Autograph Letter Signed from Charles Macklin, London, to David Garrick

Autograph Letter Signed from Charles Macklin, London, to David Garrick

Author:

Publisher:

Published: 1768

Total Pages: 4

ISBN-13:

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In response to "strange & malignant falshoods" published against his daughter, Maria Macklin, Macklin seeks to defend "the propriety of her conduct respecting the managers of Covent-garden, and of Mr. Hoole and his tragedy." Asks Garrick a series of questions regarding Garrick's knowledge of Miss Macklin's reading the part of Aspasia in John Hoole's Cyrus, her contracts, etc. Address given as "Tavistock Row."


Autograph Letters Signed from Charles Macklin to Various Recipients

Autograph Letters Signed from Charles Macklin to Various Recipients

Author:

Publisher:

Published: 1767

Total Pages:

ISBN-13:

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Twelve autograph letters signed (1 an autograph copy), 1 autograph letter with signature removed, and 1 copy . Letters sent from Dublin, London, Liverpool and Rotterdam. Recipients: George Colman the elder, David Garrick, his wife Bessy, his daughter Maria, John Peirce, Tate Wilkinson, [John Hill] Winbolt, and another. Many concern Macklin's various legal suits; several discuss terms of engagement. In (2) he proposes cast list for Othello. In (13) he quotes from a letter from Colman to Maria Macklin, March 18, 1774. Also includes Macklin's list of 7 letters exchanged between Colman and himself, 1772-1778, including (5). Some letters undated.


Charles Macklin and the Theatres of London

Charles Macklin and the Theatres of London

Author: Ian Newman

Publisher: Liverpool University Press

Published: 2022-02-15

Total Pages: 352

ISBN-13: 1800855605

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Charles Macklin (1699?–1797) was one of the most important figures in the eighteenth-century theatre. Born in Ireland, he began acting in London in around 1725 and gave his final performance in 1789 – no other actor can claim to have acted across seven decades of the century, from the reign of George I to the Regency Crisis of 1788. He is credited alongside Garrick with the development of the natural school of acting and gave a famous performance of Shylock that gave George II nightmares. As a dramatist, he wrote one of the great comic pieces of the mid-century (Love à la Mode, 1759), as well as the only play of the century to be twice refused a performance licence (The Man of the World, 1781). He opened an experimental coffeehouse in Covent Garden, he advocated energetically for actors’ rights and copyright reform for dramatists, and he successfully sued theatre rioters. In short, he had an astonishingly varied career. With essays by leading experts on eighteenth-century culture, this volume provides a sustained critical examination of his career, illuminating many aspects of eighteenth-century theatrical culture and of the European Enlightenment, and explores the scholarly benefit – and thrill – of restaging Macklin’s work in the twenty-first century.


Autograph Letter Signed from Charles Macklin, Dublin, to George Colman, Piazza Covent Garden, London

Autograph Letter Signed from Charles Macklin, Dublin, to George Colman, Piazza Covent Garden, London

Author:

Publisher:

Published: 1773

Total Pages: 6

ISBN-13:

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Gives a detailed proposal for next year's agreement. Acknowledges that others are in possession of the comic parts he used to play at Drury Lane and Covent Garden; he has "thought of Richard, Macbeth, Lear; and other Parts, such as will Suit my Time of Life" and declares "Love à la mode is my favourite Feather - the best in my cap."