; there, in Chicago, their lives diverged. Though their bond remained unbreakable, Claire, who had for so long protected and provided for Clemantine, was a single mother struggling to make ends meet, while Clemantine was taken in by a family who raised her as their own. She seemed to live the American dream: attending private school, taking up cheerleading, and, ultimately, graduating from Yale. Yet the years of being treated as less than human, of going hungry and seeing death, could not be erased. She felt at the same time six years old and one hundred years old. In The Girl Who Smiled Beads, Clemantine provokes us to look beyond the label of “victim” and recognize the power of the imagination to transcend even the most profound injuries and aftershocks. Devastating yet beautiful, and bracingly original, it is a powerful testament to her commitment to constructing a life on her own terms.
Soul is the ultimate expression and experience of African-American culture. The Big Book of Soul is the first popular reference book to provide an in-depth examination of the source of soul in African culture and how soul finds its expression today. Author Stephanie Rose Bird takes readers on a breathtaking journey of soul by examining the spirit of animism and how it evolved in contemporary African-American culture. She explores spiritual practices related to diet, dance, beauty, healing, and the arts, and provides readers with ancient healing rituals and practices they can use today. Filled with fun facts, practical advice, and ancient spiritual wisdom, The Big Book of Soul is for any reader who wants a genuine, rooted experience of soul today.
A creative way to pray – across faith traditions – made new for all who seek a more intimate experience with God. Lushly illustrated. Divided into three parts, the first part of Bead by Bead takes a historical look at prayer beads across centuries and cultures. Part Two showcases opportunities for heart/mind/body ways to “pray the beads without the beads,” including activities that are whimsical, ordinary, and spirited, to inspire readers to create their own. The book concludes with an invitation to contemplate one’s own life as a rosary. Readers are encouraged to draw their own set of prayer beads and, with discernment and prayer, label each bead. They then can keep and literally hold their life in their hands in prayer, gratitude, and awe.
A powerhouse that had been subjected to the unwritten rules, a fate that was not under his control, and he who had intertwined with the fate of the spirit pearl, could he break through the shackles of fate and reach the realm where the heavens and earth could be carefree and unfettered? If you want to know more, just look at the Primordius Soul-Pearl ...
Divining the Self weaves elements of personal narrative, myth, history, and interpretive analysis into a vibrant tapestry that reflects the textured, embodied, and performative nature of scripture and scripturalizing practices. Velma Love examines the Odu—the Yoruba sacred scriptures—along with the accompanying mythology, philosophy, and ritual technologies engaged by African Americans. Drawing from the personal narratives of African American Ifa practitioners along with additional ethnographic fieldwork conducted in Oyotunji African Village, South Carolina, and New York City, Love’s work explores the ways in which an ancient worldview survives in modern times. Divining the Self also takes up the challenge of determining what it means for the scholar of religion to study scripture as both text and performance. This work provides an excellent case study of the sociocultural phenomenon of scripturalizing practices.
"This essential retrospective of genre-defying artist and MacArthur Fellow Joyce J. Scott (b. 1948) showcases her expansive and versatile career. From early textiles and wearables, to performances and public artworks, to celebrated beaded sculptures and signature necklaces, her innovative oeuvre centers on the ancient, global technologies of needle and thread, beadwork, salvage, song, and storytelling. Interviews with Scott and essays from an extraordinary group of artists and scholars explore this dynamic practice, rooted in place, community, and intergenerational knowledge. Extensive new photography and rich archival images reveal a dazzling, provocative body of work that makes difficult subjects intimately felt, confronting racism, sexism, classism, ableism, and histories of trauma through wearable art and exquisite sculpture. With humor and pathos, Scott twists menacing stereotypes into grotesque and tender retorts that spur conversation and reflection, grief and laughter, learning and healing."--Back cover.
