There's trouble brewing behind the kabuki curtain. Ryusei's dad doesn't want anything--or anyone!--distracting his son from his chosen profession. It's no secret that he disapproves of Ryusei's romance with Akari. Now he's determined to sabotage their relationship any way he can! -- VIZ Media
Akari is totally clueless about kabuki--and boys--but she's eager to learn about both. Her first encounter with Ryusei doesn't go very well, but with the help of a cat named Mr. Ken, the two teenagers quickly become prince AND princess of kabuki. Love was never so dramatic! -- VIZ Media
Drawn into the exciting world of kabuki theatre, young Akari spends her time after school assisting the internationally famous actor, Shonosuke Ichimura. In the real world, however, this prince of kabuki is actually a high school cutie by the name of Ryusei. Akari is totally clueless about kabuki--and boys--but she's eager to learn about both. Her first encounter with Ryusei doesn't go very well, but with the help of a cat named Mr. Ken, the two teenagers quickly become prince AND princesses of kabuki. Love was never so dramatic!
Voices Carry is the moving autobiography of the late Ying Ruocheng, beloved Chinese stage and screen actor, theatre director, translator, and high-ranking politician as vice minister of culture from 1986-1990. One of twentieth-century China's most prominent citizens, Ying was imprisoned during the Cultural Revolution and devised unique strategies for survival, including playing pranks on guards and keeping a clandestine notebook. Ying's memoir opens with his prison years, and then flashes back to his boyhood growing up in a prince's palace as a member of a progressive Manchu Catholic intellectual family. He also details his experiences as a university student during the heady days when the People's Republic was being founded, followed by his subsequent experiences on stage, in film, and in politics. A founding member of the Beijing People's Art Theatre, Ying Ruocheng helped open its doors to Sino-American exchange when he brought Arthur Miller to China to stage Death of a Salesman in 1983, playing the role of Willy Loman in his own translation of the play. Simultaneously a "spy" for his own government and a cultural ambassador for countless foreigners and fellow countrymen, Ying lived out his life as a bridge between China and the West, gaining a singular perspective on matters related to culture and politics. While suffering from cirrhosis of the liver during the final decade of his life, Ying Ruocheng reflected on his experiences, collaborating with coauthor Claire Conceison to tell his story. Together, they take the reader on an exhilarating journey from Manchu wrestling matches to missionary schools, from behind prison bars to behind the scenes at ground-breaking stage performances, and from public moments of international recognition to private moments of intimacy and despair.
"Everyone who has ever lived continues to exist on the Flipside and if possible, can be asked direct questions." In "Backstage Pass" Richard interviews people "no longer on the planet" with the assistance of Jennifer Shaffer, Medium/intuitive, and lifelong friend Luana Anders (who is on the flipside)
James Tynion IV (Detective Comics, The Woods) teams up with artist Rian Sygh (Munchkin, Stolen Forest) for an incredibly earnest story that explores what it means to find a place to fit in when you're kinda an outcast. When Jory transfers to an all-boys private high school, he's taken in by the lowly stage crew known as the Backstagers. Hunter, Aziz, Sasha, and Beckett become his new best friends and introduce him to an entire magical world that lives beyond the curtain that the rest of the school doesn't know about, filled with strange creatures, changing hallways, and a decades-old legend of a backstage crew that went missing and was never found. Collects the first four issues.
Presents a photographic essay on the Prince tour "21 Nights" held in London in 2007, depicting the performer and his band in on-stage performances, backstage preparations, and after-hour sessions, in a text which includes poetry and song lyrics.
Kyo, the head of the Tengu demon clan, is Misao's only chance for survival. But even though she has sweet memories of him as a childhood friend, she has trouble reconciling them with the man he has become. Despite the strange attraction she feels for Kyo, can she trust her life, let alone her heart, to a man who only cares about the promise of her blood? -- VIZ Media
Misao is starting to trust her heart where Kyo is involved, especially after he gives her one of his primary feathers. It isn't just her first present from him, it's a magic talisman that will keep her safe when he's not nearby! Misao is elated to be able to go to school without the fear of being eaten, just like a normal teenage girl. But as her feelings for Kyo deepen, she starts to realize that as his bride she will have to leave her human life behind--including her family! -- VIZ Media
Haine joins the student council at an elite academy to get to know the boy who rescued her long ago. In return for a business loan of 50 million yen, the prestigious Kamiya family gave their daughter Haine away to the Otomiya family. Haine, now an Otomiya, is appointed to the student council of the exclusive Imperial Academy, a private school for the aristocracy. Even though Haine is of proper lineage to be on the council, she finds herself struggling to find her place among the many secrets of its elite members, especially those of the president who holds her heart--Shizumasa Togu, aka "the Emperor." Haine has been in love with Shizumasa Togu since she read the fairy tale he wrote as a child. However, the Emperor is so well sequestered by the student council that she hasn't been able to speak to him in the three months she's been at the academy. And as rumor has it, he already has a lover...