References to the good angels in the works of Augustine are legion, and angels also play a central role in some of his major works, such as City of God and the opening of On the Trinity. Despite Augustine's interest in angels, however, little scholarly work has appeared on the topic. In this book, Elizabeth Klein gives the first comprehensive account of Augustine's theology of the angels and its importance for his thought more generally. Offering a close textual analysis of the reference to angels in Augustine's corpus, the volume explores Augustine's angelology in relationship with his understanding of creation, of community, of salvation history and of spiritual warfare. By examining Augustine's angelology, we glimpse his understanding of time and eternity, as well as the meaning and perfection of created life. Klein's book is foundational for a proper understanding of Augustine's angelology and has far-reaching implications not only for Augustinian studies, but also the broader history of Christian angelology.
This book ventures to describe Augustine of Hippo's understanding of demons, including the theology, angelology, and anthropology that contextualize it. Demons are, for Augustine as for the Psalmist (95:5 LXX) and the Apostle (1 Cor 10:20), the gods of the nations. This means that Augustine's demons are best understood neither when they are spiritualized as personifications of psychological struggles, nor in terms of materialist contagions that undergird a superstitious moralism. Rather, because the gods of the nations are the paradigm of demonic power and influence over humanity, Augustine sees the Christian's moral struggle against them within broader questions of social bonds, cultural form, popular opinion, philosophical investigation, liturgical movement, and so forth. In a word, Augustine's demons have a religious significance, particularly in its Augustinian sense of bonds and duties between persons, and between persons and that which is divine. Demons are a highly integrated component of his broader theology, rooted in his conception of angels as the ministers of all creation under God, and informed by the doctrine of evil as privation and his understanding of the fall, his thoughts on human embodiment, desire, visions, and the limits of human knowledge, as well as his theology of religious incorporation and sacraments. As false mediators, demons are mediated by false religion, the body of the devil, which Augustine opposes with an appeal to the true mediator, Christ, and the true religion of his body, the church.
Ellen Muehlberger explores the diverse and inventive ideas Christians held about angels in late antiquity. During the fourth and fifth centuries, Christians began experimenting with new modes of piety, adapting longstanding forms of public authority to Christian leadership and advancing novel ways of cultivating body and mind to further the progress of individual Christians. Muehlberger argues that in practicing these new modes of piety, Christians developed new ways of thinking about angels. The book begins with a detailed examination of the two most popular discourses about angels that developed in late antiquity. In the first, developed by Christians cultivating certain kinds of ascetic practices, angels were one type of being among many in a shifting universe, and their primary purpose was to guard and to guide Christians. In the other, articulated by urban Christian leaders in contest with one another, angels were morally stable characters described in the emerging canon of Scripture, available to enable readers to render Scripture coherent with emerging theological positions. Muehlberger goes on to show how these two discourses did not remain isolated in separate spheres of cultivation and contestation, but influenced one another and the wider Christian culture. She offers in-depth analysis of popular biographies written in late antiquity, of the community standards of emerging monastic communities, and of the training programs developed to prepare Christians to participate in ritual, demonstrating that new ideas about angels shaped and directed the formation of the definitive institutions of late antiquity. Angels in Late Ancient Christianity is a meticulous and thorough study of early Christian ideas about angels, but it also offers a different perspective on late ancient Christian history, arguing that angels were central rather than peripheral to the emergence of Christian institutions and Christian culture in late antiquity.
The following dissertation concerning the Trinity, as the reader ought to be informed, has been written in order to guard against the sophistries of those who disdain to begin with faith, and are deceived by a crude and perverse love of reason. Now one class of such men endeavor to transfer to things incorporeal and spiritual the ideas they have formed, whether through experience of the bodily senses, or by natural human wit and diligent quickness, or by the aid of art, from things corporeal; so as to seek to measure and conceive of the former by the latter. Aeterna Press
This monograph has set itself the goal to examine, outline, elucidate, and supplement the existing body of knowledge concerning a theme from patristic and medieval theology recalled in 1953 by Marie-Dominique Chenu, and that is the assertion that man was created as a replacement for fallen angels (Yves Congar: créature de remplacement; Louis Bouyer: ange de remplacement). The study first shows that the idea of man having being created to take the place of fallen angels was introduced by St. Augustine and developed by other church fathers. It then identifies the typical contexts in which the subject was raised by authors of the early Middle Ages, but goes on to focus on the discussion that developed during the twelfth century (Anselm of Canterbury, the school of Laon, Rupert of Deutz, Honorius of Autun), which represents the high point of the theme under investigation, culminating in the assertion that man is an "original" being, created for its own sake, for whom God created the world – a world which together with, and through, man is destined for the heavenly Jerusalem. The question as to whether man would have been created if the angels had not sinned (cur homo) bears a clear similarity to a further controversy, the origins of which also go back to the twelfth century, and that is whether the Son of God would have become incarnate if man had not sinned (cur Deus homo). Next, the book sheds light on how the subject begins to gradually fade away through the twelfth and thirteenth centuries, both within monastic tradition, which nonetheless held onto Augustine's motif, and within scholastic theology, which asserted that man was created for his own sake. The conclusion summarizes the findings and points to the surprisingly contemporary relevance of the foregoing reflections, particularly in relation to the critique that the Swiss philosopher and theologian Romano Amerio († 1997) offers concerning a statement in the pastoral constitution of the Second Vatican Council (Gaudium et spes 24), according to which man is "the only creature on earth that God willed for itself".
How might premodern exegesis of Genesis inform Christian debates about creation today? Pastor and theologian Gavin Ortlund retrieves Augustine's reading of Genesis 1-3 and considers how his premodern understanding of creation can help Christians today, shedding light on matters such as evolution, animal death, and the historical Adam and Eve.
This book ventures to describe Augustine of Hippo's understanding of demons, including the theology, angelology, and anthropology that contextualize it. Demons are, for Augustine as for the Psalmist (95:5 LXX) and the Apostle (1 Cor 10:20), the "gods of the nations." This means that Augustine's demons are best understood neither when they are "spiritualized" as personifications of psychological struggles, nor in terms of materialist contagions that undergird a superstitious moralism. Rather, because the gods of the nations are the paradigm of demonic power and influence over humanity, Augustine sees the Christian's moral struggle against them within broader questions of social bonds, cultural form, popular opinion, philosophical investigation, liturgical movement, and so forth. In a word, Augustine's demons have a religious significance, particularly in its Augustinian sense of bonds and duties between persons, and between persons and that which is divine. Demons are a highly integrated component of his broader theology, rooted in his conception of angels as the ministers of all creation under God, and informed by the doctrine of evil as privation and his understanding of the fall, his thoughts on human embodiment, desire, visions, and the limits of human knowledge, as well as his theology of religious incorporation and sacraments. As false mediators, demons are mediated by false religion, the body of the devil, which Augustine opposes with an appeal to the true mediator, Christ, and the true religion of his body, the church.
No other theological text polarized the early modern Catholic world as much as Cornelius Jansen's Augustinus. In it the erudite bishop not only reconstructed St. Augustine's teaching on grace and free will, but also boldly claimed that his views were in line with the Council of Trent and the Society of Jesus. For Jansen the latter had marginalized the Church Father's doctrine on divine predestination by overemphasizing human free will. Published after his death in 1640, Jansen's work drew a large crowd of followers and inspired an Augustinian reform movement. Its papal condemnation unintentionally spread this theology, but stifled an impassionate, academic engagement with the Augustinus. This first-ever translation of some of its central chapters enables historians, philosophers and theologians to finally engage with the founding text of Jansenism.