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Bad Imaginings

Author: Caroline Adderson

Publisher: The Porcupine's Quill

Published: 1993

Total Pages: 164

ISBN-13: 9780889841727

Caroline Adderson's imaginings are about as far from bad as imaginings can get. The stories in her debut collection are powerfully conceived, subtly constructed, and amazingly diverse in tone. Adopting the perspectives of a wildly eclectic group of characters, her prose is always fresh: Adderson is as comfortable in the boots of a 19th-century gold miner as she is in the crocheted slippers of a sad and embittered grandmother. And despite some very poignant moments, she is never sentimental. ... A finalist for the Governor General's Award, "Bad Imaginings" is the work of a young writer with confidence and style.'

Collective Imaginings

Author: Moira Gatens

Publisher: Routledge

Published: 2002-01-22

Total Pages: 178

ISBN-13: 1134708165

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Why would the work of the 17th century philosopher Benedict de Spinoza concern us today? How can Spinoza shed any light on contemporary thought? In this intriguing book, Moira Gatens and Genevieve Lloyd show us that in spite of or rather because of Spinoza's apparent strangeness, his philosophy can be a rich resource for cultural self-understanding in the present. Collective Imaginings draws on recent re-assessments of the philosophy of Spinoza to develop new ways of conceptualising issues of freedom and difference. This ground-breaking study will be invaluable reading to anyone wishing to gain a fresh perspective on Spinoza's thought.

Fiction

Author: Catharine Abell

Publisher: Oxford University Press

Published: 2020-06-10

Total Pages: 208

ISBN-13: 019256725X

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By taking a distinctively institutional approach, Catharine Abell provides a unified solution to a wide range of philosophical problems raised by fiction. In particular, she draws attention to the epistemology of fiction, which has not yet attracted the philosophical scrutiny it warrants. There has been considerable discussion of what determines the contents of works of fiction, yet few attempts have been made to explain how audiences identify their contents, or to identify the norms governing the correct understanding and interpretation of them. This book answers both metaphysical and epistemological questions concerning fiction in a way that clarifies the relation between them: What distinguishes works of fiction from works of non-fiction? What is the nature of fictive utterances? How do audiences identify the contents of authors' fictive utterances? How does understanding a work of fiction differ from interpreting it? This book develops the first single theory to provide answers to these questions and many more.