To Damian Wayne, there is nothing more important than protecting the streets of Gotham City as Robin. But when he makes a critical mistake while out on patrol, Damian finds himself benched, on top of transferring to a new school. When his new classmate Howard offers to show him the ropes, Damian finds himself in a challenge he never expected…
Batman's son Robin must prove to his father-as well as his previous mantle-holders-that he's worthy of being the newest Boy Wonder. Damian Wayne, a.k.a. Robin, must prove to Batman, as well as the previous Boy Wonders that he's every bit the hero that his father is in the wake of the cataclysmic events of the best-selling BATMAN & ROBIN VOL. 1: BORN TO KILL.
A shadowy figure emerges from Bruce Wayne's past. His name is NoBody, and he's not happy that Batman Incorporated is shining a light on his own shadowy war against evil.
A shadowy figure emerges from Bruce Wayne's past. His name is NoBody, and he's not happy that Batman Incorporated is shining a light on his own shadowy war against evil.
Batman battles the members of the Saturn Club on the streets of Gotham while Robin searches for the organization's hideout--by allowing himself to be taken prisoner!
Dick Grayson--alter-ego of the original Robin of Batman comics--has gone through various changes in his 75 years as a superhero but has remained the optimistic, humorous character readers first embraced in 1940. Predating Green Lantern and Wonder Woman, he is one of DC Comics' oldest heroes and retains a large and loyal fanbase. The first scholarly work to focus exclusively on the Boy Wonder, this collection of new essays features critical analysis, as well as interviews with some of the biggest names to study Dick Grayson, including Chuck Dixon, Devin Grayson and Marv Wolfman. The contributors discuss his vital place in the Batman saga, his growth and development into an independent hero, Nightwing, and the many storyline connections which put him at the center of the DC Universe. His character is explored in the contexts of feminism, trauma, friendship, and masculinity.
In the series' final issue, France's very own version of Arkham Asylum falls under siege! Someone has freed the lunatics, and unless they can be stopped, they'll turn Paris into a surreal Hell on Earth. Batman and Robin join Nightrunner in the mind-bending foreign fight!
Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.