"Robert A. Slayton's Back of the Yards is one of the finest accounts I have ever read on an urban, working-class neighborhood in twentieth-century America. Its focus on family, politics, and worklife is penetrating and its conclusions reinforce an emerging scholarly picture of ordinary people exercising unique forms of power."—John Bodnar, author of The Transplanted: A History of Immigrants in Urban America
Located in the back of the Union Stockyards, a history of Chicago's Back of the Yards neighborhood offers a glimpse into the lives of its large immigrant population.
In 1905, Upton Sinclair published his muckraking classic, The Jungle, and shocked the nation with his account of the environmental and human costs of operating Chicago's sprawling Union Stock Yards. His description of the nearby neighborbood where workers lived, often in deplorable conditions, made the "Back of the Yards" one of the most famous - and infamous - urban enclaves in the country. Pride in the Jungle picks up the story of the Back of the Yards about a decade after Sinclair's memorable account. By that time many neighborhood families were on the verge of generational change as the original migrants from Poland, Slovakia, Lithuania, and other parts of Europe surrendered authority over the family to their Americanized children. The neighborhood, too, was changing - from Sinclair's terrible urban slum to a stable, working-class community with a strong sense of pride. Focusing on the period between the world wars, Jablonsky describes the emergence of a distinctive sense of community as ethnicity, religion, family traditions, and an accommodation to the "American way of life" combined to create a "pride in the jungle". Jablonsky also explains how the Back of the Yards community was shaped by the residents' sense of place, by their unique experience of the cultural and the physical landscapes. He describes the grass-roots formation of the widely acclaimed Neighborhood Council as the culmination of "socio-spacial processes" unfolding in the everyday lives of ordinary people. Based on archival sources, published scholarship, and eighty-four oral histories, Jablonsky's lively account establishes why place and space mattered in the era of pedestrians and streetcars - and why they canstill matter in America's troubled, yet vibrant, urban centers.
On the South Side to tour the Union Stock Yard, people got a firsthand look at Chicago's industrial prowess as they witnessed cattle, hogs, and sheep disassembled with breathtaking efficiency. At their height, the kill floors employed 50,000 workers and processed six hundred animals an hour, an astonishing spectacle of industrialized death. Pacyga chronicles the rise and fall of an industrial district that, for better or worse, served as the public face of Chicago for decades. He takes readers through the packinghouses as only an insider can, covering the rough and toxic life inside the plants and their lasting effects on the world outside. He shows how the yards shaped the surrounding neighborhoods; looks at the Yard's sometimes volatile role in the city's race and labor relations; and traces its decades of mechanized innovations.
An exploration of how the Windy City became a postwar Latinx metropolis in the face of white resistance. Though Chicago is often popularly defined by its Polish, Black, and Irish populations, Cook County is home to the third-largest Mexican-American population in the United States. The story of Mexican immigration and integration into the city is one of complex political struggles, deeply entwined with issues of housing and neighborhood control. In Making Mexican Chicago, Mike Amezcua explores how the Windy City became a Latinx metropolis in the second half of the twentieth century. In the decades after World War II, working-class Chicago neighborhoods like Pilsen and Little Village became sites of upheaval and renewal as Mexican Americans attempted to build new communities in the face of white resistance that cast them as perpetual aliens. Amezcua charts the diverse strategies used by Mexican Chicagoans to fight the forces of segregation, economic predation, and gentrification, focusing on how unlikely combinations of social conservatism and real estate market savvy paved new paths for Latinx assimilation. Making Mexican Chicago offers a powerful multiracial history of Chicago that sheds new light on the origins and endurance of urban inequality.
Bridget O'Rourke just wanted to blow off some steam. She never expected to be accused of murder. The rundown town of Baxter doesn't have a lot going for it, but there's always somewhere for single mother Bridget O'Rourke to cut loose and forget about her life. All she wanted was to put aside worried thoughts of her daughter, Charlie, and find a handsome stranger to spend the night with.She never expected to be accused of murder.Now Bridget is in deep trouble. She's just woken up in a dark hotel room with a strange man she can't seem to rouse, and is surrounded by money and guns.When the dead body is discovered with a bullet through its forehead, Officer Delia Mariola is one of the first on the scene. She knows the victim is connected to the mob, but something feels off - all signs point to a pick-up gone wrong. Which means that all signs point to Bridget.Suspenseful, thrilling and unpredictable, The Yards is a dark mystery with two unforgettable women at its core.Reviewers on The Yards:'A breathless suspenser that's also a painfully acute evocation of the wrong side of the tracks' Kirkus 'Another impressive effort from Carter' Publishers Weekly
Chronicles the experiences of immigrants in two iconic South Side Polish neighborhoods in Chicago to demonstrate how Poles created new communities in an attempt to preserve the customs of their homeland.
This important new book by Sylvia Washington adds a vital new dimension to our understanding of environmental history in the United States. Washington excavates and tells the stories of Chicago's poor, working class, and ethnic minority neighborhoods—such as Back of the Yards and Bronzeville—that suffered disproportionately negative environmental impacts and consequent pollution related health problems. This pioneering work will be essential reading not only for historians, but for urban planners, sociologists, citizen action groups and anyone interested in understanding the precursors to the contemporary environmental justice movement.
Chicago has been called by many names. Nelson Algren declared it a “City on the Make.” Carl Sandburg dubbed it the “City of Big Shoulders.” Upton Sinclair christened it “The Jungle,” while New Yorkers, naturally, pronounced it “the Second City.” At last there is a book for all of us, whatever we choose to call Chicago. In this magisterial biography, historian Dominic Pacyga traces the storied past of his hometown, from the explorations of Joliet and Marquette in 1673 to the new wave of urban pioneers today. The city’s great industrialists, reformers, and politicians—and, indeed, the many not-so-great and downright notorious—animate this book, from Al Capone and Jane Addams to Mayor Richard J. Daley and President Barack Obama. But what distinguishes this book from the many others on the subject is its author’s uncommon ability to illuminate the lives of Chicago’s ordinary people. Raised on the city’s South Side and employed for a time in the stockyards, Pacyga gives voice to the city’s steelyard workers and kill floor operators, and maps the neighborhoods distinguished not by Louis Sullivan masterworks, but by bungalows and corner taverns. Filled with the city’s one-of-a-kind characters and all of its defining moments, Chicago: A Biography is as big and boisterous as its namesake—and as ambitious as the men and women who built it.
The two-time Grammy-nominated singer-songwriter behind the groundbreaking album Exile in Guyville traces her life and career in a genre-bending memoir in stories about the pivotal moments that haunt her. “Honest, original and absolutely remarkable.”—NPR (Best Books of the Year) When Liz Phair shook things up with her musical debut, Exile in Guyville—making her as much a cultural figure as a feminist pioneer and rock star—her raw candor, uncompromising authenticity, and deft storytelling inspired a legion of critics, songwriters, musicians, and fans alike. Now, like a Gen X Patti Smith, Liz Phair reflects on the path she has taken in these piercing essays that reveal the indelible memories that have stayed with her. For Phair, horror is in the eye of the beholder—in the often unrecognized universal experiences of daily pain, guilt, and fear that make up our humanity. Illuminating despair with hope and consolation, tempering it all with her signature wit, Horror Stories is immersive, taking readers inside the most intimate junctures of Phair’s life, from facing her own bad behavior and the repercussions of betraying her fundamental values, to watching her beloved grandmother inevitably fade, to undergoing the beauty of childbirth while being hit up for an autograph by the anesthesiologist. Horror Stories is a literary accomplishment that reads like the confessions of a friend. It gathers up all of our isolated shames and draws them out into the light, uniting us in our shared imperfection, our uncertainty and our cowardice, smashing the stigma of not being in control. But most importantly, the uncompromising precision and candor of Horror Stories transforms these deeply personal experiences into tales about each and every one of us.
