In the original text alongside the English translation, Adaf blends contemporary colloquial Hebrew, Arabic, and old Aramaic with biblical, Talmudic, and Rabbinic intertextualities. The collection is a powerful lamentation for Adaf’s sister, Aviva, who died at 43. Written from a witness of Israeli society, the daily violence taking place makes the grief reverberating through the poems both personal and palpable.
Dr. Phil, Gay Unicorns, and Jesus Christ... They're all tattooed on someone's ass. Or face, or whatever. Remember that time you were wasted and thought it would be a good idea to get a tattoo on your leg of Maury Povich shaking hands with Sasquatch, but your friends talked you out of it at the last second? Well, some people don't have any friends... Aviva Yael and P. M. Chen spent a year going to tattoo conventions and tattoo studios all over the country, chasing, stalking, e-mailing, calling, interviewing, ambushing, and hunting down whomever they could in order to find the most insane tattoos out there. What started out as a joke in a bar became a year-long tattoo safari that's presented here in all its full color, balls-to-the-wall, train-wreck/beauty-pageant glory.
"My name is Aviva, not Amoeba!" shouts Aviva at her teasing classmates. Aviva is determined to change her name until she discovers where her name comes from and why her parents chose that special name for her.
A long ago "accident." An isolated girl named Aviva. A community that wants to help, but doesn't know how. And a ghostly dybbuk, that no one but Aviva can see, causing mayhem and mischief that everyone blames on her. That is the setting for this suspenseful novel of a girl who seems to have lost everything, including her best friend Kayla, and a mother who was once vibrant and popular, but who now can’t always get out of bed in the morning. As tensions escalate in the Jewish community of Beacon with incidents of vandalism and a swastika carved into new concrete poured near the synagogue...so does the tension grow between Aviva and Kayla and the girls at their school, and so do the actions of the dybbuk grow worse. Could real harm be coming Aviva's way? And is it somehow related to the "accident" that took her father years ago? Aviva vs. the Dybbuk is a compelling, tender story about friendship and community, grief and healing, and one indomitable girl who somehow manages to connect them all.
The greater half a century will pass before Aviva is ready to relinquish her sacred role as the Storekeeper to her very own Antique Shop. After battling for ownership, many decades ago, she was rewarded for the position as the new owner. Every thirteen years, Aviva resurfaces to a new location. In each town she touches, she brings an unearthly balance to every single customer she encounters. Each client has left her shop feeling blessed and at ease. Until the product of their true desire turns on them for the worse. In this book, you will read about seven deadly tales of people who were not expecting their most used sin to end their lives abruptly at the hands of fate.
A world where self-expression is banned.A world where survival is everything.A girl who will be heard.Seventeen-year-old Teddy lives in the walled-in city Metropolis. Radical laws condemn all forms of self-expression and creativity, and the lives of the people are carefully constructed and controlled by the City Council: We watch because We care.When Teddy finds out the truth behind one of the City's biggest lies, she slips out into the darkness of the City after curfew.She is captured by a stranger and held prisoner in an old bomb shelter that lies beneath the City. Here, Teddy discovers that there is a world beneath Metropolis, a world where a growing web of clans are fighting to keep their humanity alive, and waiting for a leader to unite them and lead them back up into the light.
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A longtime immigration activist explores what it means to be an undocumented American—revealing the ever-shifting nature of status in the U.S.—in this “impassioned and well-reported case for change (New York Times) In this illuminating work, immigrant rights activist Aviva Chomsky shows how “illegality” and “undocumentedness” are concepts that were created to exclude and exploit. With a focus on US policy, she probes how people, especially Mexican and Central Americans, have been assigned this status—and to what ends. Blending history with human drama, Chomsky explores what it means to be undocumented in a legal, social, economic, and historical context. The result is a powerful testament of the complex, contradictory, and ever-shifting nature of status in America.
