Meticulously edited and annotated, Tennessee Williams's notebooks follow his growth as a writer from his undergraduate days to the publication and production of his most famous plays, from his drug addiction and drunkenness to the heights of his literary accomplishments.
The World War I poet Siegfried Sassoon is one of the twentieth century's greatest icons and Jean Moorcroft Wilson is the leading authority on him. In Siegfried Sassoon: The Journey from the Trenches, the second volume of her best-selling, authorized biography, Wilson completes her definitive analysis of his life and works, exploring Sassoon's experiences after the Great War. For many people, Sassoon exists primarily as a First World War poet and bold fighter, who earned the nickname 'Mad Jack' in the trenches and risked Court Martial, possibly the firing squad, with his public protest against the War. Much less is known about his life after the Armistice. Wilson uncovers a series of love affairs with such larger-than-life characters as Queen Victoria's great-grandson, Prince Phillip of Hess, the flamboyant Ivor Novello and the exotic and bejeweled Hon. Stephen Tennant. This period also sees Sassoon establishing close friendships with some of the greatest literary figures of the age, Hardy, Beerbohm, E. M. Forster and T. E.Lawrence among them. Sassoon himself said that most people thought he had died in 1919. But Wilson shows that his poetry is, if anything, more powerful in the second half of his life. Based on a decade of meticulous research and interviews with many who knew Sassoon well, much of the material is published here for the first time. Siegfried Sassoon: The Journey from the Trenches completes a fascinating story that is beautifully told.
Camus's 1st vol. of Notebooks (1935-1942) ; translated from the French, and with a pref. and notes, by P. Thody. (His 2nd vol. included 1942-1951, translated from the French and annotated by J. O'Brien).
Available for the first time, Victor Serge's intimate account of the last decade of his life gives a vivid look into the Franco-Russian revolutionary's life, from his liberation from Stalin's Russia to his "Mexico Years," when he wrote his greatest works. In 1936, Victor Serge—poet, novelist, and revolutionary—left the Soviet Union for Paris, the rare opponent of Stalin to escape the Terror. In 1940, after the Nazis marched into Paris, Serge fled France for Mexico, where he would spend the rest of his life. His years in Mexico were marked by isolation, poverty, peril, and grief; his Notebooks, however, brim with resilience, curiosity, outrage, a passionate love of life, and superb writing. Serge paints haunting portraits of Osip Mandelstam, Stefan Zweig, and “the Old Man” Trotsky; argues with André Breton; and, awaiting his wife’s delayed arrival from Europe, writes her passionate love letters. He describes the sweep of the Mexican landscape, visits an erupting volcano, and immerses himself in the country’s history and culture. He looks back on his life and the fate of the Revolution. He broods on the course of the war and the world to come after. In the darkest of circumstances, he responds imaginatively, thinks critically, feels deeply, and finds reason to hope. Serge’s Notebooks were discovered in 2010 and appear here for the first time in their entirety in English. They are a a message in a bottle from one of the great spirits, and great writers, of our shipwrecked time.
Marina Frolova-Walker's fascinating history takes a new look at musical life in Stalin's Soviet Union. The author focuses on the musicians and composers who received Stalin Prizes, awarded annually to artists whose work was thought to represent the best in Soviet culture. This revealing study sheds new light on the Communist leader's personal tastes, the lives and careers of those honored, including multiple-recipients Prokofiev and Shostakovich, and the elusive artistic concept of "Socialist Realism," offering the most comprehensive examination to date of the relationship between music and the Soviet state from 1940 through 1954.
This bibliography describes all John Betjeman's known writings, including his own books, contributions to periodicals and to books by others, lectures, and radio and television programs. Other categories include editorships and interviews, as well as a section devoted to writings about him. Manuscripts and drafts of his works are described in detail.
A REVELATORY LOOK AT THE INTIMATE LIFE OF THE GREAT AUTHOR—AND HOW IT SHAPED HIS MOST BE LOVED WORKS With the posthumous publication of his long-suppressed novel Maurice in 1970, E. M. Forster came out as a homosexual— though that revelation made barely a ripple in his literary reputation. As Wendy Moffat persuasively argues in A Great Unrecorded History, Forster's homosexuality was the central fact of his life. Between Wilde's imprisonment and the Stonewall riots, Forster led a long, strange, and imaginative life as a gay man. He preserved a vast archive of his private life—a history of gay experience he believed would find its audience in a happier time. A Great Unrecorded History is a biography of the heart. Moffat's decade of detective work—including first-time interviews with Forster's friends—has resulted in the first book to integrate Forster's public and private lives. Seeing his life through the lens of his sexuality offers us a radically new view—revealing his astuteness as a social critic, his political bravery, and his prophetic vision of gay intimacy. A Great Unrecorded History invites us to see Forster— and modern gay history—from a completely new angle.
In the library at Trinity College, Cambridge in 1976, George Andrews of Pennsylvania State University discovered a sheaf of pages in the handwriting of Srinivasa Ramanujan. Soon designated as "Ramanujan’s Lost Notebook," it contains considerable material on mock theta functions and undoubtedly dates from the last year of Ramanujan’s life. In this book, the notebook is presented with additional material and expert commentary.
Handgun enthusiasts, gun-owning do-it-yourself, law enforcement officials, and gunsmiths here is the ultimate one-volume guide to acquiring and developing all the necessary skills for making pistol repairs at home, from helpful hints on work space and setting up a small shop, to the tools needed and how to use them properly, to welding, hardening, and gun finishing. All this valuable information, plus much more, is contained in this easy-to-use reference for handgun aficionados.
Following the Front is a compilation of WWII dispatches written by Sidney A. Olson for TIME and LIFE magazines, 1944-1945. Olson, who joined Time Inc. in 1939 and served as a senior editor there, asked to be assigned overseas as a war correspondent. In mid-December, 1944, he received his accreditation from the War Department and sailed for London. Attached to the European Theater of Operations (ETO), Olson followed the Allied Forces as they pushed the Nazis back into Germany. He typed up his reports and cabled them to his editors in New York. Following the front meant being on the move constantly. In late January, Olson made his way to Paris, flew to Brussels, then drove to the battlefront in Holland. From that time forward, he never really stopped moving. He would race ahead and circle back, hopping from one military division to the next, gradually making his way across Germany and into Austria. His dispatches illustrate--line by line, battle by battle--the extraordinary Allied effort to defeat Hitler.