Do you have kids and want them to be fluent in Russian in the future? In this lovely book, you'll find: All letters of the Russian Alphabet accompanied with an illustration that matches the letter (except for ъ) Names of all the letters and words of the illustrations in Russian English approximation to the pronunciation for all letters and words Capital and Small letter written side by side All in all, this is a great book to begin your kids' language journey! So don't wait any longer. Make sure to grab your copy today!
Alphabetic letters are ubiquitous, multivalent, and largely ignored. Playful Letters reveals their important cultural contributions through Alphabetics—a new interpretive model for understanding artistic production that attends to the signifying interplay of the graphemic, phonemic, lexical, and material capacities of letters. A key period for examining this interplay is the century and a half after the invention of printing, with its unique media ecology of print, manuscript, sound, and image. Drawing on Shakespeare, anthropomorphic typography, figured letters, and Cyrillic pedagogy and politics, this book explores the ways in which alphabetic thinking and writing inform literature and the visual arts, and it develops reading strategies for the “letterature” that underwrites such cultural production. Playful Letters begins with early modern engagements with the alphabet and the human body—an intersection where letterature emerges with startling force. The linking of letters and typography with bodies produced a new kind of literacy. In turn, educational habits that shaped letter learning and writing permeated the interrelated practices of typography, orthography, and poetry. These mutually informing processes render visible the persistent crumbling of words into letters and their reconstitution into narrative, poetry, and image. In addition to providing a rich history of literary and artistic alphabetic interrogation in early modern Western Europe and Russia, Playful Letters contributes to the continuous story of how people use new technologies and media to reflect on older forms, including the alphabet itself.
The term 'White movement' is commonly associated with the military struggle against the Soviet regime pursued by various anti-Bolshevik armies. Such a perception of the movement neglects the considerable effort undertaken by Russian political elites to organize political opposition to Bolshevik power. Acting through several multiparty organizations, these elites repeatedly attempted to form a common anti-Bolshevik front, to restore an all-Russian government and to liberate Russia from the Bolsheviks. In The Lost Opportunity, Lazarski explores these facets of the anti-Bolshevik struggle, which have been almost entirely ignored by historical scholarship. If we consider that the men and women who composed those elites were the most active and dynamic group in Russian civil society that neglect is striking. Their main task—the restoration of an all-Russian government—was of utmost importance for the anti-Bolsheviks, whose main centers were located on the peripheries of the Russian Empire and often had contradictory goals. Due to the paucity of interest in the activity of White political elites, this book is a pioneering study.
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
Defining Russian Graphic Arts explores the energy and innovation of Russian graphic arts during the period which began with the explosion of artistic creativity initiated by Serge Diaghilev at the end of the nineteenth century and which ended in the mid-1930s with Stalin's devastating control over the arts. This beautifully illustrated book represents the development of Russian graphic arts as a continuum during these forty years, and places Suprematism and Constructivism in the context of the other major, but lesser-known, manifestations of early twentieth-century Russian art. The book includes such diverse categories of graphic arts as lubki (popular prints), posters and book designs, journals, music sheets, and ephemera. It features not only standard types of printed media and related studies and maquettes, but also a number of watercolor and gouache costume and stage designs. About 100 works borrowed from the National Library of Russia and the Research Museum of the Academy of Fine Arts in St. Petersburg, Russia-many seen here for the first time outside of Russia-are featured in this book. Additional works have been drawn from the Zimmerli Art Museum, The New York Public Library, and from other public and private collections. Together they provide a rare opportunity to view and learn about a wide variety of artists, from the acclaimed to the lesser known. This book is a companion volume to an exhibition appearing at the Jane Voorhees Zimmerli Art Museum at Rutgers University.
Do you want to perfect your handwriting? Do you need a trustworthy resource to teach your small children to trace the Russian alphabet? Then this workbook is the perfect companion for your studies. In it, you'll find all the modern Russian consonants and vowels, including upper and lower case variations in both the print and cursive handwriting styles. Your benefits: Clear large letters make it easy to recognize even the most detailed of the Russian characters. Detailed stroke order instructions provide you with a strong foundation to build your skills. Dedicated "Trace and Learn" sections are designed to imprint proper stroke technique unto your muscle memory. Font variations in both the print and cursive form of each letter train your brain to recognize alternative character styles easily. Simple pronunciation guidelines prevent you from feeling overwhelmed while helping you to understand the basic sound of each letter. As a bonus, for each character, you'll find extra 8.5 x 11 inches pages fully dedicated to the handwriting practice of that letter, in both print and cursive, uppercase and lowercase, with and without a guiding background light-gray letter. Feel free to photocopy these pages as you wish to extend the lifetime value of your workbook. Special information: As with all Lang Workbooks, this work is a labor of love. Accordingly, if you are a teacher, a student of Russian, or homeschooling your children, then you can photocopy any part of this workbook for your own, or your students, personal use. Learning to write the Russian script by heart has never been made easy.
The history of the Russian fascist movement in Harbin, Manchuria during the 1930s has become increasingly relevant to our understanding of modern Russia. As a railway junction and an important centre of the Jewish Diaspora, the city of Harbin became a focus of Russian emigration to Manchuria in the early 1930s, partly because of its proximity to the resource-rich Manchurian plains. In this multicultural and cosmopolitan setting the first Russian fascist groups were established. Based on an analysis of Russian civil society, Fascism in Manchuria sheds light on the impact of the newly-founded All-Russian Fascist Party on the Russian emigre community, employing the concept of 'dark' civil society. Suzanne Hohler demonstrates how fascist involvement in local civil society increasingly determined public opinion, examining the power of the military organizations, the symbols and style of the fascist organizations, the cult of the leader as well as the 'public-relations' activities of the fascist organizations and of the so-called Russian Club. In this context the book provides not only insights into the history and ideology of the far eastern branch of Russian fascism and its transnational connections, but also touches upon a variety of issues of daily life in the city, issues such as education, drug addiction and hooliganism among Russian youth, the local YMCA, the famous Kaspe kidnapping and the rise of anti-Semitism. Fascist literature from Harbin is being republished in today's Russia, and Fascism in Manchuria provides an important historical context for the thinking and motives which drive the Russian right."
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
