Bastards of Utopia, the companion to a feature documentary film of the same name, explores the experiences and political imagination of young radical activists in the former Yugoslavia, participants in what they call alterglobalization or "globalization from below." Ethnographer Maple Razsa follows individual activists from the transnational protests against globalization of the early 2000s through the Occupy encampments. His portrayal of activism is both empathetic and unflinching—an engaged, elegant meditation on the struggle to re-imagine leftist politics and the power of a country's youth. More information on the film can be found at www.der.org/films/bastards-of-utopia.html.
If we see that our contemporary condition is one of war and widely diffused complexity, how do we understand our most basic ethical motivations? What might be the aims of our political activity? A War on People takes up these questions and offers a glimpse of a possible alternative future in this ethnographically and theoretically rich examination of the activity of some unlikely political actors: users of heroin and crack cocaine, both active and former. The result is a groundbreaking book on how anti–drug war political activity offers transformative processes that are termed worldbuilding and enacts nonnormative, open, and relationally inclusive alternatives to such key concepts as community, freedom, and care.
The German filmmaker Alexander Kluge has long promoted cinema's relationship with the goals of human emancipation. Jean-Luc Godard and Filipino director Kidlat Tahimik also believe in cinema's ability to bring about what Theodor W. Adorno once called a "redeemed world." Situating the films of Godard, Tahimik, and Kluge within debates over social revolution, utopian ideals, and the unrealized potential of utopian thought and action, Christopher Pavsek showcases the strengths, weaknesses, and undeniable impact of their utopian visions on film's political evolution. He discusses Godard's Alphaville (1965) against Germany Year 90 Nine-Zero (1991) and JLG/JLG: Self-portrait in December (1994), and he conducts the first scholarly reading of Film Socialisme (2010). He considers Tahimik's virtually unknown masterpiece, I Am Furious Yellow (1981–1991), along with Perfumed Nightmare (1977) and Turumba (1983); and he constructs a dialogue between Kluge's Brutality in Stone (1961) and Yesterday Girl (1965) and his later The Assault of the Present on the Rest of Time (1985) and Fruits of Trust (2009).
This collection examines how the loss of state socialism as a world-making project and the subsequent failures of postsocialist "civil society building" have impacted new generations of progressive, antinationalist, anarchist, and social-justice oriented activists. How do the histories of state socialism come to shape activist thinking and practice in Eastern Europe and the Caucasus? What kinds of political work can and does emerge out of this 30-year-long experience of political, social, and economic transformation? Understanding postsocialism as an intersectional experience and a geopolitically sensitive form of knowledge, this collection of essays seeks to render visible the forms of political activism in the region that are not tied to, or fully determined by, specific moments of street protest and public interruption. Instead, the contributors examine forms of activist effort that endure in the aftermath of protest movements and in the course of lingering crises, in order to capture how our interlocutors seek to enact their desired futures under the conditions of intensifying and shape-shifting pressures of neoliberal governance. The ethnographies that span from Armenia to Ukraine, to Bosnia-Herzegovina to the newly emerging transnational Balkan route that refugees and migrants have created, illuminate how local activists engage with and/or disengage from their socialist inheritance of political imaginaries differently and imagine different futures. Our collection argues for a need for a careful, theoretically nuanced and context-specific analysis across the uneven political landscapes of the former socialist world. The chapters in this book were originally published as a special issue of History and Anthropology.
The computer and particularly the Internet have been represented as enabling technologies, turning consumers into users and users into producers. The unfolding online cultural production by users has been framed enthusiastically as participatory culture. But while many studies of user activities and the use of the Internet tend to romanticize emerging media practices, this book steps beyond the usual framework and analyzes user participation in the context of accompanying popular and scholarly discourse, as well as the material aspects of design, and their relation to the practices of design and appropriation.
Ideology and Utopia in China’s New Wave Cinema investigates the ways in which New Wave filmmakers represent China in this age of neoliberal reform. Analyzing this paradigm shift in independent cinema, this text explores the historicity of the cinematic form and its cultural-political visions. Through a close reading of the narrative strategy of key films in New Wave Cinema, Xiaoping Wang studies the movement’s impact on film, literature, culture and politics.
From the acclaimed author and translator of Cursed Bunny, a fresh, uncanny, and utterly profound collection of stories set in near and distant futures that reflect our deepest fears—and deepest desires. Bora Chung’s inimitable blend of horror, absurdity, and dark humor reaches its peak in these tales of loss and discovery, dystopia and idealism, death and immortality. In a thrilling translation by the acclaimed Anton Hur, readers will experience a variety of possible fates for humanity, from total demise via a disease whose only symptom is casual cannibalism to a world in which even dreams can be monitored and used to convict people of crimes. In “The Center for Immortality Research,” a low-level employee runs herself ragged planning a fancy gala for donors only to be blamed for the chaos that ensues during the event in front of the mysterious celebrity benefactors hoping to live forever. In “A Song for Sleep,” an AI elevator in an apartment complex develops a tender, one-sided love for an elderly resident. “Seed” traverses the final frontier of capitalism’s destruction of the planet—but nature always creeps back to life. If you haven’t yet experienced the fruits of Chung’s singular imagination, Your Utopia is waiting.
Anthropologists working in Italy are at the forefront of scholarship on several topics including migration, far-right populism, organised crime and heritage. This book heralds an exciting new frontier by bringing together some of the leading ethnographers of Italy and placing together their contributions into the broader realm of anthropological history, culture and new perspectives in Europe.
With a new Introduction by the author, this “erudite and brilliantly readable book” (The Observer, London) expertly dissects the political, economic, and social origins of Western civilization to reveal a culture cripplingly enslaved to crude notions of rationality and expertise. With a new introduction by the author, this “erudite and brilliantly readable book” (The Observer, London) astutely dissects the political, economic and social origins of Western civilization to reveal a culture cripplingly enslaved to crude notions of rationality and expertise. The Western world is full of paradoxes. We talk endlessly of individual freedom, yet we’ve never been under more pressure to conform. Our business leaders describe themselves as capitalists, yet most are corporate employees and financial speculators. We call our governments democracies, yet few of us participate in politics. We complain about invasive government, yet our legal, educational, financial, social, cultural and legislative systems are deteriorating. All these problems, John Ralston Saul argues, are largely the result of our blind faith in the value of reason. Over the past 400 years, our “rational elites” have turned the modern West into a vast, incomprehensible, directionless machine, run by process-minded experts—“Voltaire’s bastards”—whose cult of scientific management is empty of both sense and morality. Whether in politics, art, business, the military, entertainment, science, finance, academia or journalism, these experts share the same outlook and methods. The result, Saul maintains, is a civilization of immense technological power whose ordinary citizens are increasingly excluded from the decision-making process. In this wide-ranging anatomy of modern society and its origins—whose “pages explode with insight, style and intellectual rigor” (Camille Paglia, The Washington Post)—Saul presents a shattering critique of the political, economic and cultural establishments of the West.
Our world today is experimenting a time of great power but also of tremendous resistances. Everywhere, people are brought together by similar burdens and frustration and creatively think about how to counter the forms of domination they are ascribed to. In academia as well there is an awakening among scholars to further investigate these multiple forms of resistance and equip the field with useful and empowering knowledge. This book aims at presenting some of these findings and reflecting upon the implications, social relevance, and ethical challenges of the growing field of Resistance Studies.
