Confronting Colonial Objects

Confronting Colonial Objects

Author: Carsten Stahn

Publisher: Oxford University Press

Published: 2023-10-13

Total Pages: 593

ISBN-13: 019269412X

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The treatment of cultural colonial objects is one of the most debated questions of our time. Calls for a new international cultural order go back to decolonization. However, for decades, the issue has been treated as a matter of comity or been reduced to a Shakespearean dilemma: to return or not to return. Confronting Colonial Objects seeks to go beyond these classic dichotomies and argues that contemporary practices are at a tipping point. The book shows that cultural takings were material to the colonial project throughout different periods and went far beyond looting. It presents micro histories and object biographies to trace recurring justifications and contestations of takings and returns while outlining the complicity of anthropology, racial science, and professional networks that enabled colonial collecting. The book demonstrates the dual role of law and cultural heritage regulation in facilitating colonial injustices and mobilizing resistance thereto. Drawing on the interplay between justice, ethics, and human rights, Stahn develops principles of relational cultural justice. He challenges the argument that takings were acceptable according to the standards of the time and outlines how future engagement requires a re-invention of knowledge systems and relations towards objects, including new forms of consent, provenance research, and partnership, and a re-thinking of the role of museums themselves. Following the life story and transformation of cultural objects, this book provides a fresh perspective on international law and colonial history that appeals to audiences across a variety of disciplines. This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.


Sculpture

Sculpture

Author: Cleo Kuhtz

Publisher: Encyclopaedia Britannica

Published: 2016-07-15

Total Pages: 215

ISBN-13: 168048365X

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Looking at a work of art, like listening to music, becomes a rewarding experience only if the senses are alert to the qualities of the work and to the artist's purpose that brought them into being. The language of sculpture must be learned. In this in-depth study, readers examine the materials, tools, methods, styles, and practices that are involved in sculpting and many of the techniques that have been used by accomplished artists who have contributed to sculpture as a fine art, from the marble gods of Phidias to the mobiles by Alexander Calder.


Heroic Africans

Heroic Africans

Author: Alisa LaGamma

Publisher: Metropolitan Museum of Art

Published: 2011

Total Pages: 314

ISBN-13: 1588394328

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Issued in connection with an exhibition held Sept. 20, 2011-Jan. 29, 2012, Metropolitan Museum of Art, New York, and at the Rietberg Museum, Zeurich, at later dates.


Reflections on the History of Art

Reflections on the History of Art

Author: Ernst Hans Gombrich

Publisher: Univ of California Press

Published: 1987-01-01

Total Pages: 258

ISBN-13: 9780520061897

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Essays discuss Greek and Chineese art, Da Vinci, Michelangelo, Dutch genre painting, Rubens, Rembrandt, art collecting, museums, and Freud's aesthetics


Eternal Ancestors

Eternal Ancestors

Author: Barbara Drake Boehm

Publisher: Metropolitan Museum of Art

Published: 2007

Total Pages: 368

ISBN-13: 1588392279

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"Many masterpieces of central African sculpture were created to amplify the power of sacred relics that affirm a family's vital connection to its ancestral heritage. This important volume, focusing on some 130 works representing a diverse variety of regional genres, illuminates the purpose and significance of these icons of African art, which first came to prominence because of their appeal to the Western avant-garde. While providing an overview of sources ranging from colonial explorers, missionaries, critics, artists, and art historians, the book breaks new ground in its examination of the complex aesthetic and spiritual dimensions of the reliquaries. Its interdisciplinary approach brings together the perspectives of scholars in African and medieval art history along with those in African history, religion, and ethnography." -- Publisher.


The Art & Tradition of Beadwork

The Art & Tradition of Beadwork

Author: Marsha C. Bol

Publisher: Gibbs Smith

Published: 2018-06-05

Total Pages: 1159

ISBN-13: 1423631803

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A former professor and museum director offers a fascinating, in-depth look at the culture and history of beaded objects around the world. From a beaded dress found in an ancient Egyptian tomb to the beaded fringe on a 1920s Parisian flapper’s hem, humans throughout history have used beading as a way to express, adorn, and tell a story. Bol explores beadwork across the world and through the ages, showing how beading has taken on many different styles, forms, and purposes for different cultures. She looks at children’s clothing, puberty ceremonies, burials, emblems of social status and leadership, festivals, and many other cultural occasions that involve the use of beadwork. Images of artifacts and heirlooms as well as photography of people and their beadwork enhance the scholarship of this book for a beautiful, enlightening addition to art, history, multicultural collections everywhere.


African Art and Agency in the Workshop

African Art and Agency in the Workshop

Author: Sidney Littlefield Kasfir

Publisher: Indiana University Press

Published: 2013-04-01

Total Pages: 402

ISBN-13: 0253007585

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“Compelling case studies demonstrate how African workshops have long mediated collective expression and individual imagination.” —Allen F. Roberts, University of California, Los Angeles The role of the workshop in the creation of African art is the subject of this revelatory book. In the group setting of the workshop, innovation and imitation collide, artists share ideas and techniques, and creative expression flourishes. African Art and Agency in the Workshop examines the variety of workshops, from those which are politically driven or tourist oriented, to those based on historical patronage or allied to current artistic trends. Fifteen lively essays explore the impact of the workshop on the production of artists such as Zimbabwean stone sculptors, master potters from Cameroon, wood carvers from Nigeria, and others from across the continent. Contributions by Nicolas Argenti, Jessica Gershultz, Norma Wolff, Christine Scherer, Silvia Forni, Elizabeth Morton, Alexander Bortolot, Brenda Schmahmann, Chika Okeke-Agulu, Karen E. Milbourne and Namubiru Rose Kirumira “A closer examination of the workshop provides important insights into art histories and cultural politics. We may think we know what we mean when we use the term ‘workshop,’ but in fact the organization of groups of artists takes on vastly different forms and encourages the production of diverse styles of art within larger social structures and power dynamics.” —Victoria Rovine, University of Florida “Taken as a whole, the case studies provide a wide window into the very diverse structural and functional characteristics of workshops. They also clearly describe how African workshops have served both contemporary political and cultural needs and have responded to patronage, whether it be traditional or stimulated by tourism.” —African Studies Review


The Last Passage

The Last Passage

Author: Donald Heinz

Publisher: Oxford University Press, USA

Published: 1999

Total Pages: 319

ISBN-13: 0195116437

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Heinz offers wise answers to questions about death, urging readers to "recover a death of [their] own" and to view the final years as a fulfillment, a "last career".