Hailed as "the most gifted American novelist of his generation" (Boston Globe), David Payne introduces us to Ransom Hill, a big-hearted, wild-man lead singer of a legendary indie rock group, who has come to South Carolina determined to save his marriage, his family, and himself. But back at Wando Passo, his wife's inherited family estate, things don't proceed according to plan. There's another man in the picture, and Ran's discovery of a mysterious relic from slave times transports him—and the reader—back into the story of another romantic triangle at Wando Passo that erupted violently at the height of the Civil War. Will the present repeat the past? Filled with fast-paced adventure, lyrical writing, wicked humor, and unforgettable characters, David Payne's Back to Wando Passo propels the two love stories, linked by place through time, to a simultaneous crescendo of betrayal, revenge, and redemption.
From a New York Times Notable author comes a “fiercely honest . . . and utterly heartbreaking” memoir of brotherhood, grief, and mental illness (Jay McInerney). In 2000, while moving his household from Vermont to North Carolina, author David Payne watched from his rearview mirror as his younger brother, George A., driving behind him in a two-man convoy of rental trucks, lost control of his vehicle, fishtailed, flipped over in the road, and died instantly. Soon thereafter, David’s life entered a downward spiral that lasted several years. His career came to a standstill, his marriage disintegrated, and his drinking went from a cocktail hour indulgence to a full-blown addiction. He found himself haunted not only by George A.’s death, but also by his brother’s manic depression, a hereditary illness that overlaid a dark and violent family history whose roots now gripped David, threatening both his and his children’s futures. The only way out, he found, was to write about his brother. This is the “piercing . . . tour de force” account of David and George A.’s boyhood footrace that lasted long into their adulthood, defining their relationship and their lives (Los Angeles Times). As universal as it is intimate, this is an exceptional memoir of sibling rivalry and sibling love, and of the torments a family can hold silent and carry across generations. A story not only of survival in the face of adversity but of hard-won wisdom, Barefoot to Avalon is “an elegy to a brother that plumbs depths beyond depths—a fever-dream of a memoir, a blazing map of familial love and loss, headlong and heartbreaking and gorgeously written” (James Kaplan, national bestselling author of Frank: The Voice and Sinatra: The Chairman).
From the tranquility of an Oriental monastery to the tumult of the New York Stock Exchange, the hero of this amazing novel embarks on a quest for a father, a fortune, and the ultimate essence of the universe. The illegitimate son of a Chinese woman and an American officer, he was reared as an orphan by Taoist monks. When he learns that his father may be a wealthy Wall Street entrepreneur, he feels compelled to go to New York. His efforts to reconcile his two lives -- to find the Tao in the Dow -- make a story rich in character, wit, and insight.
From the author of the much-loved memoir Cottage for Sale, Must Be Moved comes an engaging and inspiring account of a daughter who must face her mother’s premature decline. In Remembering the Music, Forgetting the Words, Kate Whouley strips away the romantic veneer of mother-daughter love to bare the toothed and tough reality of caring for a parent who is slowly losing her mind. Yet, this is not a dark or dour look at the demon of Alzheimer’s. Whouley shares the trying, the tender, and the sometimes hilarious moments in meeting the challenge also known as Mom. As her mother, Anne, falls into forgetting, Kate remembers for her. In Anne we meet a strong-minded, accidental feminist with a weakness for unreliable men. The first woman to apply for—and win—a department-head position in her school system, Anne was an innovative educator who poured her passion into her work. House-proud too, she made certain her Hummel figurines were dusted and arranged just so. But as her memory falters, so does her housekeeping. Surrounded by stacks of dirty dishes, piles of laundry, and months of unopened mail, Anne needs Kate’s help—but she doesn’t want to relinquish her hard-won independence any more than she wants to give up smoking. Time and time again, Kate must balance Anne’s often nonsensical demands with what she believes are the best decisions for her mother’s comfort and safety. This is familiar territory for anyone who has had to help a loved one in decline, but Kate finds new and different ways to approach her mother and her forgetting. Shuddering under the weight of accumulating bills and her mother’s frustrating, circular arguments, Kate realizes she must push past difficult family history to find compassion, empathy, and good humor. When the memories, the names, and then the words begin to fade, it is the music that matters most to Kate’s mother. Holding hands after a concert, a flute case slung over Kate’s shoulder, and a shared joke between them, their relationship is healed—even in the face of a dreaded and deadly diagnosis. “Memory,” Kate Whouley writes, “is overrated.”
“Masterful . . . Somewhere between Faulkner and Conroy.”—The Denver Post In Ruin Creek, David Payne revisits North Carolina’s windswept Outer Banks and the Madden family. Writing in the contrapuntal voices of eleven-year-old Joey and his parents, May and Jimmy, David Payne portrays a family that breaks apart, heals, and endures. Joey bears the burden of his parents’ increasingly unhappy union. As he struggles to cope with his fractured family life, Joey turns to his grandfather who explains that “a time may come when a person has to let go of what he loves in order to save himself.” Imbued in Payne’s trademark lyrical prose and psychological acuity, this is a novel “full of life, full of wisdom, full of words that singe, sing, and somehow console” (The Boston Globe). “The most gifted novelist of his generation.”—The Dallas Morning News “A powerful, lyrical novel that is a joy to read.”—The New York Times Book Review
Praise for Walking with Moonshine This series of linked stories traces the journey of a sensitive child, then hospital-traumatized adolescent and young adult, who emerged, after psychoanalysis, as a brave young woman. This book is the inspiring story of how that woman ?nally realized her creative potential and found her own voice. Gilbert J. Rose, MD Psychoanalyst and author of Trauma and Mastery in Life and Art In Walking with Moonshine, revered therapist and writer Lucy Daniels writes: Aging is like dreaming. In both, you keep going back to places you know from the past and have to struggle with the feelings that journey evokes. Jill McCorkle Author of Life After Life From her vantage as a psychotherapist, Lucy Daniels looks back on a rich and varied life. This collection speaks to a wide experience of life and a wisdom borne of no little su?ering. David Payne Author of Back to Wando Passo Lucy Daniels is a writer whose exceptional life experiences join seamlessly with her insightful stories to give us a multilayered view of the interaction of art and life. Helene Brandt, Artist Dr. Daniels has crafted extraordinary stories of complex and creative lives. This book is inspiring reading for anyone interested in lifes struggles and redemption. Charles C. Bergman Chairman of the Board of the Pollock-Krasner Foundation
The remoteness and isolation of North Carolina's northern Outer Banks has shaped both early settlers and relative newcomers into tough and independent souls. Sir Walter Raleigh's colonists may have mysteriously disappeared from Roanoke Island, but the enterprising homesteaders who followed managed to eke out a living on the windswept and battered banks. Entrepreneur E.R. Daniels ran a line of mail and freight boats that helped connect the Outer Banks to the outside world. Former slave and Civil War hero Richard Etheridge did not shirk from an opportunity to become the first black keeper of a lifesaving station. In the mid-20th century, leaders like Bradford Fearing saw the importance of developing tourism, so that people would come see Paul Green's new outdoor drama, The Lost Colony. Outer Bankers have warmly welcomed visitors, from the time the Wright brothers arrived to today's modern tourists. The challenge now is to balance commercial growth with environmental sensibility so that oystermen, like Georgie Daniels, and fishermen, like Dewey Hemilwright, can continue to ply the waters.
Praise for Walking with Moonshine This series of linked stories traces the journey of a sensitive child, then hospital-traumatized adolescent and young adult, who emerged, after psychoanalysis, as a brave young woman. This book is the inspiring story of how that woman nally realized her creative potential and found her own voice. --Gilbert J. Rose, MD Psychoanalyst and author of Trauma and Mastery in Life and Art In Walking with Moonshine, revered therapist and writer Lucy Daniels writes: "Aging is like dreaming. In both, you keep going back to places you know from the past and have to struggle with the feelings that journey evokes." --Jill McCorkle Author of Life After Life From her vantage as a psychotherapist, Lucy Daniels looks back on a rich and varied life. This collection speaks to a wide experience of life and a wisdom borne of no little su ering. --David Payne Author of Back to Wando Passo Lucy Daniels is a writer whose exceptional life experiences join seamlessly with her insightful stories to give us a multilayered view of the interaction of art and life. --Helene Brandt, Artist Dr. Daniels has crafted extraordinary stories of complex and creative lives. This book is inspiring reading for anyone interested in life's struggles and redemption. --Charles C. Bergman Chairman of the Board of the Pollock-Krasner Foundation"
The world is flat? Maybe not, says this paradigm-shifting study of globalism's impact on a region legendarily resistant to change. The U.S. South, long defined in terms of its differences with the U.S. North, is moving out of this national and oppositional frame of reference into one that is more international and integrative. Likewise, as the South (home to UPS, CNN, KFC, and other international brands) goes global, people are emigrating there from countries like India, Mexico, and Vietnam--and becoming southerners. Much has been made of the demographic and economic aspects of this shift. Until now, though, no one has systematically shown what globalism means to the southern sense of self. Anthropologist James L. Peacock looks at the South of both the present and the past to develop the idea of "grounded globalism," in which global forces and local cultures rooted in history, tradition, and place reverberate against each other in mutually sustaining and energizing ways. Peacock's focus is on a particular part of the world; however, his model is widely relevant: "Some kind of grounding in locale is necessary to human beings." Grounded Globalism draws on perspectives from fields as diverse as ecology, anthropology, religion, and history to move us beyond the model, advanced by such scholars as C. Vann Woodward, that depicts the South as a region paralyzed by the burden of its past. Peacock notes that, while globalism may lift old burdens, it may at the same time impose new ones. He also maintains that earlier regional identities have not been replaced by the rootless cosmopolitanism of cyberspace or other abstracted systems. Attachments to place remain, even as worldwide markets erase boundaries and flatten out differences and distinctions among nations. Those attachments exert their own pressures back on globalism, says Peacock, with subtle strengths we should not discount.
Stressed single mother and law partner Kate is in the meeting of her career when she is interrupted by a telephone call to say that her teenaged daughter Amelia has been suspended from her exclusive Brooklyn prep school for cheating on an exam. Torn between her head and her heart, she eventually arrives at St Grace's over an hour late, to be greeted by sirens wailing and ambulance lights blazing. Her daughter has jumped off the roof of the school, apparently in shame of being caught. A grieving Kate can't accept that her daughter would kill herself: it was just the two of them and Amelia would never leave her alone like this. And so begins an investigation which takes her deep into Amelia's private world, into her journals, her email account and into the mind of a troubled young girl. Then Kate receives an anonymous text saying simply: AMELIA DIDN'T JUMP. Is someone playing with her or has she been right all along?
