During the 19th century, baseball was a game with few rules, many rowdy players and just one umpire. Dirty tricks were simply part of a winning strategy--spiking, body-blocking, cutting bases short or hiding an extra ball to be used when needed were all OK. Deliberately failing to catch a fly in order to have the game called due to darkness was also acceptable. And drinking before a game was perhaps expected. Providing brief bios of dozens of players, managers, umpires and owners, this book chronicles some of the flamboyant, unruly and occasionally criminal behavior of baseball's early years.
No other sport can begin to compare to the rich history and statistical record of baseball. It is part of what makes the game so alluring. In “Moments in Baseball History,” Mark R. Brewer examines twenty-two memorable games and the player at the center of that game. It should prove a feast for baseball fans.
Louis "Pete" Rogers Browning was one of the greatest baseball players of the nineteenth century. His skills with the bat made the difficult art of hitting a baseball appear easy. Over his thirteen-year career, he won three batting titles, finished in the top three nine times, and was one of the premodern era's greatest hitters. Browning is recognized as not only the namesake but also the genesis for the famed Louisville Slugger, as the Hillerich & Bradsby Company shaped the first ever custom-made bat based on his instructions. Browning's athletic prowess was overshadowed by his drunken adventures and struggles off the field. A champion consumer of bourbon and a man with obvious demons, he led a life littered with eccentricities. During games he refused to slide and often stood perched on one leg. Known as the Gladiator, he drank tabasco sauce, washed his eyes with buttermilk, and named bats after biblical characters, all in an effort to improve his hitting. Few were aware that, behind the comedic persona, Browning suffered from mastoiditis, a devastating physical ailment that robbed him of his hearing, deprived him of an education, eroded his professional skills, and led to his heavy dependence on alcohol. Accounts of Browning's unconventional behavior were bolstered by his own outlandish storytelling. These stories were embellished by newspapers of the time, making him a legend. Tim Newby addresses the myths surrounding the larger-than-life figure, uncovers the thin line between fact and fiction, and presents an extensive account of Browning—the man, and legendary ball player.
Read professional, fair reviews by practicing academic, public, and school librarians and subject-area specialists that will enable you to make the best choices from among the latest reference resources. This newest edition of American Reference Books Annual (ARBA) provides librarians with insightful, critical reviews of print and electronic reference resources released or updated in 2017-2018, as well as some from 2019 that were received in time for review in the publication. By using this invaluable guide to consider both the positive and negative aspects of each resource, librarians can make informed decisions about which new reference resources are most appropriate for their collections and their patrons' needs. Collection development librarians who are working with limited budgets—as is the case in practically every library today—will be able to maximize the benefit from their monetary resources by selecting what they need most for their collection, while bypassing materials that bring limited value to their specific environment.
Chris von der Ahe knew next to nothing about baseball when he risked his life's savings to found the franchise that would become the St. Louis Cardinals. Yet the German-born beer garden proprietor would become one of the most important -- and funniest -- figures in the game's history. Von der Ahe picked up the team for one reason -- to sell more beer. Then he helped gather a group of ragtag professional clubs together to create a maverick new league that would fight the haughty National League, reinventing big-league baseball to attract Americans of all classes. Sneered at as "The Beer and Whiskey Circuit" because it was backed by brewers, distillers, and saloon owners, their American Association brought Americans back to enjoying baseball by offering Sunday games, beer at the ballpark, and a dirt-cheap ticket price of 25 cents. The womanizing, egocentric, wildly generous Von der Ahe and his fellow owners filled their teams' rosters with drunks and renegades, and drew huge crowds of rowdy spectators who screamed at umpires and cheered like mad as the Philadelphia Athletics and St. Louis Browns fought to the bitter end for the 1883 pennant. In The Summer of Beer and Whiskey, Edward Achorn re-creates this wondrous and hilarious world of cunning, competition, and boozing, set amidst a rapidly transforming America. It is a classic American story of people with big dreams, no shortage of chutzpah, and love for a brilliant game that they refused to let die.
An exhilarating, splendidly illustrated, entirely new look at the history of baseball: told through the stories of the vibrant and ever-changing ballparks where the game was and is staged, by the Pulitzer Prize-winning architectural critic. From the earliest corrals of the mid-1800s (Union Grounds in Brooklyn was a "saloon in the open air"), to the much mourned parks of the early 1900s (Detroit's Tiger Stadium, Cincinnati's Palace of the Fans), to the stadiums we fill today, Paul Goldberger makes clear the inextricable bond between the American city and America's favorite pastime. In the changing locations and architecture of our ballparks, Goldberger reveals the manifestations of a changing society: the earliest ballparks evoked the Victorian age in their accommodations--bleachers for the riffraff, grandstands for the middle-class; the "concrete donuts" of the 1950s and '60s made plain television's grip on the public's attention; and more recent ballparks, like Baltimore's Camden Yards, signal a new way forward for stadium design and for baseball's role in urban development. Throughout, Goldberger shows us the way in which baseball's history is concurrent with our cultural history: the rise of urban parks and public transportation; the development of new building materials and engineering and design skills. And how the site details and the requirements of the game--the diamond, the outfields, the walls, the grandstands--shaped our most beloved ballparks. A fascinating, exuberant ode to the Edens at the heart of our cities--where dreams are as limitless as the outfields.
In an era of rowdy teams, the Cleveland Spiders (1887-1899) were baseball's rowdiest. Managed by Oliver "Patsy" Tebeau, a quick-tempered infielder, the Spiders seemed to heap abuse of one kind or another on everyone--umpires, opposing teams, even the fans. Their aggression never brought home the pennant, but Cleveland's battles with the league's top clubs, including an 1895 Temple Cup victory over the Baltimore Orioles, are now legendary. Yet the story of the Spiders amounts to more than a 12 year free-for-all. There were top-flight players like Ed McKean, George Davis, Jesse Burkett, and Cy Young. There was the racially progressive signing of Holy Cross star Louis Sockalexis, the first American Indian in the major leagues. And then there was the team's final season, 1899, when a club ravaged by syndicalism set the standard for baseball futility.
Although largely ignored by historians of both baseball in general and the Negro leagues in particular, Latinos have been a significant presence in organized baseball from the beginning. In this benchmark study on Latinos and professional baseball from the 1880s to the present, Adrian Burgos tells a compelling story of the men who negotiated the color line at every turn—passing as "Spanish" in the major leagues or seeking respect and acceptance in the Negro leagues. Burgos draws on archival materials from the U.S., Cuba, and Puerto Rico, as well as Spanish- and English-language publications and interviews with Negro league and major league players. He demonstrates how the manipulation of racial distinctions that allowed management to recruit and sign Latino players provided a template for Brooklyn Dodgers’ general manager Branch Rickey when he initiated the dismantling of the color line by signing Jackie Robinson in 1947. Burgos's extensive examination of Latino participation before and after Robinson's debut documents the ways in which inclusion did not signify equality and shows how notions of racialized difference have persisted for darker-skinned Latinos like Orestes ("Minnie") Miñoso, Roberto Clemente, and Sammy Sosa.
This vividly rendered Civil War history presents “a lively guided tour of Washington during the 24 hours or so around Lincoln’s swearing-in” (Adam Goodheart, Washington Post). By March 4, 1865, the Civil War had left intractable wounds on the nation. Tens of thousands crowded Washington’s Capitol grounds that day to see Abraham Lincoln take the oath for a second term—and witness what was perhaps the greatest inaugural address in American history. Lincoln stunned the nation by arguing that both sides had been wrong, and that the war’s unimaginable horrors might have been God’s just verdict on the national sin of slavery. In Every Drop of Blood, Edward Achorn reveals the nation’s capital on that momentous day—with its mud, sewage, and saloons, its prostitutes, spies, reporters, social-climbing spouses and power-hungry politicians. Swirling around the complex figure of Lincoln, a host of characters are brought to life, from grievously wounded Union colonel Selden Connor to the embarrassingly drunk new vice president, Andrew Johnson, to poet-journalist Walt Whitman; from soldiers’ advocate Clara Barton and African American leader Frederick Douglass to conflicted actor John Wilkes Booth. In indelible scenes, Achorn captures the frenzy and division in the nation’s capital at this crucial moment in America’s history. His story offers new understanding of our great national crisis, and echoes down the decades to resonate in our own time.
