History of Restoration of Ancient Stone Sculptures

History of Restoration of Ancient Stone Sculptures

Author: Janet Burnett Grossman

Publisher: Getty Publications

Published: 2003-12-25

Total Pages: 288

ISBN-13: 0892367237

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The nineteen papers in this volume stem from a symposium that brought together academics, archaeologists, museum curators, conservators, and a practicing marble sculptor to discuss varying approaches to restoration of ancient stone sculpture. Contributors and their subjects include Marion True and Jerry Podany on changing approaches to conservation; Seymour Howard on restoration and the antique model; Nancy H. Ramage’s case study on the relationship between a restorer, Vincenzo Pacetti, and his patron, Luciano Bonaparte; Mette Moltesen on de-restoring and re-restoring in the Ny Carlsberg Glyptotek; Miranda Marvin on the Ludovisi collection; and Andreas Scholl on the history of restoration of ancient sculptures in the Altes Museum in Berlin. The book also features contributions by Elizabeth Bartman, Brigitte Bourgeois, Jane Fejfer, Angela Gallottini, Sascha Kansteiner, Giovanna Martellotti, Orietta Rossi Pinelli, Peter Rockwell, Edmund Southworth, Samantha Sportun, and Markus Trunk. Charles Rhyne summarizes the themes, approaches, issues, and questions raised by the symposium.


The Ancient Art of Emulation

The Ancient Art of Emulation

Author: Elaine K. Gazda

Publisher: University of Michigan Press

Published: 2002

Total Pages: 342

ISBN-13: 9780472111893

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Are copies of Greek and Roman masterpieces as important as the originals they imitate?


Classical Sculpture and the Culture of Collecting in Britain Since 1760

Classical Sculpture and the Culture of Collecting in Britain Since 1760

Author: Viccy Coltman

Publisher: Oxford University Press

Published: 2009-08-06

Total Pages: 362

ISBN-13: 019955126X

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This is an illustrated study of the reception of classical sculptures in the early modern period. Viccy Coltman contrasts the culture of British 18th century collecting, which integrated sculpture into the domestic interior, with the focus upon individual specimens by archaeologists like Adolf Michaelis a century later.


Ancient Marbles in Naples in the Eighteenth Century

Ancient Marbles in Naples in the Eighteenth Century

Author: Eloisa Dodero

Publisher: BRILL

Published: 2019-09-16

Total Pages: 654

ISBN-13: 9004399100

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In Ancient Marbles in Naples in the Eighteenth Century Eloisa Dodero aims at documenting the history of numerous private collections formed in Naples during the 18th century, with particular concern for the “Neapolitan marbles” and the circumstances of their dispersal. Research has thus made it possible to formulate a synthesis of the collecting dynamics of Naples in the 18th century, to define the interest of the great European collectors, especially British, in the antiquities of the city and its territory and to draw up a catalogue which for the first time brings together the nucleus of sculptures reported in the Neapolitan collections or coming from irregular excavations, most of which shared the destiny of dispersal, in some cases here traced in definitive fashion.


Thorvaldsen

Thorvaldsen

Author: Jan Zahle

Publisher: Aarhus Universitetsforlag

Published: 2020-08-20

Total Pages: 825

ISBN-13: 8772192860

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The Danish neoclassical sculptor Bertel Thorvaldsen (1770–1844), who lived most of his life in Rome, was not only one of Europe’s most soughtafter artists; he was also a collector. In addition to his own works and drawings, he built extensive collections of paintings, prints, drawings and books – and of ancient artefacts from Egyptian, Greek and Roman antiquity: coins, lockets, containers, vases, lamps, fragments of sculpture and more. He also acquired a large collection of plaster casts, primarily after ancient sculptures and reliefs, but also of works dating from the Renaissance and up until his own lifetime. Thanks to Thorvaldsen’s bequest to the city of Copenhagen, his birthplace, all of these collections are still largely intact and well preserved at his museum. Home to a total of 657 plaster casts, the Thorvaldsen Museum’s cast collection is unique for several reasons: The collection offers us insight into the sculptor’s working methods and the development of his work because it served a clear function as an image bank of forms, motifs and subjects for Thorvaldsen’s own endeavours. Furthermore, the dual fact that the collection is so well preserved and was established over a relatively brief period of time makes it a valuable example illuminating the trade and distribution of plaster casts during the first half of the nineteenth century. These areas of study form the central focal point of Volume I of this publication. Volume II contains a catalogue of the individual objects in the cast collection, while Volume III collects the overviews, inventories, concordances and primary sources referred to in the first two volumes. Arising out of many years of study of Thorvaldsen’s cast collection conducted by their author, the classical archaeologist Jan Zahle, these books contain comprehensive source material from the period, much of it previously unknown.


Italian and Spanish Sculpture

Italian and Spanish Sculpture

Author: Peggy Fogelman

Publisher: Getty Publications

Published: 2002-12-26

Total Pages: 378

ISBN-13: 0892366893

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The catalogue is abundantly illustrated, including multiple views of each sculpture."--BOOK JACKET.


Rome and Her Monuments

Rome and Her Monuments

Author: Katherine A. Geffcken

Publisher: Bolchazy-Carducci Publishers

Published: 2000

Total Pages: 644

ISBN-13: 9780865164574

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Helen Nagy, "Miniature Votive Altars in the Collection of the American Academy in Rome"; Gareth Schmeling, "Urbs Aeterna: Rome, a Monument of the Mind"; Susan Martin, "Transportation Issues in the City of Rome"; Anne H. Groton, "Id est quod suspicabar: Suspecting the Worst in Plautus"; Helen F. North, "Lacrimae Virginis Vestalis"; Michael C. J. Putnam, "Horace c. 3.23: Ritual and Art"; Herbert W. Benario, "Three Tacitean Women"


Art

Art

Author: David A. Scott

Publisher: Cotsen Institute of Archaeology Press

Published: 2016-12-31

Total Pages: 518

ISBN-13: 1938770412

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This book presents a detailed account of authenticity in the visual arts from the Paleolithic to the postmodern. The restoration of works of art can alter the perception of authenticity and may result in the creation of fakes and forgeries. These interactions set the stage for the subject of this book, which initially examines the conservation perspective, then continues with a detailed discussion of notions of authenticity and philosophical background. There is a disputed territory between those who view the present-day cult of authenticity as fundamentally flawed and those who have analyzed its impact upon different cultural milieus, operating across performative, contested, and fragmented ground. The book discusses several case studies where the ideas of conceptual authenticity, aesthetic authenticity, and material authenticity can be incorporated into an informative discourse about art from the ancient to the contemporary, illuminating concerns relating to restoration and art forgery.


Historical and Philosophical Issues in the Conservation of Cultural Heritage

Historical and Philosophical Issues in the Conservation of Cultural Heritage

Author: Nicholas Price

Publisher: Getty Publications

Published: 2016-09-23

Total Pages: 522

ISBN-13: 1606065270

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This volume is the first comprehensive collection of texts on the conservation of art and architecture to be published in the English language. Designed for students of art history as well as conservation, the book consists of forty-six texts, some never before translated into English and many originally published only in obscure or foreign journals. The thirty major art historians and scholars represented raise questions such as when to restore, what to preserve, and how to maintain aesthetic character. Excerpts have been selected from the following books and essays: John Ruskin, The Seven Lamps of Architecture; Bernard Berenson, Aesthetics and History in the Visual Arts; Clive Bell, The Aesthetic Hypothesis; Cesare Brandi, Theory of Restoration; Kenneth Clark, Looking at Pictures; Erwin Panofsky, The History of Art as a Humanistic Discipline; E. H. Gombrich, Art and Illusion; Marie Cl. Berducou, The Conservation of Archaeology; and Paul Philippot, Restoration from the Perspective of the Social Sciences. The fully illustrated book also contains an annotated bibliography and an index.