Winner of the 2002 Scotiabank Giller Prize and of the 2003 Commonwealth Writers’ Prize: Best Book (Canada and the Caribbean) When an elderly Bimshire village woman calls the police to confess to a murder, the result is a shattering all-night vigil that brings together elements of the African diaspora in one epic sweep. Set on the post-colonial West Indian island of Bimshire in 1952, The Polished Hoe unravels over the course of 24 hours but spans the lifetime of one woman and the collective experience of a society informed by slavery. As the novel opens, Mary Mathilda is giving confession to Sargeant, a police officer she has known all her life. The man she claims to have murdered is Mr. Belfeels, the village plantation owner for whom she has worked for more than thirty years. Mary has also been Mr. Belfeels’ mistress for most of that time and is the mother of his only son, Wilberforce, a successful doctor. What transpires through Mary’s words and recollections is a deep meditation about the power of memory and the indomitable strength of the human spirit. Infused with Joycean overtones, this is a literary masterpiece that evokes the sensuality of the tropics and the tragic richness of Island culture.
From the author of the Giller Award - winning novel The Polished Hoe comes a new collection of 20 of his best short stories. Choosing His Coffin is a selection of Austin Clarke’s finest work from more than 40 years of storytelling, drawing on his Caribbean roots and his years in Canada. These stories range in theme from growing up in West Indian society and what it means to be black in both the United States and Canada to surviving as an immigrant in a predominantly Anglo-Saxon culture. Clarke has become one of the most respected authors in North America and is one of Canada’s national literary treasures. He is a master of fictional invention.
Austin Clarke’s luminous novel, written in vivid, hypnotic prose, reveals the dislocations of place and the nature of memory and the past. Two elderly Barbadian men, childhood friends who haven’t seen each other in fifty years, collide in a snowstorm on a Toronto street. In the warmth of a nearby bar, through the afternoon and into the night, they relate stories, exchange opinions, and share memories of a past in Barbados when, as children, neither could conceive any other place existed for them. As these two men confess to each other their innermost truths, their exploits and their love affairs, one tells the haunting story of a young Chinese woman, the other of the real reason for his visit to Toronto. Infused with pathos and humour, and with an affecting nostalgia for the idea of home, The Origin of Waves is a stunning and original novel by one of the country’s most gifted writers.
From the dazzling coastline of the French Riviera to the haunting beauty of Fairhead Rock in County Antrim, Roisin McAuley takes the reader on a gripping, twisting, turning journey to the heart of human relationships. When Claire Watson meets John Rock on holiday, the attraction is instant -- but so is the feeling they have met before. Uneasy memories from a decade earlier begin to surface, but when past and present finally collide, Claire is unprepared for the astounding consequences...
A compelling collection that explores the lives of Afro-Caribbean immigrants living in Canada, these eight short stories delve into the experiences of displaced persons living in contemporary society--all with a richness of language and rhythm that is authentically urban.
"Art in the Lives of Ordinary Romans is superbly out of the ordinary. John Clarke's significant and intriguing book takes stock of a half-century of lively discourse on the art and culture of Rome's non-elite patrons and viewers. Its compelling case studies on religion, work, spectacle, humor, and burial in the monuments of Pompeii and Ostia, which attempt to revise the theory of trickle-down Roman art, effectively refine our understanding of Rome's pluralistic society. Ordinary Romans-whether defined in imperialistic monuments or narrating their own stories through art in houses, shops, and tombs-come to life in this stimulating work."—Diana E. E. Kleiner, author of Roman Sculpture "John R. Clarke again addresses the neglected underside of Roman art in this original, perceptive analysis of ordinary people as spectators, consumers, and patrons of art in the public and private spheres of their lives. Clarke expands the boundaries of Roman art, stressing the defining power of context in establishing Roman ways of seeing art. And by challenging the dominance of the Roman elite in image-making, he demonstrates the constitutive importance of the ordinary viewing public in shaping Roman visual imagery as an instrument of self-realization."—Richard Brilliant, author of Commentaries on Roman Art, Visual Narratives, and Gesture and Rank in Roman Art "John Clarke reveals compelling details of the tastes, beliefs, and biases that shaped ordinary Romans' encounters with works of art-both public monuments and private art they themselves produced or commissioned. The author discusses an impressively wide range of material as he uses issues of patronage and archaeological context to reconstruct how workers, women, and slaves would have experienced works as diverse as the Ara Pacis of Augustus, funerary decoration, and tavern paintings at Pompeii. Clarke's new perspective yields countless valuable insights about even the most familiar material."—Anthony Corbeill, author of Nature Embodied: Gesture in Ancient Rome "How did ordinary Romans view official paintings glorifying emperors? What did they intend to convey about themselves when they commissioned art? And how did they use imagery in their own tombstones and houses? These are among the questions John R. Clarke answers in his fascinating new book. Charting a new approach to people's art, Clarke investigates individual images for their functional connections and contexts, broadening our understanding of the images themselves and of the life and culture of ordinary Romans. This original and vital book will appeal to everyone who is interested in the visual arts; moreover, specialists will find in it a wealth of stimulating ideas for further study."—Paul Zanker, author of The Mask of Socrates: The Image of the Intellectual in Antiquity
