In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'
Thomas Hardy's 'Poetical Matter' notebook, the last to be published from among the small group of notebooks not destroyed by Hardy himself or by his executors, has now been meticulously edited with full scholarly annotation. Through its inclusion of so many notes copied by Hardy from old pocket-books subsequently destroyed, 'Poetical Matter' reaches back to all periods of his life, and is especially valuable from a biographical standpoint for its expansion and enhancement of knowledge of Hardy's final years and for its preservation of such intimate records as his richly revealing memories of the Bockhampton of his childhood and his sexually charged impressions of a woman glimpsed during a trip on a pleasure steamer in 1868. Its special distinctiveness nevertheless lies in its uniqueness as a late working notebook devoted specifically to verse. Florence Hardy, Hardy's widow, recalled his having experienced a great outburst of late creativity, feeling that he could go on writing almost indefinitely, and 'Poetical Matter' bears direct witness to his actively thinking about poetry and projecting and composing new poems until shortly before his death at the age of eighty-seven. As such, it contains an abundance of new ideas for poems and sequences of poems and demonstrates Hardy's characteristic creative progression, his working variously with initial ideas, with gathered notes, whether old or new, and with tentative prose formulations, verse fragments, metrical schemes, and rhyme patterns, towards the writing of the drafts from which, yet further worked and reworked, the completed poem would ultimately emerge.
Key to understanding Dostoyevsky's masterpiece offers facsimile pages plus interpretations of the author's schematic plans of major portions of the novel, deleted scenes, reflections on philosophical and religious ideas, more.
When all the lies and hypocrisy of the world become too much to ignore; when you see it all so clearly that you can’t erase the image from your mind, what do you do? When the thin veil of conformity drops from Bekki’s eyes she doesn’t know what to do either, so she sits down and writes a letter. Alice replies. But who is Alice? And is it even possible for ‘normal’ people to undertake a true journey of self-improvement without running away to a monastery up a mountain? Bekki is going to find out. Notebook Number Nine is a life-affirming, often humorous story of self-discovery and what it simply means to be human.
Do you just love to play golf? Show off your passion for the game with a cool lined notebook. It's a perfect way to keep track of golf scores, notes and appointments, or anything else you don't want to forget. It can be used as a diary, logbook or composition book. The notebook is 6" x 9" with a durable matte paperback cover and 120 pages of blank lined cream paper. Small enough to fit into a backpack or golfing bag. Big enough to put a smile on your face. Makes a great birthday or Fathers Day gift for anybody who loves golfing!
Anna the Red, a teenage runaway in Seattle, auditions for an amateur theatrical billed as a Stone Age Opera. The opera tells an ancient tale from a lost society a story of self-sacrificing innocence overcome by suffocating evil. The inspirational brainchild of the opera is Dr. Elizabeth Mellony, a forensic archaeologist, who teams up with Malcolm Washington, a black ex-con, to produce the show. On opening night Anna is spirited away by her father, a bigoted Idaho backwoodsman who tracks her down in the city. She leaves behind a mysterious note-a page torn from an old notebook given to her by a member of a paramilitary environmental group called Whole River Systems. Years earlier, Malcolm had been given 13 private notebooks written by his troubled grandfather. But the notebooks were stolen while Malcolm was in prison. The page Anna leaves behind is from one of the notebooks written by Malcolm's grandfather. That single page provides the first clue to the mysterious disappearance of the notebooks. But when Anna tries to help, she finds herself up against Mortim Rimpoche, the paranoid spiritual leader of Whole River Systems. Her youth and naïveté collide with his unmerciful narcissism, creating a near fatal showdown.
Meticulously edited and annotated, Tennessee Williams's notebooks follow his growth as a writer from his undergraduate days to the publication and production of his most famous plays, from his drug addiction and drunkenness to the heights of his literary accomplishments.
In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'
Do you just love to play golf? Show off your passion for the game with a cool lined notebook. It's a perfect way to keep track of golf scores, notes and appointments, or anything else you don't want to forget. It can be used as a diary, logbook or composition book. The notebook is 6" x 9" with a durable matte paperback cover and 120 pages of blank lined cream paper. Small enough to fit into a backpack or golfing bag. Big enough to put a smile on your face. Makes a great birthday or Fathers Day gift for anybody who loves golfing!
In the tradition of the Paris Review, The Notebooks is an exciting collection of original short fiction and in-depth interviews from Canada’s most celebrated and innovative young writers. A provocative examination of the writer’s life in the twenty-first century, The Notebooks charts a new direction in Canadian literature. It brings together a unique collection of accomplished fiction, ranging from the classic storytelling of Michael Redhill to the more experimental style of Lynn Crosbie. In his keenly observed story “Seratonin,” Russell Smith captures the sensuous pleasures and dizzying energy of the rave scene. “Big Trash Day,” a hybrid of fiction and poetry by Esta Spalding, is a devastating commentary on poverty and a striking portrait of the shorthand that develops within intimate relationships. In a sample from a novel-in-progress, Yann Martel shares the process through which rough sketches become realized characters, and disparate moments become fleshed-out scenes. The interviews, remarkable for their honesty and insight, bring us into the writer’s world, revealing the passion and inspiration that motivates these young writers, as well as the hardships they endure in pursuit of their art. By asking thoughtful and probing questions, Michelle Berry and Natalee Caple elicit frank and intriguing details of how writers work, structure their days, and order their physical space to facilitate the act of writing. Many of the authors here explore the impact of technological innovation and mass culture on contemporary fiction, as well as the influence of various art forms on the way they imagine stories. The writers in The Notebooks speak candidly about their political engagement, their passion for writing, and their desire to produce art that will last. Contributors: Catherine Bush, Eliza Clark, Lynn Coady, Lynn Crosbie, Steven Heighton, Yann Martel, Derek McCormack, Hal Niedzviecki, Andrew Pyper, Michael Redhill, Eden Robinson, Russell Smith, Esta Spalding, Michael Turner, R.M. Vaughan, Michael Winter, Marnie Woodrow "These seventeen writers come from different backgrounds, different parts of the country, have different lifestyles, and write very different kinds of fiction, yet the connections between them are still plentiful. As a group they are highly engaged with the world around them, politically sophisticated, intelligent, modest about their potential success, and passionate about the act of writing. We hope that The Notebooks inspires an ongoing discussion with young writers at work and answers some of the silent questions that readers have longed to ask." -- From the Introduction