If you always wanted to create a Baltimore Album quilt, you'll love Elly Sienkiewicz' new collection of smaller, less-complex blocks that are perfect for your first Baltimore Album. Or, enlarge the blocks for a larger work! More than two dozen block designs are also ideal for adding elegance to accessories and home dcor, or for creating a very special child's quilt. In-depth how-tos and Elly's skill-building lessons will have you creating block after block.
When Marsha D. Radtke discovered a tattered quilt in her rural Maryland parsonage attic, she found local history as well as an old textile. The red and green Baltimore Album quilt not only had an inked date of 1850, it also had inked signatures of women with well-known area family names. It was the superb workmanship that inspired Marsha to re-create the quilt s 24 hand appliqué patterns (one of them repeated in different fabrics) and share this historic treasure with others. These patterns sewn with expert skill before the Civil War have been redrafted for today's quilter with precision, clarity, and easy-to-follow instructions. In addition to being a Baltimore Album pattern teaching guide and resource, the book includes Martha s quilt-as-you-go technique and fail-safe binding method. Marsha began quilting in the 1990s and has won numerous ribbons and awards. Appliqué is her first love, which she enjoys teaching to others. She lives in Crossville, Tennessee, with her husband, Jim.
The Bee-all and End-all: The complete quilter's companion and essential resource, jam-packed with information, supplies, expert interviews, techniques, community, and inspiration. All the tools of the trade: rotary cutters, sewing machines, longarms, anddesign software; fabulous fabrics and where to find them; and if you're just starting out, everything that belongs in a quilting basket. The online world made manageable with a guide to the most useful blogs, websites, e-mail lists, free patterns, and podcasts. National and regional shows, guilds, and the best retreats and quilt museums. Batting parties, tutorials on fabric dying, and a breezy history of the quilt boom. Profiles of twenty top teachers-including television's Ricky Tims and Alex Anderson, Esterita Austin and her award-winning landscape quilts, and Ruth B. McDowell, known for her bravura technique. This is a book to help every quilter deepen and grow-keep it as close by as your stash of fat quarters -Cover.
A compilation of sixty-five of the greatest cake recipes from the South, plus plenty of baking tips, from the author of Southern Pies. It’s time to relax on the porch swing and feast your eyes on some of the tastiest cakes you’ll ever sink your fork into. There are recipes here for everything from Brown Sugar Pound Cake and fluffy white coconut cakes layered with lemon curd or raspberry jam to the chocolatey goodness of Mississippi Mud Cake and the extravagant elegance of Lady Baltimore Cake. With cakes this delectable, it’s no wonder Southerners are so proud of their baking history. Jam cakes and jelly rolls; humble pear bread and peanut cake; cakes with one, two, three, and four layers; and even Eudora Welty’s bourbon-soaked white fruitcake—each moist and delicious forkful represents the welcome-to-the-South attitude of the sultry Southern states. The Baking 101 section explains the basics, including buying the proper equipment, mixing the perfect batter, putting on the finishing touches (that means frosting, and lots of it!), and the how-to’s of storing your lovely cake so that the last slice tastes as delightful and moist as the first. As you page through Southern Cakes, you’ll surely come across some old favorites as well as many new delectable treats, plus a generous helping of Southern hospitality in each and every slice. “Food writer Nancie McDermott has compiled 65 of the most sinfully delicious cakes . . . and the result could make even Scarlet O’Hara weak in the knees.” —Chocolatier Magazine “For my money, the grandest-looking cakes in this book are the brown sugar pound cakes baked in a tube pan with a lush mass of caramel glaze drooling down its sides, and the classic coconut cake, with its feathery, dazzling white frosting. When I brought the coconut cake to the office, people in the street were literally lunging at it.” —Los Angeles Times
The phenomenal New York Times bestseller that “explores the upstairs-downstairs goings-on of a posh Parisian apartment building” (Publishers Weekly). In an elegant hôtel particulier in Paris, Renée, the concierge, is all but invisible—short, plump, middle-aged, with bunions on her feet and an addiction to television soaps. Her only genuine attachment is to her cat, Leo. In short, she’s everything society expects from a concierge at a bourgeois building in an upscale neighborhood. But Renée has a secret: She furtively, ferociously devours art, philosophy, music, and Japanese culture. With biting humor, she scrutinizes the lives of the tenants—her inferiors in every way except that of material wealth. Paloma is a twelve-year-old who lives on the fifth floor. Talented and precocious, she’s come to terms with life’s seeming futility and decided to end her own on her thirteenth birthday. Until then, she will continue hiding her extraordinary intelligence behind a mask of mediocrity, acting the part of an average pre-teen high on pop culture, a good but not outstanding student, an obedient if obstinate daughter. Paloma and Renée hide their true talents and finest qualities from a world they believe cannot or will not appreciate them. But after a wealthy Japanese man named Ozu arrives in the building, they will begin to recognize each other as kindred souls, in a novel that exalts the quiet victories of the inconspicuous among us, and “teaches philosophical lessons by shrewdly exposing rich secret lives hidden beneath conventional exteriors” (Kirkus Reviews). “The narrators’ kinetic minds and engaging voices (in Alison Anderson’s fluent translation) propel us ahead.” —The New York Times Book Review “Barbery’s sly wit . . . bestows lightness on the most ponderous cogitations.” —The New Yorker
"One of America's largest collections of quilts - containing almost 400 examples at the time of this publication and steadily growing - belongs to the Museum of American Folk Art in New York City. As it is a national, not a regional institution, the Museum does not restrict its collection by location, nor is it restricted by time period: The quilts have been made all over the country and range in date from the late-eighteenth to the late-twentieth century." "Until this publication, however, there has been no comprehensive guide to the Museum's quilts, almost all of which have been donated by collectors in the field. Highlights from the collection have been published and exhibited many times, but the purpose of this book is to provide an opportunity for quiltmakers, collectors, scholars, and others to explore the collection in depth. The comprehensive discussion of the quilts has been divided into eleven chapters that are illustrated with 141 color plates. This text is then followed by a catalog of the entire collection, which in turn contains forty-four black-and-white illustrations. Here, then, is a richly handsome and informative volume that will prove to be essential for all those fascinated by this category of American folk art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
NATIONAL BESTSELLER "A profound book.... It will break your heart but also leave you with hope." —J.D. Vance, author of Hillbilly Elegy "[A] deeply empathetic book." —The Economist With stark photo essays and unforgettable true stories, Chris Arnade cuts through "expert" pontification on inequality, addiction, and poverty to allow those who have been left behind to define themselves on their own terms. After abandoning his Wall Street career, Chris Arnade decided to document poverty and addiction in the Bronx. He began interviewing, photographing, and becoming close friends with homeless addicts, and spent hours in drug dens and McDonald's. Then he started driving across America to see how the rest of the country compared. He found the same types of stories everywhere, across lines of race, ethnicity, religion, and geography. The people he got to know, from Alabama and California to Maine and Nevada, gave Arnade a new respect for the dignity and resilience of what he calls America's Back Row--those who lack the credentials and advantages of the so-called meritocratic upper class. The strivers in the Front Row, with their advanced degrees and upward mobility, see the Back Row's values as worthless. They scorn anyone who stays in a dying town or city as foolish, and mock anyone who clings to religion or tradition as naïve. As Takeesha, a woman in the Bronx, told Arnade, she wants to be seen she sees herself: "a prostitute, a mother of six, and a child of God." This book is his attempt to help the rest of us truly see, hear, and respect millions of people who've been left behind.
