"Mysteries from the past: Archaeologist Angela Hunter unearths an ancient codex from a Native American burial mound. But how could an illiterate society have produced the complex writing? Clash of cultures: Seven hundred years ago, a thriving civilization suddenly vanished. As Angela deciphers the cryptic codex symbols, she begins to unravel one of archaeology's greatest mysteries. Evil unleashed: Despite forces trying to stop her from learning the chronicle's secrets, Angela discovers the horrifying truth. Can she prevent the tragedies of the past from happening again today?"--Back cover
The definition of cursed is damned. A curse is an appeal or prayer for evil or misfortune to befall someone, to invoke supernatural powers in order to bring harm to someone. In ancient times, this was used in witchcraft or other forms of medieval sorcery. Cursed is the combined story of the Harrington curse, the curse of Zyanya following the trail of a curse that has lasted centuries and finally is revealed in a massive conclusion at the end in final chapter of Cursed. Never has there been a more bloody experience related as this in the entire history of the world as the twenty-first century is threatened by the past. Read on if you dare.
When is a blessing a curse? What if you curse a blessing? Adriel needs the answers, and quickly, because one spell will keep vampires at bay and the other will set something far worse free. Vamps aren’t her only problem, either. Zandy, the wily coyote, is back in town, and he’s out for blood. Someone had better find him fast because the body count is rising. With White Feather to help, Adriel expects life to get easier, but the relationship comes with new responsibilities and unpleasant surprises that put a price on friendship. This time, Adriel might just need more than solid ground beneath her feet and the wind at her back in order to survive.
The Harrington curse goes back a few generations and affected the Harrington family in a big way, it was said that Annabelle Harrington went missing and cursed three mirrors before she disappeared. The mirrors were discovered in an attic and each given to three members of the family, it was then that horrific events took place that led to death itself. Horrible visions and blood curdling screams took place in Harrington Manor. Emma an owner of one of the mirrors, was a descendant of Annabelles Husband John Harrington who was Lord of the Manor and the first member of the family to be cursed. John discovered that Annabelle was having an affair with the artist Ralph Bedford, so he pursued and murdered him. Annabelle went missing after discovering that she was pregnant by Ralph, it is there that the strange story begins, dare you read on! A number of crime investigators from Criminal World magazine are assigned to investigate the unusual activities of these mirrors and what lies between the deaths of one of inheritors -Gladys Harrington. One such reporter called Samantha King is desperately trying to sort her own life out and believes the answer could come from her trip to Scotland on a dangerous search for the mystery of the mirrors.
Reclaiming the notion of literature as an institution essential for reflecting on the violence of culture, history, and politics, Violence and Naming exposes the tension between the irreducible, constitutive violence of language and the reducible, empirical violation of others. Focusing on an array of literary artifacts, from works by journalists such as Elena Poniatowska and Sergio González Rodríguez to the Zapatista communiqués to Roberto Bolaño's The Savage Detectives and 2666, this examination demonstrates that Mexican culture takes place as a struggle over naming—with severe implications for the rights and lives of women and indigenous persons. Through rereadings of the Conquest of Mexico, the northern Mexican feminicide, the Zapatista uprising in Chiapas, the disappearance of the forty-three students at Iguala in 2014, and the 1999 abortion-rights scandal centering on “Paulina,” which revealed the tenuousness of women’s constitutionally protected reproductive rights in Mexico, Violence and Naming asks how societies can respond to violence without violating the other. This essential question is relevant not only to contemporary Mexico but to all struggles for democracy that promise equality but instead perpetuate incessant cycles of repression.
A centuries-old mystery. A long-lost chronicle. An impossible cipher that archaeologist Angela Hunter must solve before evil reawakens. Over 700 years ago, a thriving Native American civilization suddenly vanished, burying with it one of archaeology's greatest mysteries. The secret remained hidden -- until now. Linguistics expert Dr. Angela Hunter has discovered a primitive codex, yet the Cahokian Mound Builders didn't have a written language. As she deciphers the foreign symbols, Angela unravels clues that connect a mystical ritual and a vindictive curse. Determined to prevent her bitter rival from sabotaging her find, she has only days to complete the translation from centuries past... At the height of the Aztec Empire, 12-year-old Tototl escapes a vengeful shaman to find a new life in the north. But something has followed him. As he struggles to conquer the destructive force, he's desperate to warn future generations about the danger. With an ancient evil threatening to emerge, Angela is in a race against time to piece together the puzzle before civilization as she knows it disappears forever. If you enjoy action-packed mysteries about ancient civilizations, you'll love this adventure that takes you on a journey in two timelines: the Age of the Aztecs and a present-day dig site with archaeologist Angela Hunter. Discover what might have happened to the famous ...
I heard him roar like the beast that he truly is. His skin was turning into fur, his canes expanded, and his claws extended on both his hands and legs. His eyes turn pitch black. After some time, everything calmed down and I felt a soft breath on my face. By smelling the scent I know it's him in his human form. "You are my desire and my only hope to shed away this guilty birth of a werewolf." He grunted pushing me to the wall and holding my cheek tight between his fingers. Bending his head he traced a line with his tongue from the back of my ear to my jaw line and bit me on my neck. "I marked you as mine. Now no one is going to touch you." He made a deathly roar. I look at him in trepid and he whispers softly in my ears after kissing my cheek. "MY HEART CRAVES FOR YOU. MARRY ME, ALEXA SULLIVAN.
Offering an innovative approach to the Gothic, Gothic Things: Dark Enchantment and Anthropocene Anxiety breaks ground with a new materialist analysis of the genre, highlighting the ways that, since its origins in the eighteenth century, the Gothic has been intensely focused on “ominous matter” and “thing power.” In chapters attending to gothic bodies, spaces, books, and other objects, Gothic Things argues that the Gothic has always been about what happens when objects assume mysterious animacy or potency and when human beings are reduced to the status of just one thing among many—more powerful—others. In exploring how the Gothic insistently decenters the human, Jeffrey Andrew Weinstock reveals human beings to be enmeshed in networks of human and nonhuman forces mostly outside of their control. Gothic Things thus resituates the Gothic as the uncanny doppelgänger of twenty-first-century critical and cultural theory, lurking just beneath the surface (and sometimes explicitly surfacing) as it haunts considerations of how human beings interact with objects and their environment. In these pages the Gothic offers a dark reflection of the contemporary “nonhuman turn,” expressing a twenty-first-century structure of feeling undergirded by anxiety over the fate of the human: spectrality, monstrosity, and apocalypse. Substituting horror for hope, the Gothic, Weinstock explains, has been a philosophical meditation on human relations to the nonhuman since its inception, raising significant questions about how we can counter anthropocentric thought in our quest to live more harmoniously with the world around us.
When Neil arrives in Mexico City to partake in the Battle of the Chefs, he learns that Isabella has been kidnapped and it will take a dose of Aztec history and knowledge of buried ruins to find her before time runs out.
The Pirate's Curse: A Swashbuckling Adventure is an epic tale of adventure, treasure, and danger on the high seas. Captain Blackbeard and his crew are the most feared pirates on the Caribbean, sailing the seas in search of treasure and adventure. But when they come across an ancient treasure map that is said to be cursed, they realize that they are in for their greatest challenge yet. As they set sail to find the treasure, they must navigate treacherous waters, face deadly sea monsters, and confront their own inner demons. Along the way, they encounter rival pirate crews, mysterious islands, and haunted caverns, each presenting a new challenge to their quest. But their biggest challenge comes in the form of a powerful pirate queen who seeks revenge against Captain Blackbeard and his crew. With her cunning and ruthless tactics, she threatens to destroy everything they hold dear. As the final showdown approaches, Captain Blackbeard and his crew must use all of their courage, determination, and skill to emerge victorious. They will face their greatest challenge yet, confronting their own fears and the forces of nature itself, in order to claim the treasure that they seek. Full of swashbuckling adventure, daring escapades, and thrilling twists and turns, The Pirate's Curse is a must-read for anyone who loves epic tales of adventure on the high seas. With vivid descriptions, memorable characters, and a gripping plot, this book will keep you on the edge of your seat until the very last page.
