In Bashan and I (sometime referred to as Man and Dog), Thomas Mann, the Nobel Prize-winning author of The Magic Mountain and Death in Venice, writes in the most remarkable way of the unique relation that links a dog with his master. These memoirs read as a novel, and describe in fierce detail the behavior, feelings and psychology of Mann’s dog Bashan, and of Mann himself. Mann tells how he acquired Bashan, details traits of his character, and describes how they go on harmless and bucolic hunts. Written in 1918 at the end of the First World War, Bashan and I is an ode to life, to nature, to simple joys, and to a dog. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
In Bashan and I (sometime referred to as Man and Dog), Thomas Mann, the Nobel Prize-winning author of The Magic Mountain and Death in Venice, writes in the most remarkable way of the unique relation that links a dog with his master. These memoirs read as a novel, and describe in fierce detail the behavior, feelings and psychology of Mann’s dog Bashan, and of Mann himself. Mann tells how he acquired Bashan, details traits of his character, and describes how they go on harmless and bucolic hunts. Written in 1918 at the end of the First World War, Bashan and I is an ode to life, to nature, to simple joys, and to a dog.
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With her newfound faith, Catherine Dougall hopes to take the remnants of her threadbare life and make something beautiful, even if society shuns every choice she makes. Dr. David Ross must save his war hospital from ruin, but when his notorious aunt makes an offer he can’t refuse, he must choose between his surprising affection for a reformed flirt or his dreams. From the beautiful Derbyshire countryside to the trenches of World War One, Catherine and David must learn to trust in a God who never forgets his children and fashions beauty out of the most broken things.
These are the only writings of KING OG the Rephaim. The Rephaim being a Biblical race of Giants that Moses eventually had to eradicate in Numbers 21 of the Bible. Originally transcribed during a several hundred year swath in and around 1400 BCE, THE LOST BOOK OF KING OG is a controversial, heretical tome that reads like the Bible. In fact, it has been heavily speculated that the original architects of the Bible were on intimate terms with THE LOST BOOK OF KING OG, which explains instances of similarity in metaphor and verbiage. Previously, the only way to look into this particular pre-Biblical flood, Rephaim/Nephilim world of Giants was through THE BOOK OF ENOCH and other DEAD SEA SCROLLS. Author DEMMON has brought forward a previously lost, heretical book that features the only Aramaic to English translation of the remaining mostly-complete copy of THE BOOK OF KING OG the Rephaim. While not entirely complete, THE LOST BOOK OF KING OG offers the greatest comprehension yet of the antediluvian (PRE-FLOOD) and postdiluvian world, from the eyes and ears of the Rephaim. The Catholic suppression of this text has always been due to the fact that THE BOOK OF KING OG is a pagan book. The pagan/blasphemous aspects of the tome (a championing of the uncircumcised for example) make its "burial" by the Catholic Church completely logical. Soaked in Baal worship and child-sacrifice, it is no wonder that the book had been silenced. The Catholic argument that the decision to rid the earth of the text was "God-inspired," is in fact, spiritually sound. With Constantine's systematic destruction of non-Christian texts in and around 326 CE, and the following Gelasian Decree of the 5th century CE, knowledge and/or reproduction of Og's verses was rendered impossible. In fact, the Catholic Church originally posted the following words of anathema in regards to THE BOOK OF KING OG and other forbidden texts: "... and whatever disciples of heresy and of the heretics or schismatics, whose names we have scarcely preserved, have taught or compiled, we declare to be not merely rejected but excluded from the whole Roman catholic and apostolic church, and its authors and their adherents to be damned in the inextricable shackles of anathema for ever [sic]." THE BOOK OF KING OG is referenced by association throughout (relatively) recent history, perhaps most notably in the NEW HISTORY OF ECCLESIASTICAL WRITERS published in 1693. In this reference book, the BOOK OF KING OG is described as, "Forged by Jews and Hereticks both Fabulous and Erroneous." Written closely with Vatican translator FATHER MARTIN, THE LOST BOOK OF KING OG serves as a warning, a prophecy and an explanation as to why the Rephaim and Nephilim Giants no longer walk the face of the earth. The recent uncovering of the CASSIODORUS DONATION of 550 CE to the Catholic Church has revealed the most intact, albeit horribly preserved, copy of The BOOK OF KING OG yet. The CASSIODORUS text was used as the primary source material FATHER MARTIN used for his translation THE LOST BOOK OF KING OG. Providing information on a modern, unspeakable evil, THE LOST BOOK OF KING OG will make all who read it consider their religious beliefs and their conclusions about the giants of antiquity.
It was during the war that Thomas Mann, one of the great modern stylists, wrote this simple little idyll as a refuge and relief. It was a flight from the hideous realities of the world to the deeper realities of Nature, from the hate and inhumanity of man to the devotion and lovableness of the brute. This delectable symphony of human and canine psychology, of love of nature and of pensive humour, struck the true note of universality, a document packed with greater potencies in this direction than the deliberate, idealistic manifestos of the pacifists. It is for these reasons that the book has acquired a permanent charm, value, and significance, not only beyond the confines of the war and the confines of the author's own land and language, but also beyond those of the period. In every land there still exists the same friendly and primitive relation between man and the dog, brought to its fullest expression of strength and beauty in the environment of the green world, rural or suburban. Simple and unpretentious as a statement by Francis d'Assisi, yet full of a gentle modern sophistication and humour, this little work will bring delight and refreshment to all who seek flight from the heavy-laden hour. It is, moreover, one of the most subtle and penetrating studies of the psychology of the dog that has ever been written-tender yet unsentimental, realistic and full of the detail of masterly observation and description, yet in its final form and precipitation a work of exquisite literary art. - Hermann George Scheffauer about "Bashan and I" written by Thomas Mann
