Tender and sweet: A love story from Polacco. Miss Parks just loves her new home, her new teaching job, and all her new students. But most of all, she loves Autumn, her perfect little kitten. Then one night, during a terrible storm, Autumn runs away. Miss Parks' students band together to search for Autumn-with no luck. Hope is lost until Autumn turns up at Miss Parks' front door with a brand new collar and a bandage on her tail. Someone has been taking care of Autumn! With the help of her students, Miss Parks unravels the mystery of Autumn's disappearance and finds true love along the way, Polacco style.
A girl struggling to fit in. A homeless kitten. An unexpected job offer in an unfamiliar country that changes everything. CJ had a long history of escaping places and people she wasn't fond of. But for the sake of a silver tabby, she decided to stay in Japan for a while. This decision helped her open up her heart and mind, revisit her way of thinking, and reconnect with her estranged family. Let this heartwarming memoir take you to the land of cats and cherry trees as you read about CJ's adventures - from the craziness of the naked men festival, the experience of forest bathing and the significance of finding a life purpose or ikigai, to the temples of Takayama, and wonders of Cat Island - you'll see what a homeless kitten found outside a temple in Japan taught her about an old culture and new beginnings
Crisp air and gray skies beckon a little girl to thoroughly investigate the outside world: chipmunks, squirrels, insects, and fallen leaves all hint that a change of season is coming. Young readers can explore the signs of autumn along with the adventurous child narrator in this charming conclusion to Wong Herbert Yee's series on the seasons (Tracks in the Snow, Who Likes Rain? and Summer Days and Nights).
New York Times bestselling creators James and Kimberly Dean show us all the wonderful things about autumn. A great book to share with the family at Thanksgiving or anytime! Pete the Cat isn't sure about the changing of the seasons from summer to autumn. But when he discovers corn mazes, hay rides, and apple picking, Pete realizes there's so much to enjoy and be thankful for about autumn.
An Instant New York Times Bestseller! When a cloudy gray sky cancels Pete the Cat’s beach day plans, a big box is all he needs to beat the rainy-day blues. Pete the Cat wants to go surfing, but he looks outside and—oh no!—it’s gray and rainy. Does Pete get sad? No, he doesn’t! Instead, he finds a really big and GROOVY box. Find out in this epic adventure just where Pete’s imagination takes him. From the authors of the #1 New York Times bestselling Pete the Cat series, James and Kimberly Dean, this out-of-the-box picture book is reminiscent of Pete favorites like Magic Sunglasses and perfect for fans of Not a Box by Antoinette Portis. Don't miss Pete's other adventures, including Pete the Cat: I Love My White Shoes, Pete the Cat: Rocking in My School Shoes, Pete the Cat and His Four Groovy Buttons, Pete the Cat Saves Christmas, Pete the Cat and His Magic Sunglasses, Pete the Cat and the Bedtime Blues, Pete the Cat and the New Guy, Pete the Cat and the Cool Cat Boogie, Pete the Cat and the Missing Cupcakes, and Pete the Cat and the Perfect Pizza Party, and Pete the Cat: Crayons Rock!.
Produced by Copenhagen's Soren Kierkegaard Research Centre, this volume, the first of an eleven-volume series, offers an insight into Kierkegaard's inner life. In addition to early drafts of his published works, it also contains his thoughts on events and philosophical and theological matters and ideas for future literary projects.
Composition Notebook Perfect square grid notebook for Actor. Size:6 x 9 in Pages:100 lightly lined pages Paper:Good quality white paper Cover:Soft Matte Cover, Math and Science design Search Composition Notebook for more variety in sizes, cover designs and ruling.
For over a century, the Danish thinker Søren Kierkegaard (1813–55) has been at the center of a number of important discussions, concerning not only philosophy and theology but also, more recently, fields such as social thought, psychology, and contemporary aesthetics, especially literary theory. Despite his relatively short life, Kierkegaard was an extraordinarily prolific writer, as attested to by the 26-volume Princeton University Press edition of all of his published writings. But Kierkegaard left behind nearly as much unpublished writing, most of which consists of what are called his “journals and notebooks.” Kierkegaard has long been recognized as one of history’s great journal keepers, but only rather small portions of his journals and notebooks are what we usually understand by the term “diaries.” By far the greater part of Kierkegaard’s journals and notebooks consists of reflections on a myriad of subjects—philosophical, religious, political, personal. Studying his journals and notebooks takes us into his workshop, where we can see his entire universe of thought. We can witness the genesis of his published works, to be sure—but we can also see whole galaxies of concepts, new insights, and fragments, large and small, of partially (or almost entirely) completed but unpublished works. Kierkegaard’s Journals and Notebooks enables us to see the thinker in dialogue with his times and with himself. Kierkegaard wrote his journals in a two-column format, one for his initial entries and the second for the extensive marginal comments that he added later. This edition of the journals reproduces this format, includes several photographs of original manuscript pages, and contains extensive scholarly commentary on the various entries and on the history of the manuscripts being reproduced. Volume 11, Part 1, and Volume 11, Part 2, present an exciting, enlightening, and enormously varied treasure trove of papers that were found, carefully sorted and stored by Kierkegaard himself, in his apartment after his death. These papers—many of which have never before been published in English—provide a window into many different aspects of Kierkegaard’s life and creativity. Volume 11, Part 1, includes items from his earliest, formative years, through his extensive studies at the university, and up to the publication of Either/Or. These materials include Kierkegaard’s studies in biblical exegesis; his reading of theologians such as Schleiermacher and Baader; his concern with aesthetic matters, including a lengthy consideration of the Faust legend; his first, trial sermon, delivered at the Pastoral Seminary; his views on the burgeoning field of political journalism in the 1830s; and a group of papers he titled “The First Rudiments of Either/Or. The Green Book. Some Particulars that were not Used.”
