Bangladeshi Novels in English: Cultural Contact and Migrant Subjectivity is the first comprehensive study of Bangladeshi migration and diasporas through eight seminal Bangladeshi novels in English from the late twentieth and twenty-first centuries: Adib Khan’s Seasonal Adjustments and Spiral Road, Farhana H. Rahman’s The Eye of the Heart, Monica Ali’s Brick Lane, Manzu Islam’s Burrow, Nashid Kamal’s The Glass Bangles, Zia H. Rahman’s In the Light of What We Know, and Tahmima Anam’s The Bones of Grace. The book situates the study within the English-language literary history and linguistic ethnography of Bangladesh while unveiling the complexities of Bangladeshi Muslim migration from men, women, and children’s perspectives. It challenges the stereotyping of Bengali Muslim migrants as a failure of immigration and multiculturalism and offers a fresh view on cultural contact and the formation of migrant subjectivity at the intersections of gender, race, religion, class, culture, ethnicity, history, politics, and personality.
As she plans a party for her son and daughter, Rehana Haque's life will be transformed forever in a story of one family caught in the middle of the 1971 Bangladesh war of independence, as they face changes and decisions that will have a profound impact on their lives forever.
Selected and translated by renowned writer, editor and translator Arunava Sinha, the twenty-one stories in this anthology represent the finest example of the genre. Some of the world's finest short fiction has originated (and continues to flow) from) the cities, villages, rivers, forests and plains of Bengal. This selection features twenty-one of the very best stories from the region. Here, the reader will find one of Rabindranath Tagore's most revered stories 'The Kabuliwallah' in a glinting new translation, memorable studies of ordinary people from Tarashankar and Bibhutibhushan Bandyopadhyay, the iconic Sarat Chandra Chattopadhyay's wrenching study of Bengali society, 'Mahesh', as well as over a dozen other astounding stories by some of the greatest practitioners of the form-Buddha deva Bose, Ashapurna Debi, Premendra Mitra, Satyajit Ray, Ritwik Ghatak, Mahasweta Devi, Sunil Gangopadhyay and Nabarun Bhattacharya, among others. These are stories of anger, loss, grief, disillusionment, magic, politics, trickery, humour and the darkness of mind and heart. They reimagine life in ways that make them unforgettable.
Dhaka may be one of the most densely populated cities in the world - noisy, grid-locked, short on public amenities, and blighted with sprawling slums - but, as these stories show, it is also one of the most colourful and chaotically joyful places you could possibly call home. Slum kids and film stars, day-dreaming rich boys, gangsters and former freedom fighters all rub shoulders in these streets, often with Dhaka's famous rickshaws ferrying them to and fro across cultural, economic and ethnic divides. Just like Dhaka itself, these stories thrive on the rich interplay between folk culture and high art; they both cherish and lampoon the city's great tradition of political protest, and they pay tribute to a nation that was borne out of a love of language, one language in particular, Bangla (from which all these stories have been translated).
When the Barbri Mosque at Ayodhya, India, was destroyed by Hindu fundamentalists on December 6,1992, fierce mob reprisals took place against the Hindu minority in Muslim Bangladesh. These incidents form the backdrop for Dr. Taslima Nasrin's explosive and courageous book, "Shame", describing the nightmarish fate of one family within her country's small Hindu community.
Bengal in the 1940s. Having overcome the famine and the revolt of the sharecroppers, Bengal's peasants are uniting. Work is scarce and wages are low. There is barely any food to be had. The proposal for the formation of Pakistan, the elections of 1946, and communal riots are rewriting the contours of history furiously. Amidst all this, in an unnamed village, a familiar corporeal spirit plunges into knee-deep mud. This is Tamiz's father, the man in possession of Khwabnama. At first glance, Khwabnama is the tale of a harmless young farmhand who becomes a sharecropper and dreams of a future that has everything to do with the land that he cultivates and the soil that he tills. The fabric of his dreams, though, have as much to do with the history of the land as its future, and as much to do with memories as with hope. In this magnum opus, which documents the Tebhaga movement, wherein peasants demanded two-thirds of the harvest they produced on the land owned by zamindars, Akhtaruzzaman Elias has created an extraordinary tale of magical realism, blending memory with reality, legend with history and the struggle of marginalized people with the stories of their ancestors.
Lajja, The Controversial Novel By Bangladeshi Writer Taslima Nasrin, Is A Savage Indictment Of Religious Extremism And Man S Inhumanity To Man. The Duttas-Sudhamoy, Kironmoyee, And Their Two Children, Suranjan And Maya-Have Lived In Bangladesh All Their Lives. Despite Being Part Of The Country S Small Hindu Community, That Is Terrorized At Every Opportunity By Muslim Fundamentalists, They Refuse To Leave Their Country, As Most Of Their Friends And Relatives Have Done. Sudhamoy, An Atheist, Believes With A Naive Mix Of Optimism And Idealism That His Motherland Will Not Let Him Down.... And Then, On 6 December 1992, The Babri Masjid At Ayodhya In India Is Demolished By A Mob Of Hindu Fundamentalists. The World Condemns The Incident, But Its Fallout Is Felt Most Acutely In Bangladesh, Where Muslim Mobs Begin To Seek Out And Attack The Hindus.... The Nightmare Inevitably Arrives At The Duttas Doorstep-And Their World Begins To Fall Apart.... Unremittingly Dark And Menacing, The Novel Exposes The Mindless Bloodthirstiness Of Fundamentalism And Brilliantly Captures The Insanity Of Violence In Our Time.
It is the 1970s. After a bloody struggle, Bangladesh is an independent nation. But thousands are pouring into Dhaka from all over the country, looking for food and shelter. Amongst them is Nur Hussain, an uneducated young man from a remote village, who is only good at mimicking a famous speech of the prime minister's. He turns up at journalist Khaleque Biswas's doorstep, seeking employment. He is initially a burden for Khaleque, but then Khaleque, who has recently lost his job, has the idea of turning Nur into a fake Sheikh Mujib. WIth the blessings of the political establishment, he starts chasing in on the nationalist frevour of the city's poorest. But even as the money rolls in, the tension between the two men increases and reaches a violent climax when Nur refuses to stick to the script. Intense yet chilling, this brilliant first novel is a meditation on power, greed and the human cost of the politics.
`It is, I think, a timely and sobering reminder of the power of all kinds of fundamentalisms in the contemporary world, and that no society is proof against their ravages, even those which have prided themselves on their secularism, tolerance and pluralism. Bangladesh is a country haunted by divisions - not only the Partition of India, but also that of the War of Liberation, and the even more fateful split, between Muslim and Bengali, which is the more menacing because it exists within individuals, within the people themselves. Whether the wholeness of a specifically Bengali version of islam can be restored is the question which this book poses′ - Jeremy Seabrook, The Guardian `This book should ring a warning bell for policymakers in the South Block. If you do not agree, read Karlekar′s chilling tale of the death of Mjuibur′s dream - and that of many others who naively believed in it′ - Kanchan Gupta, India Today `The book unravels how the hate matrix has found a place in a culturally vibrant society that just two decades back asked for freedom from the shackles of an oppressive regime′ - Anju Kumar, The Hindu `Dubbed a hotbed of terrorism across the world, Bangladesh is under the spotlight. Hiranmay Karlekar′s timely book tackles the issue with depth and insight... A must read for strategic thinkers and those involved in watching India′s neighbourhood′ - Tehelka `The author argues that the headquarters of Islamic terrorism is shifting from Afghanistan to Bangladesh, which he describes as a soft state with an ineffective government and a weak police force′ - The Pioneer `Karlekar has a long experience of reporting on Bangladesh. His book resonates with this experience and with a wealth of details, and will help fill the vacuum of information on Bangladesh and it′s crisis of fundamentalism′ - The India Express Bangladesh focuses on the growth of Islamic fundamentalism in Bangladesh. Hiranmay Karlekar analyzes, in detail, the historical, social, cultural and political circumstances that have led to this, and discusses the chances of the situation being altered. From a wealth of reliable sources he discusses the circumstances which account for this rise in fundamentalism and he demonstrates the forces that function within the ruling coalition in Bangladesh allowing this rise unchecked. Hiranmay Karlekar is Consultant Editor of The Pioneer and a member of the Press Council of India. During his career, he has been Editor of The Hindustan Times, Deputy Editor of The Indian Express, and Assistant Editor of The Statesman and the erstwhile Hindusthan Standard published from Kolkata by the Anandabazar Patrika group.
This collection offers an essential, structured survey of contemporary fictions of South Asia in English, and includes specially commissioned chapters on each of the national traditions of the region. It covers less well known writings from Pakistan, Sri Lanka and Bangladesh as well as the more firmly established canon of contemporary Indian literature, and features chapters on important new and emergent forms such as the graphic novel, genre fiction and the short story. It also contextualizes some key ‘transformative’ aspects of recent fiction such as border and diaspora identities; new middle-class narratives and popular genres; and literary response to terror and conflict. Edited and designed with researchers and students in mind, the book updates existing criticism and represents a readable guide to a dynamic, rapidly changing area of global literature.
